Archive for May 14th, 2008

REPUBLICAN RON PAUL PREDICTS A PRESIDENT OBAMA COME JANUARY

May 14, 2008

from empowertube.blogspot.com

Saturday, May 03, 2008(FROM LOS ANGELES TIMES)
Republican Ron Paul Predicts a President Obama Come January! Rep. Ron Paul, the House member from Texas who technically remains in the race for the Republican Party’s presidential nomination against Sen. John McCain, predicts that Democratic Sen. Barack Obama will be the next president of the United States. According to the campus newspaper of Maryland’s Goucher College, the 72-year-old Paul made the surprising statement during campaign remarks Thursday at a school presidential forum. Politics and Election Humor
“How about that presidential race? Hillary Clinton just won’t quit. Can you believe that, ladies and gentlemen? You have to admire somebody who, against all odds, just won’t quit. I mean, right now she has absolutely no chance whatsoever of being president, but she just won’t quit. And they’re running out of money. Hillary Clinton, God bless her, is running out of money. And today she was wearing a certified pre-owned pantsuit.”
–David Letterman

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BILLARY IS BUSY RIGGING AND TRYING TO BRIBE VOTERS TO TRY TO STEAL THE ELECTION FROM OBAMA! FROM ENPOWERTUBE.BLOGSPOT.COM

May 14, 2008

FROM empowertube.blogspot.com

Tuesday, May 13, 2008
Clinton Camp Passed Out ‘Street Cash’ In Hispanic, African American Districts – NYTimes

The payments, known in the political vernacular as “street money,” are a legal but controversial tool that Mrs. Clinton employed at a time when she was desperately seeking a victory after losing 10 consecutive contests to Mr. Obama. But they underscore how her strategists, caught unprepared for a drawn-out battle, turned to an old-style method of retail politicking to ensure much-needed victories in the suddenly critical primaries such as Texas and Ohio.

For instance, the Clinton campaign paid Ms. Espinoza and seven other members of her family $100 to $200 each to knock on doors, deliver fliers and get voters to the polls for the Democratic primary on March 4, which Mrs. Clinton narrowly won. The Espinozas were among at least 460 Texans, most of them rural Hispanics in South Texas or African-Americans in Houston, who received payments from the Clinton campaign for this kind of work, according to a review of Federal Election Commission records. The records show that Mrs. Clinton did something similar in Ohio, giving $38,300 to a state legislator, Eugene R. Miller, who says he used it to pay more than 200 people to get out the vote in predominantly black neighborhoods in Cleveland.

The Clinton campaign made payments of $80 to $125 to more than 200 people in Houston, and $100 to $200 to 170 people in the McAllen and Brownsville areas near the Mexican border. Whatever its effectiveness, street money is burdened with negative overtones stemming from accusations over the years that paid operatives have manipulated elderly voters in some elections or given people cash in exchange for their votes.

Posted by EmpowerTube on Tuesday, May 13, 2008 —
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COMPARE THIS WHITE MAN’S REVIEW IN VARIETY WITH THE NIGERIAN REVIEW OF “THE NARROW PATH” BASED ON BAYO ADEBOWALE’S GREAT BOOK “THE VIRGIN”

May 14, 2008

from variety.com
Variety Review of The Narrow Path:

The Narrow Path
(Nigeria)
By ROBERT KOEHLER
A Mainline Film and Television Prods. presentation (International sales: Mainline Film and Television Prods., Lagos.) Produced by Tunde Kelani. Directed, written by Tunde Kelani.

With: Sola Asedeko, Seyi Fasuyi, Eniola Olaniyan, Joke Muyiwa, Olu Okekanye, Ayo Badmus, Segun Adefila, Khabirat Kafidipe.

For a film that includes two rapes and the attempted torching of an entire village, Tunde Kelani’s “The Narrow Path” extends the filmmaker’s consistent ability to deliver low-budget films that have an affable, often jaunty, tone. As always with the leading voice in Nigeria’s independent video feature movement, storytelling takes the form of a fable — in this case, about a courtship that threatens to collapse before the wedding night, and the strife that ensues; events lead to a happy ending with a politically progressive message. A sure hitmaker locally and in West African venues, pic deserves fest programmers’ attention worldwide.
As important as Ousmane Sembene and Abderrhamane Sissako are to presenting African cinema beyond the continent, Kelani is arguably more influential than these two at home, and has played a key role in establishing one of Africa’s few real film industries in Nigeria (often dubbed “Nollywood”). Production, unlike classical Francophone co-productions, is largely homegrown, and with primary concern for playing to local auds.
While Kelani is hardly in Sembene’s or Sissako’s class as an artist, the sense of village life, relationships and politics in “The Narrow Path” equals and may well surpass a similar setting portrayed in Sembene’s recent village tale, “Moolaade.”
Facing the prospect of an ersatz bidding war among suitors in various nearby villages, pretty Awero (Sola Asedeko) whittles the candidates down to clumsy hunter Odejimi (Seyi Fasuyi) and effete rich man Lapade (Ayo Badmus), and settles on Odejimi. Dauda (Segun Adefila), a shady but charismatic fellow from the city (as Lagos is referred to here), seems ineffectual in his come-ons to Awero, until he rapes her one night in a remote corner of the village.
Odejimi, who has already had a somewhat comical faceoff with Lapade, accidentally shoots his rival in the jungle while hunting. Although no one buys blowhard Lapade’s true claim that Odejimi shot him, the incident has tainted Odejimi’s romantic vision of courtship and marriage. A culturally worse discovery on the wedding night sours him on life with his bride-to-be.
Kelani applies a fluid and casual filmmaking hand that invites the viewer to participate in the village folderol. Evincing a Shakespearean influence, dramatic conflict (men from the two villages are on the verge of war by the final act) is preceded by jolly comedy that introduces likable characters who simply want to lead happy lives, with a narrative leading inevitably to reconciliation conducted by women.
Just this side of annoyingly broad, the perfs Kelani draws out of his actors fully support the fable’s basic nature.
If there’s a continuing problem with Kelani’s movies, it’s a tendency for incredibly insipid, intrusive and low-grade synthesizer music on the soundtrack (by Seun Owoaje). Locations in Nigeria and Benin are used naturally, never for picture-postcard effect.
Camera (color/B&W, DV), Kelani, Lukaan Abdulrahman; editors, Mumin Wale Kelani, Frank Anore; music, Seun Owoaje; production designer, Kehinde Oyedepo; costume designer, Abiola Atanda; sound, Abimbola Ogunsanya, Fatai Izebe; assistant director, Olu Okekanye. Reviewed on videodisc, Los Angeles, Feb. 18, 2007. (In Pan African Film Festival.) Running time: 93 MIN.

Variety is striving to present the most thorough review database. To report inaccuracies in review credits, please click here. We do not currently list below-the-line credits, although we hope to include them in the future. Please note we may not respond to every suggestion. Your assistance is appreciated.
Date in print: Mon., Apr. 2, 2007, Weekly

Links posted in this story:
Abimbola Ogunsanya,
Abiola Atanda,
Ayo Badmus,
Eniola Olaniyan,
Fatai Izebe,
Frank Anore,
Joke Muyiwa,
Kehinde Oyedepo,
Khabirat Kafidipe,
Lukaan Abdulrahman,
Moolaade,
Mumin Kelani,
Olu Okekanye,
Ousmane Sembene,
Segun Adefila,
Seun Owoaje,
Seyi Fasuyi,
Sola Asedeko,
Tunde Kelani

——————————————————————————–

BAYO ADEBOWALE’S GREAT AFRICAN NOVEL “THE VIRGIN” HAS BEEN MADE INTO A FILM (FOR THE SECOND TIME) BY TUNDE KELANI
FROM naijarules.com
Who stole the ‘purity’ of this innocent girl?
——————————————————————————–
By Akeem Lasisi
Published: Friday, 4 Jan 2008
Tunde Kelani’s latest film, The Narrow Path, which he adapted from Bayo Adebowale’s novel, The Virgin, takes Nollywood closer to the ideal. One query that many Nigerian films have not been able to answer borders on how appropriately they have been able to represent or portray the realities of our society. But somehow, Tunde Kelani once again cleverly answers that in The Narrow Path, one of the films that kicked off the 2007 movie season in the country. Only that – well, if observing this matters at all – the 1: 38 minutes movie takes the viewer to some 100 years back in time.
Asedeko (Awero)
The Narrow Path is the story of Awero, a village belle, who, by the virtue of her unadulterated beauty, becomes the toast of several men who want her hand in marriage. At least, three men – hunter Odejinmi, moneybags Lapade and Dauda the sex monger – persistently express their desires accordingly.
Set in Orita Village, where the mud-house home of Awero’s father, Jibosa, (played by a veteran actor, Olu Okekanye) and his wife become a sort of Mecca where men pay homage to secure the heart of their daughter, actions move to Agbede and Aku, which are Odejinmi’s and Lapade’s villages respectively.
As each of Odejinmi and Lapade push their desires to have Awero, (Sola Asedeko) they clash openly occasionally. The two rivals adopt different approaches to achieve their desires: Odejinmi exercises restraint, preaching love to Awero, while Lapade is eager to flaunt his wealth. Yet, unknown to the two, there is Dauda, the Lagos boy, who is also surreptitiously enticing the lady with ‘city gifts’ such as Saturday Night Powder, Nku Cream and a big mirror. Along the line, Dauda – played by the leader of Crown Troupe of Africa, Dauda Adefila – forces Awero to an unholy and abominable bed where he rapes her and forcefully ‘disflowers’ her. Although he runs back to Lagos immediately afterwards, it is the abominable act that fast-tracks the conflict that pushes Orita and Agbede villages to the very narrow path of war.
The forced exit of Awero’s innocence is the beginning of a suspense and dramatic irony on which the success of the film largely rests. After the Awero family has given Odejinmi a nod, the process leading to the marriage becomes swift. Odejinmi endlessly dreams about the first night – which every villager is also eager to celebrate, as is the custom – when he will go into Awero and turn her into a woman. In the months that precede the traditional wedding, however, misery, depression and nightmares have become the lot of Awero, who cannot imagine the shame that will befall her and her parents when everyone gets to know that she is ‘a broken pot’.
Although The Narrow Path centrally celebrates marital processes in the traditional Yoruba setting, Kelani configures the plot in such a manner that every aspect of it drips with a message. It is a film in which costuming and language tell a story, for instance. Awero and her friends – among whom is Kabirat Kafidipe, popularly called Arapa-re-Gagan, based on the role she played in Kelani’s Saworo Ide – tie only wrappers round their virgin bodies. They don’t wear bras, for example. Yet, the wrappers are tied so tight that the girls feel safe, thus reminding the viewer of the days of guarded innocence.
Kelani further scores a point in his casting. He parades the likes of Okekanye, Seyi Fasuyi, Eniola Olaniyan, Joke Muyiwa, Lere Paimo, Olofa Ina, Mama Rainbow and Ayo Badmus who are able to blend into the rural environment of the film. Where he needs a clownish sanitary inspector, he goes for Papa Ajasco. And where a city girl/education officials required, he goes for Bukky Wright.
It is a good thing that The Narrow Path is subtitled. But there seems to be a puzzle here. The film is rendered in English. Yet, it is sub-titled in English. It is true that Bayo Adebowale’s novel, The Virgin, which is the parent script, is in English. But even if The Narrow Path has to be in the same language, why not subtitle it in Yoruba or French?
Also, in the film, Dauda wears a dreadlock. Some may want to argue that dreadlocks were not a popular sight at the time the story is depicting.
Although The Narrow Path also scores a point in bringing out the versatility of the several ‘Yoruba’ actors and actresses who now act in the ‘English’ movie, an actor such as Badmus fails to totally escapes the cross of mannerism even in his deformed state in the movie. At some points, his gesticulations are too close to what one had seen from him in other films he had acted in.
Beyond such observations, however, The Narrow Path, despite its moderate budget and the simplicity in its setting, fulfils the ambition of any standard film in terms of the significance of its message and entertainment value.
Who stole the purity of this innocent girl?
posted by Uyiuyi, on April l,2008

Sunday, April 20, 2008
The Narrow Path
Tunde Kelani’s film deals with an extremely touchy subject

Written by Laura Adibe Photography by NGEX website

What is admirable about Nollywood film is the ability by its filmmakers to put together films on moderate budgets with quick turnarounds. Kelani’s film, done on a moderate budget, pieces together a story with a very important message. The Narrow Path deals with such issues as rape, marriage, and innocence.
Tunde Kelani’s film in which he wrote, directed, produced and even partly shot has screened in numerous festivals such as the Women of Color Arts & Film Festival and the New York African Film Festival. The film, an adaptation of Bayo Adebowale’s novel, The Virgin and a sequel to The White Handkerchief follows protagonist, Awero (Sola Asedeko) , who must choose between three suitors who wish to have her hand in marriage. Her wedding night is transformed when she must cope with a shameful secret line that places her in an awkward position between shame and honor.

“I WOULDN’T HAVE MINDED A MAN WITH 10 OR 15 WIVES” SAYS YORUBA(NIGERIAN)ACTRESS NIKE PELLER IN THE PUNCH NEWSPAPER(NIGERIA)

May 14, 2008

FROM punchng.com

Published 5/10/2008 3:59:00 AM

I wouldn’t have minded a man with 10 or 15 wives–Nike Peller

Adeola Balogun

As a daughter of the late magician, Professor Abiola Peller, Nike Peller, no doubt is a very popular actress especially in the Yoruba genre. However, in an industry where marriages are often the subject of headlines, the light complexioned actress has opted for a quiet marriage.

Her reasons?

“If I should marry a socialite, I suspect it might not work because I know the kind of person I am. You know, being a popular artiste is another kettle of fish entirely. You know too that my father used to be very popular while he was alive. It had really bothered me for a long time but I thank God for answering my prayers with the kind of man he gave me. He is so easygoing, does not want noise and allows me to focus on my job without distraction.”

She said her beau never knew she was an actress before he approached her.

“I must tell you that we just met in a normal way. Funnily enough, he did not know anything about me when we met. Even though I had been very popular on the screen before he met me, he was not aware of anyone called Nike Peller. In fact, when I told him that I was Nike Abiola, he asked which of the Abiolas. Incidentally, he said he was a classmate of my brother, Kayode Abiola Peller. It was later that I told him that I was an actress and he didn’t care. I must tell you that getting someone like that on a neutral level suits my kind of life; it gives me the confidence that he got hooked to me as I am, not because of what I am. You know there are some men out there whose target is to date actresses they watch on the screen and dump them afterwards. They take delight in counting their conquests among the popular artistes around.”

But before she got hooked to her man, Peller told Spectacles that she had about two relationships, which did not work out.

She said, “I would say I had two relationships, one in England and one in Nigeria here. I believe that, perhaps, God did not want them to work. One of the reasons for the break ups was hearsay. You know we are always on locations and when you cannot trust the person you are going out with, the relationship is meaningless. If a man tells you that he is at Oyingbo, believe him if you don’t want to give yourselves unnecessary stress. That was what happened with the guy in England then. For the guy in Nigeria, I think it was more of his family background. He is a Christian while I am a Muslim, maybe his family didn’t want him to get married to a Muslim. But that does not really matter, whether you are a Muslim or a Christian does not really matter, what I want is where I can get happiness. My present man is a Christian but he understands everything about me. We relate like a brother and sister, I am always happy around him. The guy trusts me and I trust him.”

Peller does not mind getting married to a polygamous man so far she is happy.

“As a Muslim, I can get married to someone who has 10, 15 wives so far I am happy with him, it is between him and me. That is no big deal.”

As an actress, Peller does not see any reason why everyone should see women who act as a wayward bunch.

According to her, “I don’t allow this actress thing or stardom to get into my head. Let me tell you something, there are some things I cannot do as an actress because of my name. After my job, the next thing is my home. No matter what, a wife should be submissive to her husband even if she is a millionaire. You know, I am a Muslim and in Islam, you have to submit yourself to your man even if you are the richest woman on earth.”

Sometimes back, his brother who is now a bishop of Fingers of God Ministry, Kayode Abiola Peller dismissed as fake the magic their late father was famous for. He said what his father was doing and which he also practised, was nothing but deception. But Nike would hear none of that.

She said, “He cannot say that because it worked. I would say that my father was only entertaining the crowd in his own way. I am not surprised that you said my brother called my father’s magic fake. He is now a pastor and believes that the old things have gone away. My brother then was involved in it, in fact he was then known as Young Peller. We used to travel together to perform magic everywhere, but now that he is born again, no problem. All what I know is that my father was the greatest man in his lifetime. He was known all over the world because of his wonderful magic. He handled it professionally together with his family.”

After the demise of the late magician, none of his numerous children continued in his line of trade despite the fact that they were all involved in the business while the patriarch was alive. Nike Peller told Spectacles the reason.

“You cannot practise magic all alone. When Professor Peller was alive, most of the children were much younger and it was easy for him to involve us in his trade. It was a family thing. But now, we have grown and are scattered all over the world. That is why it is not easy for any of us to continue. If by tomorrow someone says he wants to start, he will have to recruit either his family, train them or get people around. It is a very serious business. All the instruments are still intact; nobody has touched them. But what I think has happened is that people have moved on, they no longer believe in the stunts. But while the man was alive, he did his best entertaining his fans.”

With her brother, Kayode, the actress told Spectacles that they explored the world of magic before something ugly happened: Their magic failed them and the young Peller got involved in drugs until he got born again. But the actress recalled that it was much fun while the party lasted. She described her father as the best father who made sure that his children enjoyed fatherly love despite being a polygamous man with many children.

“Even if you were not his child, you were treated same way. That is why then, there were so many people, Igbo, Hausa, name it, that my father catered for. He was kind-hearted and generous to a fault. We lived in a very big environment. There was peace in the family. The role Otunba Toyin is playing now is what he inherited from our father; he will call up everyone to find out what is happening to everyone. Otunba Toyin is our first born, he lives in Ibadan. If he is coming now, you will think it is our father that is coming, he so much looks like him,” she said.

Peller has been described as one of the actresses that bleached their skin. But she told Spectacles that those who wrote that did not know her family.

She said, “Thank God you know my brother, the pastor. We are all light skinned in our house. How can anyone say I bleached my skin? I am naturally light in complexion. Those who say I bleached don’t know us. Look at me very well. Do I look like someone who bleached? I don’t know whether you have met someone who bleached, you will see some patches here and there which I don’t have. If they have said I tone my skin, yes, what is wrong in that? It is normal for a light complexioned person to tone her skin a little, which I do.”

Even though she admitted that entertainment flows naturally in every Peller child, Peller told Spectacles that she was taught how to act.

“I started acting while in the primary school. The man that taught me how to sing, dance and act is still alive. He is Mr Dokun Awolere, a newscaster at LTV8, Ikeja. He used to be my teacher in the primary school and I am very proud of him. But coming to acting in the real sense of it, I was in school, Institute of Technology, in Akure in 1987 when a friend of mine asked me to come for auditioning. I told them that I had lectures unless they wanted to shift it for me till weekend. I remember very well that I was paid three thousand naira then because I played the lead role. The film was Aye Lu. I appeared in Mosebolatan by Baba Sala but I was among the crowd. I remember that Baba used to perform magic with Baba Sala then in Ibadan.”

Peller told Spectacles that she worked hard to be in the reckoning of producers, her background notwithstanding. She recalled her journey into the acting world when she met the likes of Alade Aromire, Yinka Quadri and the like.

She said, “I tell people that I was invited to the industry, not that I lobbied or did something nasty to get roles, no. I did not date anyone in the industry. Before I became one of them, I had been close to most of those in charge then. The likes of Oga Bello, who was my in law. Some people did not know that I was not the one married to him, it was my sister, Idiat Peller, though she is late now.”

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