Archive for January, 2013
OUR BLACK SKINNED BEAUTY GABOUREY Sidibe WILL LEARN A LOT NOW ABOUT HER AFRICAN ROOTS AND LEARN TO BE PROUD OF AFRICA!January 29, 2013
OUR BLACK SKINNED BEAUTY GABOUREY Sidibe WILL LEARN A LOT NOW ABOUT HER AFRICAN ROOTS AND LEARN TO BE PROUD OF AFRICA!
iHarlem Arts Alliance Presents: On the “A” w/Souleo
January 24, 2013 · No comments
Culture · Tagged: africa, afropop, Culture, gabourey sidibe, Souleo
Actress Gabourey Sidibe Shines Light on Africa with ‘AfroPop’
Actress Gabourey Sidibe is ready to take on one of her most important roles to date as host of AfroPoP: The Ultimate Cultural Exchange, a documentary series highlighting contemporary life, art and pop culture in the African Diaspora. The fifth season of AfroPoP, produced by Black Public Media, premiered Tuesday, January 22 on public television’s WORLD channel, continuing on Tuesdays weekly through February 5, 2013.
Sidibe, who is best known for her Oscar-nominated performance in the film Precious, decided to accept the role of host as an opportunity to learn more about her roots. “I am part African—I am Senegalese. So I looked at it as a chance to get closer to where I am from,” she says.
Furthermore, she is hoping that this season, which focuses on human and women’s rights issues, will shatter myths about Africa. The challenge is not new for the Harlem- raised star, since as a young woman she had to combat stereotypes. “Growing up I was the African kid in my school. Every time I went back to Africa people thought I was sleeping in a bush and being chased by lions, but it wasn’t that. So I hope people can see themselves in this series and I hope it highlights that everyone struggles and celebrates.”
The universal human experience is also the core theme of visual artist Peter Wayne Lewis’ exhibition Paintings from the Middle Earth Part IV at Skoto Gallery. Special guests on opening night included legendary painter Ademola Olugebefola and writer of the exhibition’s e-catalog, Babacar M’Bow. The series of works presented visually unites themes of science, art and music as the artist’s fluid lines draw parallels between these worlds to demonstrate their interconnectedness. “There are creationists who think science is an aberration and not part of the equation,” Lewis says. “But it is only a description of the majesty of what you may say your God is, so it is all one in the same thing. Human beings, in our foibles, are trying to describe this gift we are given which is life.” The exhibition is on-view until February 23, 2013.
Further exploring themes of life is the exhibition Elements in Red, on view at New World Stages and curated by Bernard Stote. Works by artists such as Harlem Arts Alliance member Leon Nicholas Kalas, Joyce Yamada and Math-You explore this primary color and expand its connotations beyond passion and violence. “When I did the call for art I noticed getting such a diverse application from artists from blood and war to love to landscape,” says Stote. “It’s amazing how vibrant that color is and how many different themes it can invoke in artists.”
While this week offers opportunities to check out all of the aforementioned projects, you’ll also want to support upcoming events including actress/comedian Kim Coles’ one-woman show, Oh But Wait, There’s More and Keith Sweat’s appearance at MIST Harlem.
The Harlem Arts Alliance is a not for profit arts service organization celebrating 10 years of service to a prestigious list of members such as the Apollo Theater, the Greater Harlem Chamber of Commerce, Columbia University, Harlem Stage (Aaron Davis Hall) and over 850 more cultural/arts institutions and individuals. The weekly column, Harlem Arts Alliance Presents: On the “A” w/Souleo, covers the intersection of the arts, culture and entertainment scene in Harlem and beyond and is written by Souleo, founder and president of event/media content production company, Souleo Enterprises, LLC.
A walk among Sudan’s Nubian pyramids
Does Sudan have more pyramigypt? In this series, we explore the splendours of the ancient Kingdom of Kush and the legacy it left behind in the land of the Black Pharaohs
Mohammed Elrazzaz, Monday 21 Jan 2013
The Island of Meroe
Following the Nile as it flows north, some 200 kilometres from Khartoum, one comes close to the last capital of the Kushite Kingdom, one of ancient Africa’s most prominent cultures. The site, known as the Island of Meroe, is no island at all, but rather an expanse of land that stretches between the Nile and the Atbara River. One of two UNESCO World Heritage Sites in Sudan, the archaeological sites of Meroe includes Meroe itself, Naga and Musawwarat es-Sufra.
Visitors to these isolated sites will find pyramids, temples, relics of residential buildings and irrigation infrastructure dating from as far back in time as the eighth century BC.
The Kingdom of Kush, which was heavily influenced by Ancient Egyptian culture, built its own pyramids, over two hundred of them. Whether at Meroe, El-Kurru or Nuri, the unique architecture of these pyramids is self-evident.
Unlike their Egyptian counterparts, the Nubian pyramids are much smaller in size (a base no broader than eight metres), very steep (an angle of seventy degrees) and rather elongated (no higher than thirty metres). Before delving into more details, we start with the first site.
Naga, at the Hall of Natakamani
A monumental pylon looms at a distance. As we came closer, we could decipher the bas-reliefs: the King Natakamani and his wife and co-regent Queen Amanitore appear grasping their enemies by the hair and beating them triumphantly.
This first-century temple is dedicated to a local god: Apedemak, the Kushite lion-headed warrior deity. On the sidewalls, Natakamani is accompanied by Apedemak, Horus, and the ram-headed Amun, while a curious image of Apedemak as a lion-headed snake emerging from a lotus flower never fails to grasp attention.
Back to the pylon, one can easily understand why many visitors like to think of this temple (and other Sudanese ones) as Pharaonic, while, in reality, they are only of Pharaonic inspiration.
These monuments are all Kushite, and a closer look would reveal artistic features typical of their culture: the Queen has clear African features, and the same goes to the broad-shouldered King with his round head and his necklace of large beads. Moreover, the Queen is depicted as the same size as the King, something symbolic of an equally important role.
A stone’s throw from the temple is an interesting kiosk with a hybrid style that fuses Egyptian, Greek and Roman elements. No interpretation whatsoever is offered. Not far from here is yet another temple, a big temple dedicated to Amun, also commissioned by the King Natakamani.
In addition to the hypostyle plan and the colonnades, the Temple of Amun has its own avenue of rams, reminiscent of the one in Karnak, Luxor.
The Great Enclosure, dating from the Napatan Period, is the name given to an architectural ensemble comprising three temples, all with courtyards, chapels and ramps. Why ramps? The answer comes from a funny-looking statue of an elephant.
Other reliefs of elephants here and in the nearby Lion Temple led many Egyptologists to conclude that the Great Enclosure served –among other things- as a place for training elephants for battles.
As for the Lion Temple, it is a compact and elegant structure dedicated to Apedemak by the King Arnekhamani. Dating from the third century BC, it is one of the earliest Merotic monuments, and its interior presents a fantasy world of elephants, lions, sphinxes and griffon-like creatures depicted on the walls and the columns. The temple in its current state is a reconstruction dating from 1969.
“Clearly visible from the Khartoum-Atbara highway, the pyramids of the Royal Cemetery of Meroe stand alone on a sandy ridge like a row of broken teeth,” Paul Clammer, the Bradt Travel Guide – Sudan.
These teeth were broken (or better said, these pyramids were decapitated) by Western explorers and treasure-hunters in search for gold. Giuseppe Ferlini is probably the one name responsible for most of the damage.
Someone once said that the pyramids were archeologically significant but visually unimpressive. As we approached the Royal Pyramids of the Northern Cemetery (one of three pyramid fields of Meroe), we quickly came to realise that that was wrong.
The landscape in this pyramid field, dominated by the perfect harmony of the massive yellow sand dunes and the reddish hue of over thirty pyramids, is made even more serene by the absolute absence of tourists and touts tying to sell you a papyrus roll or a camel ride.
The site has a melancholic feel, and the clustering of so many pyramids in such compact a space only adds to the magic. The pyramids here have funerary chapels attached to their eastern side, something that cannot be seen in Egypt. Some thirty kings, eight queens and numerous princes were buried here, with the oldest burials dating to the third century BC, and continuing all the way to the fourth century AD.
Several construction styles are visible, and can be classified into types: stepped stone courses, smooth surfaces, moulded corners, hybrids; the examples are many. As we silently roamed between these pyramids, we came to wonder about the fate of Meroe, which came to an end with the rise of Axum in Ethiopia and the vandalism of the Bedouins, among other factors.
My travel companion and friend Ahmed Yehia, who has a graduate degree in cultural management, summed it up nicely: “Meroe is a place where you not only see the history in front of you…you also feel it. I couldn’t have believed that such a place existed with all these pyramids around you…I’m sure people in Egypt don’t know about this amount of pyramids in our sister country Sudan.”
Our words were swallowed by the looming silence. A slight breeze carried the sand westwards, towards the direction of our next destination: Jebel Barkal and the land of the Black Pharaohs.
Why Black Men Tend To Be Fashion Kings
by NPR Staff
December 31, 201211:48 AM
Listen to the Story
Tell Me More
9 min 15 sec
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For many, style is much deeper than articles of clothing; it’s a statement of identity. Black men have a unique relationship with fashion, one that can be traced all the way back to the 17th and 18th centuries.
Monica L. Miller, the author of Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, spoke with Tell Me More’s Michel Martin about the past, present and future of black men’s fashion.
Miller, an associate professor of English at Barnard College, explains that African-American men have used style as a way to challenge stereotypes about who they are. “Sometimes the well-dressed black man coming down the street is asking you to look and think.”
Victor Holliday, associate producer of on-air fundraising at NPR and one of the resident kings of style, tells Martin that he learned about the importance of fashion at an early age. “When I was 5 years old, I knew exactly how I was going to look,” he says. “And that was the year I got my first trench coat and my top hat.”
Holliday’s style icon is his father, who taught him that the main object of dressing up is winning respect. “Because as you present yourself seriously, people tend to take you seriously.”
Holliday is one of the men featured in Tell Me More’s Kings of Style slideshow.
Obama’s popular vote totals put him in small club
The 2012 presidential election has obviously come and gone, but before we move on entirely, there’s a little tidbit of statistical trivia that struck me as interesting — and chart worthy.
Bloomberg reports today that, thanks to some provisional ballots that have now been counted in New York City, President Obama’s popular-vote total is up to 51.06%. That wouldn’t be especially interesting, were it not for the fact that Obama is the first presidential candidate since Dwight Eisenhower to top 51% twice.
In fact, in American history, this is a feat that’s only been pulled off by six presidents: Andrew Jackson, Ulysses S. Grant, William McKinley, Franklin D. Roosevelt, Eisenhower, and now, Barack Obama.
In case you’re wondering if Reagan made the cut, he came close, but ended up with 50.7% in 1980. Plenty of other candidates might have had a better shot at this, were it not for third-party candidates.
Also, though Obama’s popular-vote win on election night seemed quite narrow, it’s now grown to about four percentage points (and roughly 5 million votes), which is a pretty comfortable margin of victory.
We can debate the utility and value of electoral “mandates,” but if they mean anything, Obama has earned enough public backing to have Congress take his agenda seriously.
Gabourey Sidibe Lands NEW GIG As Host Of Public Television’s “AfroPoP” + Fantasia Goes On APO
Jan 03 | by _YBF
Actress Gabourey Sidibe has landed a new gig as the host of Public Television’s “AfroPoP”. Get the details on her new job inside and read Fantasia’s latest rant about people who judge her….
On January 22, Yelling to the Sky actress Gabourey Sidibe will make her debut as the host of Public Television’s AfroPoP: The Ultimate Cultural Exchange, an innovative documentary series highlighting contemporary life, art and pop culture in the African Diaspora.
Produced by Black Public Media, the show will premiere on the WORLD Channel at 7:00pm ET on Tuesday, January 22 and continue on Tuesdays weekly through February 5, 2013.
Gabourey spoke about “AfroPoP”, which uses independent films to bring awareness to human and women’s rights struggles saying,
“This season of AfroPoP helps give voice to those who truly need to be heard. I’m happy to help bring these stories to the American public and raise awareness of issues of vital concern to women and men in Africa as well as all who care about human rights.”
And since she’s a star product of indie films like Precious, this new role suits her.
Leslie Fields-Cruz, Black Public Media Vice President and Director of Programming, explained Gabby’s hiring saying,
“Gabourey’s energetic spirit and connection to the youth culture made her the perfect choice to host the series this season and we are happy to have her as such an integral part of AfroPoP.”