Archive for the ‘HAITI’ Category

YORUBA MALE ATTIRE! -THE BEST IN THE WORLD-THESE PROUD BLACK MEN RULE THE PLANET WHEN IT COMES TO CLOTHES!

April 6, 2011

FROM

OJOGBON AKINWUMNI ISOLA,ORLANDO JULIUS AND HIS BLACKamerikkkan WIFE ADUKE

OBAMA WITH HIS YORUBA FRIENDS IN YORUBA DRESS!

OKO IFEDOLAPO!

Traditional Attire of Nigerian and African Men
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By Philipo
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Surprisingly, most men in Nigeria especially Lagos State wear the traditional Yoruba cloths. This comes in various styles and designs. They have different names depending on the type of design like:

Agbada – this is a 4-piece Nigerian Agbada apparel that is made up of hat, buba, flowing Agbada and pants with embroidery.

Babariga – This is men’s 4-piece African Babariga clothing apparel comprising a Hat, long-sleeved shirt, flowing Buba and pants with embroidery.

3-piece Gbarie outfit. Hand-loomed Aso Oke material with matching embroidery.

They are suitable for special occasions and events. Have you seen what the Nigerian women wear? See this http://hubpages.com/_1rfosdrnucsn9/hub/Glamorous-and-Gorgeous-Yoruba-Nigerian-Women-Dress

EBONY MAGAZINE DOES NOT PUT BLACK SKINNED BEAUTIES ON ITS COVER-SAYS WHITE BRAINWASHED BLACKS SINCE SLAVERY ONLY GO FOR CREOLE-CRAZY-MULATTO-MENTALITY-IMITATION-WHITE-GIRL-BEAUTY BUT IN THE 60’S WE WOOLLY HAIR BEAUTIES FORCED EBONY TO PUT ITS FIRST BLACK SKINNED BEAUTY,WITH WOOLLY HAIR AND AFRICAN FEATURES ON IT’S COVER AND NOW GABOUREY SIDIBE HAS BROKEN AGAIN THE IMITATION WHITE GIRL CEILING OF EBONY-BLACK ON BLACK SKINNED BEAUTY!

March 29, 2010

COME BACK TO AFRICA FOR THE BLACK HERITAGE FESTIVAL,APRIL 4-11,2010-LAGOS/BADAGARY,NIGERIA!

March 20, 2010

from

from ladybrillanigeria.com

thenationonlineng.net

Lagos prepares for ‘Black Heritage Festival’
By Emmanuel Oladesu Published 3/02/2010 Life Midweek Magazine Rat

For seven days, Lagos State will host the world in April for the historic ‘Black Heritage Festival. The hosts are the people of Badagry Division, the haven of tourism Fin the state. The communities are full of eagerness. The three councils in the area are cooperating with the state government to ensure a hitch-free festival.

Visitors from across the globe will comb the history of horror that made the town memorable. The lamentation of slaves, who passed the town on their way to plantations in distant Europe and America, would be recalled. The return of their descendants to their roots in April will rekindle their attachment to Africa, the most populous African country and largest supplier of the unwilling slaves, and the beauty of the titanic liberation war that shook the universe.

The visitors are expected to pick works of arts and artifacts that gave content to the culture of their forebears before they went into captivity. Many of them will locate the under-development of the Dark Continent in the centuries of disruptions, cultural dislocations, neo-colonialism and lack of reparations.

Governor Babatunde Fashola(SAN) has enumerated the conditions for the success of the third Lagos Black Heritage Festival, urging the royal fathers and people to tap its abundant tourism and economic opportunities.

His Deputy, Princess Sarah Sosan, who is from the division, asked the towns and villages in the three local government area to prepare for the inflow of tourists and visitors from across the federation and abroad into the area.

The commissioner for Local Government and Chieftaincy Affairs, Hon. Rotimi Agunsoye, who represented the number one and two citizens at a stakeholders meeting in the ancient town, said the visitors who will live, eat and interact with local folks expect a “To have a meaningful festival, our environment should be clean. Many people will come from far and near. Not long ago, we came here to clear the gutters. The governor and deputy governor who I am representing here asked me to tell our royal fathers, chiefs and community leaders to mobilise people and ensure a clean environment,” he told the people at Badagry Town Hall.

The Special Adviser to Governor Fashola on General Matters, Prince Sunny Ajose, who highlighted the elements of the festival, said the division would savour the economic boom and project the cultural heritage of the towns and villages.

He expressed concern for the disposition of the communities to the notion of hygiene.

“In the past, Badagry was neat, from Seme to Ajegunle. Population explosion has led to an unclean environment. Refuse dumping is a challenge. Instead of dumping refuse at Ilewo, we want LAWMA to create another dumping site near the Badagry area,” he said.

Ajose warned that, if the atmosphere is not conducive for the visitors, they would relocate to Ikoyi and Eko Hotel where they will buy souvenirs, thereby making the people to lose their patronage.

Programmes slated for the festival include symposium, painting competitions, cultural performance, traditional dances, and ‘fitila’ procession.

Ajose said no township festival would be allowed to coincide with the Black Heritage Festival. He enjoined townspeople to preoccupy themselves with the removal of shanties in the neighbourhood so that the towns could wear a new look.

“We want to showcase what we have, including our masquerades. We have tools for slave trade in the Heritage Festival Museum. Black writers have works on slave trade. They will also come to talk about the trade and its implications for us. They will like to visit Iyana Gberesu, the terminal exit route for the slave trade. We have Oduduwa shrine in Ilogbo. We should improve on what we have to be able to get what we want. We want to prepare for all these and record success so that there will be an improvement next year,” added Ajose.

The traditional ruler, Aholu Menu Toyi of Badagry, Oba Babatunde Akran, said the festival is the responsibility of all, urging his subjects to cooperate with the government to ensure its success.

He enjoined the authorities to conduct training sessions for the school pupils who may be useful as tour guides to the visitors during the programme.

‘The visitors will be in our markets. They want to see how we are living .They want to take photographs with us. We should be good hosts’, he added.

The Alabarin of Ikaare, Oba Kayode Akinyemi, said the onus is on the council chairmen in the division to rise to the occasion and embrace their roles towards making the festival a success.

Another royal father alerted the government to the danger of inadequate medical facilities in the local governments. He said the hospitals in the area lack ambulance facilities. He also said, since April falls within the raining season, flooding may mar the festival because the drainages are bad.

Agunsoye said the government has taken note of these challenges and all these facilities would be in place before the commencement of the festival.

The festival which brings to memory the historic pains of forceful separation of kindred holds in Lagos State at a time of intense campaign for greater exploration of tourism, one of the most neglected sectors of the economy. In the days of yore, the ancient town which served as a route for ferrying the black slaves to Europe and America was thrown into monumental panic .It took the earlier generations a long time to erase the terrible experience from their memory. However, the incident has also become a blessing to the town.

Nobel Laureate Prof Wole Soyinka visited Badagry early last month for a meeting with the community leaders and elders on the importance of the carnival and modalities for a successful outcome.

At the weekend meeting presided over by Agunsoye, prominent leaders of Badagry Division took their seats with eagerness. They include Oba Moshood Asafa, Onijanikin of Ijanikin; Oba Oyekan Adekanbi, Alapa of Apa; Oba Olanrewaju Aina, Oloto of Oto; Oba Abedeen Durosinmi, Prince Dele Kosoko, Moses Dosu, Amuda Abidu and Joseph Bamgbose.

Agunsoye congratulated the people for hosting the world for the important event, saying that the division is being immortalised by the focus on it.

“Many years ago, many people suffered for our freedom. Some black men died for us to have today. Badagry is one of the famous routes where our forefathers passed to Europe. It was sad. Now, we are happy. History cannot forget Badagry. That is why we want to discuss how to immortalise the ancient times,” the commissioner said.

He said the governor and deputy governor attach much value to the festival because of its implication for the black community in the world.

The commissioner said they acknowledged the fact that an unclean environment would breed disease, adding that sanitary inspectors would be in the towns to ensure compliance with sanitary rules.

“Our black brothers abroad want to come home to mix with us. But they need a clean environment,” he emphasized.

A LAWMA official told the meeting that: “All households must have dustbins. The PSP will do its work, LAWMA will evacuate the refuse. LAWMA sweepers recruited from Badagry will be on the roads. The ‘street captains’ will distribute refuse nylon to households.”

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2 Responses to “Lagos prepares for ‘Black Heritage Festival’”
kazeem balogun at 18 Feb 2010 2:41:58 PM WAT kazeem balogun Rating: Unrated ( Author/Admin)

said this on 18 Feb 2010 2:41:58 PM WAT
its a welcome development,we shall participate
(Reply to this comment)(Cancel this reply)(Comment Replies Disabled)

EKO1CITY at 19 Mar 2010 8:48:40 PM WAT EKO1CITY Rating: Unr

said this on 19 Mar 2010 8:48:40 PM WAT
Ola Jones Lagos Black Heritage…… nice 1,but, so far i cant connect the vision of the group their objectivity pursuit, pro grammes and strategy I a son of the soil by interest in badagry thus am in total cooperation with any social articulate school of mission that set to project badagry historical value.meanwhile here is an overwhelming challenge, so much is been orchestrated in the median while all the node featuresthat makes the history are not preserve,e.g slave route,harboure,artenuation well and the gbelefu point- of- no- return. etc

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from ladybrillenigeria.com

Home » Events
3rd Annual Lagos Black Heritage Festival 2010
by Ladybrille®Nigeria on March 1, 2010No Comment
3rd Annual Lagos Black Heritage Festival

Place: Badagry Township, Lagos, Badagry

Date: April 4th, 2010

“For over a millennium, African indigenes South of the Sahara have been hunted, bartered, and sold into slavery by European and Arab slavers, often, alas, with the active connivance and participation of Africans themselves. Millions perished even before destination along the Trans-Atlantic route, the Trans-Saharan route, and the Indian Ocean route to Iraq and Persia, now known as Iran.

For centuries, and even till today, many could neither recall nor manifest the slightest interest in their antecedents. By contrast, especially since the latter half of the twentieth century, hundreds of thousands of descendants of the victims of this execrable commerce have embarked on the return journey home – some in search of their true origins, others in the spirit of a symbolic pilgrimage, and yet others to re-claim and re-settle in their ancestral space. Whichever way, for many, this has proved an emotional but fulfilling experience.

It was in fulfillment of this yearning for the healing of dislocated sense of identity that the Lagos State government instituted, with the support of UNESCO, the Black Heritage Festival in the symbolic town of Badagry, one of the more infamous departure points, with surviving landmarks, a Festival that seeks to enshrine the place of Memory in the history of peoples, and to celebrate survival and the resilience of the human will.

The third, 2010 edition of this Festival, appropriately billed as MEMORY AND PERFORMANCE IN THE RETURN TO SOURCE, is planned to raise this awareness to new heights, broaden and deepen the linkage between the African continent and its Diaspora. . .”

Visit Lagos Black Heritage Festival.org for more info.

You might also like:

Abuja Food Festival 2009
Lagos Carnival 2010 – April 3rd-5th, 2010

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from ladybrillenigeria.com

CELEBRATING BLACK HISTORY WITH THE LAGOS BLACK HERITAGE FESTIVAL
Feb 22nd, 2010 | By Ayo Peters | Category: LOCAL GOVERNMENT NEWS, TOURISM DEVELOPMENT
The 17th century will forever remain in the hearts of Africans. This was when its history was taken backwards through a trade that was inimical to its growth – Slave Trade.

The Slave Trade (known as the trans-Atlantic slave trade) started with the exportation of blacks to Europe by Portugal in the 15th century. Other European countries like Spain, Netherlands, Britain, Denmark etc soon followed suit. It was not until the 17th century however that the trade got to North America. It was there that it gained real currency.

Thus, in 1619, a Dutch warship brought the first cargo of twenty blacks to Virginia in the then British colony called New World.
Consequent upon the traffic in blacks, scores of black men and women were separated from their African homes and carried into the New World before the Slave Trade was ended. Although a lot of black men like Olaudah Equiano, Candido da Rocha, Samuel Johnson, Mojola Agbebi and others regained their freedom and found their way back to Nigeria, millions were totally separated from their families.

These Africans were not slaves but were made to work in an environment where they were referred to as slaves. Back in Africa, these men were free and respected farmers and herdsmen, craftsmen skilled in pottery and weaving, wood-carving, and blacksmiths. Some of these Africans brought out of the continent against their will were traders and hunters, musicians and dancers, poets and sculptors. Many were princes and warriors, feudal chiefs, rulers of kingdoms and empires.

These important men of African descent were taken to Europe and the New World through ports marshaled by these European masters. A lot of these slave ports existed in West Africa but some stood out. These were: Goree Island (Senegal), Whydah (Benin Republic), Elmina (Ghana) and Badagry (Nigeria).

The slave port in Badagry was notorious because hordes of Africans were taken through it. Little wonder, this port was dubbed: “Point of no Return.”

One Nigerian who suffered greatly as a result of the slave trade was Gustavus Vassa (Olaudah Equiano). Gustavus Vassa was born in the ancient Benin Kingdom in 1745. He was kidnapped from his family and sold into slavery. He was later sold again to traders and chained on a slave ship bound for America. He passed on to a Virginia planter, and then, to a British naval officer, and finally to a Philadelphia merchant who gave him the chance to buy his freedom. In his autobiography, ‘The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa the African,’ he narrated some of the ordeals he and his fellow African brothers went through on shore to the New World. For instance, a black man was flogged while on deck so unmercifully with a large rope that he died in consequence of it. Olaudah wrote that some of his countrymen were chained together and when they were weary, preferred death to such a life of misery and somehow, “made through the nettings and jumped into sea.”

The narrative by Gustavus Vassa was a fraction of the hardships blacks were made to undergo in the New World and in Europe. Many blacks died as a result of this hardship. Slaves like Nat Turner and John Brown who revolted were murdered in cold blood while one of the most brilliant Americans of the nineteenth century who started his life as a slave on a Maryland plantation, Frederick Douglas, in his autobiography asked: “Why am I a slave? Why are some people slaves and others masters? How did the relation commence? He wrote that he didn’t know he was a slave until he found out he couldn’t do the things he wanted.

Indeed, not having anything to say about the use of your own time and labour is probably what makes you feel bad. This is the absence of freedom. As providence would have it, that is all gone; total history.

Slavery and slave trade have been abolished after series of protests here and there and the great grandsons of former slaves have now become free men in Europe, Caribbean, and North America. These men after careful study, based on the ‘reign of terror’ of the slave port in Badagry, have decided to remember their roots, history, culture, and land of their forebears by celebrating the Lagos Black Heritage Festival.

Logically, Badagry is the preferred host as it is poised to hoist the Third Lagos Black Heritage Festival starting from the 3rd of April, this year.

Badagry, it will be recalled, was the departure route of these ‘slaves’. Once they got to Badagry, they were certain they would not return to their homes.

Today, Badagry still retains a lot of slavery artifacts. This includes one of the largest slave markets – Vlekete slave market – in West Africa. Here, slaves were sold at competitive prices. Hence, most countries that traded in slaves had their forts in Badagry. This included Portugal, Britain, Spain, Brazil, France and the Netherlands.

The Mobee slave relic is another of the artifacts that survived the infamous trade. It is housed by the Mobee family. We also have the Seriki Abbas compound, the Egbado-born businessman, who settled in Badagry and partook greatly of the obnoxious business.

In truth, the Lagos Black Heritage Festival has come to stay. This feat was achieved by the Lagos state government and the United Nations Education Scientific and Cultural Organization (UNESCO). According to Emeritus Professor, Wole Soyinka, the third edition of the Black Heritage Festival “seeks to enshrine the place of memory in the history of peoples, and to celebrate survival and the resilience of the human will.”

The third edition, which starts on April 3rd, this year, is tagged: Memory and Performance in the Return to Source, has been planned to broaden and deepen the linkage between the African continent and its Diaspora. In the words of Soyinka, “this will be effected through a focus on the lives and works of three eminent representatives of, and close collaborators in this racial mission… pan-Africanist and cultural activist, Aime Cesaire; prime mover of the Journal Presence Africaine, and the publishing house of that name, Alioune Diop; and statesman, Leopold Sedar Senghor.”

Badagry local government is leaving no stone unturned towards ensuring that Badagry had a hitch-free festival. Accordingly, the local government has ensured its cleaning every day.

Most residents of Badagry are eager to see the D-day. Hon. Husitode Moses Dosu, the executive chairman of Badagry local government says the “Lagos Black Heritage Festival connotes a return to the source.”

Activities lined up for the festival includes a symposium, feature films, documentaries, a book exhibition, contemporary art, theatre, concerts, traditional and modern dances, a boat regatta, a Children’s Heritage Village and African tradition games.
We await this reconnection, revaluation, and revindication.

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Tags: a boat regatta, a Children’s Heritage Village, African tradition games, Alioune Diop prime mover of the Journal Presence Africaine, Badagry Local Government, Badagry Nigeria, book exhibition, Brazil, Britain, Candido da Rocha, concerts, contemporary art, documentaries, Elmina Ghana, Emeritus Professor Wole Soyinka, feature films, France, Frederick Douglas autobiography, Goree Island Senegal, Hon. Husitode Moses Dosu, John Brown, Lagos Black Heritage Festival, Lagos state government, Leopold Sedar Senghor, Memory and Performance in the Return to Source, Mobee slave relic, Mojola Agbebi, Nat Turner, Netherlands, Olaudah Equiano Gustavus Vassa autobiography, pan-Africanist and cultural activist Aime Cesaire, Point of no Return, Portugal, Samuel Johnson, Seriki Abbas, Spain, symposium, theatre, traditional and modern dances, United Nations Education Scientific and Cultural Organization (UNESCO), Vlekete slave market, Whydah Benin Republic
One comment
Leave a comment »
uzoh hilary March 5th, 2010 9:21 pm :

as a fashion designer and loving arts i like to participate in the black heritage festival. so please can you detail me on the event. thank you.

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from travelintelligence .com

The Badagry Route by Pelu Awofeso
Anyone can understand why callers to the slave ports at Elmina (Ghana), Goree (Senegal) and Ouidah (Benin) weep and wail after they have walked round the remains of the transatlantic slave trade in those regions. To even see images on the screen is enough to affect the senses sorely. The Black Heritage Museum—just opened to tourists in palm-and-coconut-rich Badagry, western Lagos—is another of the kind. Maybe the place won’t stir you to tears, but after going in and out, then up and down its nine galleries, it is certain to make any visitor sober.

The National Commission for Museums and Monuments (NCMM) in Nigeria, which helped with the research and installation, displays sketches, sculptures, photos, documents and dated shackles to tell the touching tale of over 300 years of ‘trading’ of which the African people were the ‘goods’.

We are now inside the building and this ad published in 1784 in the U.S. stares me in the face: “NEGROS FOR SALE: a cargo of very fine stout men and women, in good order and fit for immediate service, just imported from the windward coast of Africa…” Another in New Orleans, this time in 1835 described its ‘ware’ in detail: Chole…aged 36 years. She is without exception, one of the most competent servants in the country, a first-rate washer and ironer, does up lace, a good cook, and for a bachelor who wishes a housekeeper she would be invaluable. She is also a good ladies maid, having travelled to the north in that capacity.”

One learns a typical slave’s safari goes something like this: A freeborn is kidnapped, captured at war or despatched to a creditor to offset a debt. He is kept in custody and made to do simple menial duties at first. A time comes when a white businessman, sailing across from the west, seeks out the community’s head and demands for people to serve him and his wealthy colleagues back on their own soil. He proffers gins, guns and some other processed goods in exchange.

The deal sounds sensible enough and both parties come to an agreement. So starts the tortuous trip of an unfortunate African, the fall guy of unfeeling men (much later, markets were established to service the rising need for cheap human labour). He never travels alone; there are thousands of them at any occasion, group-chained, flogged to submission and silence, and ‘arranged’ in ships in patterns that guarantee little breathing space and more anguish. Not all of them survived. The dead were tossed overboard.

Sons and daughters, too, no matter how underaged, were hauled across the Atlantic from the African coast to the New World. The survivors were later put on kegs and boxes and auctioned like articles at Sotheby’s. Once sold, they toiled on the cotton, sugarcane or rice fields of their white masters—and it was almost round the clock—with the cruellest of punishments administered to those who attempted to bail (one exhibit shows a dog, purposely trained, biting at the throat of one). Others worked as domestic hands. There is more inside what used to be the District Officer’s administrative block in the colonial years and is a three-minute stroll from the white structure earmarked as the first storey building in Nigeria.

The opening of the museum in August 2002 put the inhabitants in the mood for the second Black Heritage Festival, said to be styled after Ghana’s decade-old Pan-African Historical Theatre Festival (PANAFEST) and organised to conform to UNESCO’s ‘Slave Routes Project’. Lagos State Waterfront and Tourism Development Corporation, the planners, intends for the festival with time to pep up the tourism receipts of Nigeria’s most commercialised city; for the time being, though, it is finding a sure footing and winning more participants from the Diaspora each year that are the goals.

Day four of the festival was all traditional stuff: The dozen delegates, all of them living in the U.S., had to go through a ceremony of ‘ethnic adoption and traditional robbing’ to choose the local names they wished to bear henceforth. Two home priests in the full glare of the town’s royal head, the Akran of Badagry, conducted that. The idea is not for the new names to replace the initial, but for the recipient to either add them on or to “keep it close to my heart”. The naming was performed with honey, sugarcane, salt, kola, and the other regulars in day-to-day Yoruba naming rites.

The Yoruba in Nigeria look to the Ifa for the same reasons Christians and Moslems search through the Holy Books. No move is made without consulting it. It gave its consent to the names the home comers preferred. At different times during the festival, the kola nut and bitter kola were tossed in another form of customary inquest. Each result turned out a pleasant omen: The land of Badagry agreed with the coming of Mayor Hawkins and co.

Badagry today is a smiling and struggling population of close to two hundred thousand. The Atlantic Ocean, its bane for centuries, flows subtly and quietly; the breeze still blows over it-and onto the mainland, and one can still sight natives paddling away in their canoes in the distance. The one thing it needs now is a rise in stature. The New Nigerians may well make that happen, because already, the group has promised to revisit its scholarship promise to the community’s bright minds; the other project will be to erect another impressive monument to the slave trade a la the ‘Point of no Return’.

The Akran, on behalf of the people, has promised pieces of land to the new natives, because they need, he says, to have their own homes—one they can come to whenever they please.
See all travel writing by Pelu Awofeso.

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from 234next.com
http://234next.com/csp/cms/sites/Next/Home/5527680-146/story.csp

Council mobilises for Lagos Black Heritage Festival

February 16, 2010 10:38PM
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The Oto/Awori Local Council Development Area says it will mobilise the people to showcase their rich culture at the forthcoming 3rd Lagos Black Heritage Cultural Festival scheduled for April 3- 9.

The festival themed, “Lagos/Badagry 2010”, is aimed at celebrating the creativity of Lagos State in dance, music and theatre regatta.

The Council Chairman, Bolaji Kayode, told News Agency of Nigeria in Badagry on Tuesday that the Council’s contingent had been fully prepared for the festival.

“Our participation in the festival is part of Oto/Awori LCDA’s commitment to promoting arts and culture. We will mobilise our people to feature in the festival particularly in Gelede and Ajegbo events,” he said.

Mr. Kayode expressed the hope that the council’s contingent would lift the laurels in the two events.

The organisers said the festival would be a forum for showcasing Africa’s diverse cultural heritage. The maiden edition of the festival was held in 2001 and was declared open by the former governor of the state, Bola Tinubu.

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from punchng.com

http://www.punchng.com/Articl.aspx?theartic=Art20100319035970

Lagos Black Heritage: A festival of reconnection, revaluation
By Mudiaga Affe, Published: Friday, 19 Mar 2010

Nobel Laureate, Prof. Wole Soyinka

Inspired by the spirit of convergence for which the most populous state in Nigeria remains pre-eminent, Nobel Laureate, Prof. Wole Soyinka, has said that the forthcoming Lagos Black Heritage Festival would be an event of reconnection, revaluation and re-vindication.

Speaking on the festival tagged, Memory and Performance in the return to Source, Soyinka said, in a statement obtained by our correspondent in Lagos, that the event would celebrate the creativity of Lagos within a ”Carnivalesque of tradition and contemporary dance.”

The LBHF, which holds between April 3 and 9, 2010, is an initiative of the Lagos State Government.

According to Soyinka, the LBHF is a seven-day cultural manifestation during which hundreds of performers will animate the ancient city of Badagry and cosmopolitan Lagos in a blend of the traditional and the modern.

On the theme of the festival, Soyinka, who is the Festival Coordinator, explained that for over a millennium, African indigenes South of the Sahara were hunted, bartered, and sold into slavery by European and Arab slavers often with the active connivance of Africans themselves.

”Millions perish even before their destination along the Trans-Atlantic route and the Indian Ocean route to Iraq and Persia, now known as Iran. For centuries, and even till date, many could neither recall nor manifest the slightest interest in their antecedents.

”By contrast, especially since the latter half of the twentieth century, hundreds of thousands of descendants of victims of this execrable commerce have embarked on the return journey home – some in search of their true origins, others in the spirit of symbolic pilgrimage, and yet others to reclaim and resettle in their ancestral space. Whichever way, for many, this has proved emotional, but with fulfilling experience,” he said.

He said that it was in fulfillment of this yearning for the healing of dislocated sense of identity that the Lagos State Government instituted, with the support of the United Nations‘ Education, Scientific and Cultural Organisation, the Black Heritage Festival in the symbolic town of Badagry.

The playwright said the Lagos State Government plans to serve the discerning palates from within the country, the continent and the Diaspora of the Caribbean and Americas.

One of the highlights of the Lagos-Badagry 2010 is a painting competition featuring artists drawn from Nigeria and the rest of the world.

An international jury will decide which of the 25 finalists will be rewarded in the Gold, Silver and Bronze categories which go with the award of $20,000, $15,000 and $10,000 respectively.

Comments :

Lagos Black Heritage…… nice 1, but, so far i cant connect the vision of the group their objectivity pursuit, pro grammes and strategy I a son of the soil by interest in badagry thus am in total cooperation with any social articulate school of mission that set to project badagry historical value. meanwhile here is overwhelming challenge, so much is been orchestrated in the median meanwhile all the node features that makes the history are not preserve,e.g slave route,harboure,artenuation

Posted by: eko1city , on Friday, March 19, 2010

Report this comment

The slogan makes no sense to me. What is Lagos black heritage? I’ll rather call it ’Lagos reborn of African Heritage’. It makes more sense and gives me something to look forward to. I do not want to use the slogan of racisim, because that is the way they will call it in a land where there are other colours.

Posted by: Enitan Onikoyi , on Friday, March 19, 2010

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from
http://lagosblackheritagefestival.org/

HISTORY
THE LOGO
THE TEAM

Welcome to the Official Website of the 3rd Lagos Black Heritage Festival!
For over a millennium, African indigenes South of the Sahara have been hunted, bartered, and sold into slavery by European and Arab slavers, often, alas, with the active connivance and participation of Africans themselves. Millions perished even before destination along the Trans-Atlantic route, the Trans-Saharan route, and the Indian Ocean route to Iraq and Persia, now known as Iran…
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The First Edition of Caterina de’ Medici Painting Award took place in Florence in year 2002. Three Nigerian Artists participated. One of these artists, Olubunmi Ogundare emerged as one of the best ten of the world-wide competitors!
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Présence Africaine

Présence africaine is a panafrican quarterly cultural, political, and literary revue, published in Paris and founded by Alioune Diop in 1947. In 1949, Présence africaine expanded to include a publishing house and a bookstore on the rue des Écoles in the Latin Quarter of Paris. As a journal, it was highly influential in the Panafricanist movement, the decolonisation struggle of former French colonies, and the birth of the Négritude movement.
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The Black Orpheus

HISTORY
THE LOGO
THE TEAM

For over a millennium, African indigenes South of the Sahara have been hunted, bartered, and sold into slavery by European and Arab slavers, often, alas, with the active connivance and participation of Africans themselves. Millions perished even before destination along the Trans-Atlantic route, the Trans-Saharan route, and the Indian Ocean route to Iraq and Persia, now known as Iran.

For centuries, and even till today, many could neither recall nor manifest the slightest interest in their antecedents. By contrast, especially since the latter half of the twentieth century, hundreds of thousands of descendants of the victims of this execrable commerce have embarked on the return journey home – some in search of their true origins, others in the spirit of a symbolic pilgrimage, and yet others to re-claim and re-settle in their ancestral space. Whichever way, for many, this has proved an emotional but fulfilling experience.

It was in fulfillment of this yearning for the healing of dislocated sense of identity that the Lagos State government instituted, with the support of UNESCO, the Black Heritage Festival in the symbolic town of Badagry, one of the more infamous departure points, with surviving landmarks, a Festival that seeks to enshrine the place of Memory in the history of peoples, and to celebrate survival and the resilience of the human will.

The third, 2010 edition of this Festival, appropriately billed as MEMORY AND PERFORMANCE IN THE RETURN TO SOURCE, is planned to raise this awareness to new heights, broaden and deepen the linkage between the African continent and its Diaspora.

This will be effected through a focus on the lives and works of three eminent representatives of, and close collaborators in this racial mission, all three now ancestral figures: the Martiniquan poet, dramatist, pan-Africanist and cultural activist, Aime Cesaire; prime mover of the journal Presence Africaine, and the publishing house of that name, Alioune Diop (whose centennial anniversary comes up in the year 2010, and the poet, essayist, and statesman Leopold Sedar Senghor. With this emphasis, a further step is taken to diminish the fragmentations in a common race heritage that were created through colonization under competing European cultures on African soil.

The three ancestors led a closely intertwined career. Cesaire, it will be recalled, was a principal midwife, in company of Leopold Sedar Senghor and others, of the philosophy of Negritude, the Beingness of Black. In addition to the performance of Cesaire’s plays and readings from his poetry, rare archival material from Alioune Diop’s pioneering journal, Presence Africaine, of which Aime Cesaire was also past president, will be placed on exhibition for the first time in this country. At the same time, Lagos State pays tribute also to the late President Leopold Sedar Senghor who was the inspiration and spearhead of the first ever international Negro Arts Festival (1966), the second edition of which the late Alioune Diop, served as Secretary-General and principal organizer. That second edition was called the Black and African Arts Festival, 1977, better known as FESTAC.

Buffered by a symposium, films, documentaries, a book exhibition, a gallery of contemporary art, music, theatre, concerts, traditional and contemporary dances, a boat regatta, a Children’s Heritage Village and African traditional games, not omitting from the Nigerian Film industry, this promises to be THE cultural event to round off the first decade of the millennium. The City of a Thousand Masks – Lagos – will herself be a player in the events, since the Festival programme will feature a unique competition – in association with the Caterina de’ Medici Foundation – where artists of African descent will vie for the ultimate laurel with their painterly impression on the theme CITY OF A THOUSAND MASKS, a contest that will be held before a live audience.

To sum up, a Festival of RECONNECTION, REVALUATION, REVINDICATION – this is the feast that Lagos State plans to serve up to discerning palates from within the country, the continent, and the Diaspora of the Caribbean and the Americas.

HISTORY
THE LOGO
THE TEAM

The Activities for the 3rd Lagos Black Heritage Festival include:

PAINTING COMPETITION

(Collaboration with Catarina de Medici).

DRAMA / THEATRE

This segment will feature 3 plays:

– King Christophe
– A Season in the Congo
– Ireke Onibudo

Children’s play

DRAMA

CULTURAL PERFORMANCES

MUSIC

The Musical segment of the LBHF celebrates the indigenous Music and Culture of Lagos, Nigeria and the Black World. The segment encompasses every style associated with the city of Lagos. A wide scope indeed as Lagos State represents Nigeria and essentially the Black World.

From Traditional music to Contemporary – Juju to Afro Caribbean.
Ayo Bankole

Steve Rhodes Voices

Lagbaja

Seun Kuti

Fatai Rolling Dollar (Guest Appearance).

Tunji Oyelana – Guest Artist.

Fuji
(Kwam1 / Obesere/ Pasuma )
Apala
(Musiliu Isola / Apala-Porto-Novo)
Hip-Hop
(D Banj, 9ice)
Agidigbo (Eko)

Gbedu Oba (Eko)

CHILDRENS’ HERITAGE VILLAGE

(to be directed by Jimi Solanke).

DANCE & MASQUERADES

– Contemporary Dance

– ATUNDA Dance

Traditional

Ajogan (Badagry King’s Procession).

Vodun (Badagry)

Sato (Badagry)

Bolojo (Badagry/Ijio/Eko)

Obitun (Ile-Oluji/Ondo)

Bata (Lagos/Oyo)

Dundun (Lagos/Oyo)

Ijo Apeja (Epe)

Nyok (Calabar)

Ekombi (Calabar)

Sokorowo (Owo-all female troupe)

Fitila Procession
The sombre Remembrance procession.
Nasarawa Contingent

Masquerades
Zangbeto (Badagry)

Gelede (Badagry)

Eyo (Eko)

Ekpe (Akwa-Ibom)

Igunnuko (Eko)

GALA NIGHT

FILM SHOWS

-> Roots

-> Amazing Grace

CHILDREN’S THEATRE

FITILA PROCESSION

OLOKUN FESTIVAL

OPENING CEREMONY

CLOSING CEREMONY

CLOSING CONCERT

FOOD FAIR

AFRICAN TRADITIONAL GAMES

AFRICAN FASHION /LAGOS HAIR SHOW

ART & CRAFT ZONE

Crafts Artisans from the Lagos region of Nigeria and from around the world converge at Festival Crafts zone to demonstrate and sell their works. It is held at various locations around Badagry, Lagos and other selected locations around Lagos State.

Display Hours are 10am to 9pm.

SYMPOSIUM

The Lagos Black Heritage Festival Symposium creates a forum of Intellectual discourse of themes related to black history, heritage and the relevance of memory to contemporary concerns.

EXHIBITIONS

(a). Presence Africaine – Books Exhibition.

(b). Slavery Objects

HISTORY
THE LOGO
THE TEAM

Wole Soyinka

For over a millennium, African indigenes South of the Sahara have been hunted, bartered, and sold into slavery by European and Arab slavers, often, alas, with the active connivance and participation of Africans themselves. Millions perished even before destination along the Trans-Atlantic route, the Trans-Saharan route, and the Indian Ocean route to Iraq and Persia, now known as Iran. For centuries, and even till today, many could neither recall nor manifest the slightest interest in their antecedents. By contrast, especially since the latter half of the twentieth century, hundreds of thousands of descendants of the victims of this execrable commerce have embarked on the return journey home – some in search of their true origins, others in the spirit of a symbolic pilgrimage, and yet others to re-claim and re-settle in their ancestral space. Whichever way, for many, this has proved an emotional but fulfilling experience.

It was in fulfillment of this yearning for the healing of dislocated sense of identity that the Lagos State government instituted, with the support of UNESCO, the Black Heritage Festival in the symbolic town of Badagry, one of the more infamous departure points, with surviving landmarks, a Festival that seeks to enshrine the place of Memory in the history of peoples, and to celebrate survival and the resilience of the human will. The third, 2010 edition of this Festival, appropriately billed as MEMORY AND PERFORMANCE IN THE RETURN TO SOURCE, is planned to raise this awareness to new heights, broaden and deepen the linkage between the African continent and its Diaspora. This will be effected through a focus on the lives and works of three eminent representatives of, and close collaborators in this racial mission, all three now ancestral figures: the Martiniquan poet, dramatist, pan-Africanist and cultural activist, Aime Cesaire; prime mover of the journal Presence Africaine, and the publishing house of that name, Alioune Diop (whose centennial anniversary comes up in the year 2010, and the poet, essayist, and statesman Leopold Sedar Senghor. With this emphasis, a further step is taken to diminish the fragmentations in a common race heritage that were created through colonization under competing European cultures on African soil.

The three ancestors led a closely intertwined career. Cesaire, it will be recalled, was a principal midwife, in company of Leopold Sedar Senghor and others, of the philosophy of Negritude, the Beingness of Black. In addition to the performance of Cesaire’s plays and readings from his poetry, rare archival material from Alioune Diop’s pioneering journal, Presence Africaine, of which Aime Cesaire was also past president, will be placed on exhibition for the first time in this country. At the same time, Lagos State pays tribute also to the late President Leopold Sedar Senghor who was the inspiration and spearhead of the first ever internastional Negro Arts Festival (1966), the second edition of which the late Alioune Diop, served as Secretary-General and principal organizer. That second edition was called the Black and African Arts Festival, 1977, better known as FESTAC.

Buffered by a symposium, films, documentaries, a book exhibition, a gallery of contemporary art, music, theatre, concerts, traditional and contemporary dances, a boat regatta, a Children’s Heritage Village and African traditional games, not omitting from the Nigerian Film industry, this promises to be THE cultural event to round off the first decade of the millennium. The City of a Thousand Masks – Lagos – will herself be a player in the events, since the Festival programme will feature a unique competition – in association with the Caterina de Medici Foundation – where artists of African descent will vie for the ultimate laurel with their painterly impression on the theme CITY OF A THOUSAND MASKS, a contest that will be held before a live audience.

To sum up, a Festival of RECONNECTION, REVALUATION, REVINDICATION – this is the feast that Lagos State plans to serve up to discerning palates from within the country, the continent, and the Diaspora of the Caribbean and the Americas.

Wole Soyinka
Emeritus Professor in Literature
Obafemi Awolowo University
Nobel Laurette in Literature 1986

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VOODOO IS STRONG IN HAITI AND IS HELPING THE PEOPLE NOW RISE AGAIN!

February 24, 2010

from news@independent.uk.co

Voodoo: The old religion rises from the rubble in Haiti

In the aftermath of one of the world’s worst earthquakes, priests and missionaries are competing for the souls of a traumatised population. Kim Sengupta reports from Port-au-Prince

Monday, 1 February 2010

HAITI'S HEAD VOODOO PRIEST AND WIFE

Every evening, Monique Henri offers thanks to the voodoo deity Ogu Feray at a shrine in her home for sparing her family from the earthquake. She used to be a regular worshipper at her local Catholic church. But these days she goes there less often.

The disaster has moved voodoo centre-stage in Haiti. Yesterday, 1,000 members of the national convention of voodoo priests met in an emergency session to formulate their response to it. Failure to take decisive action, they warned, could bring down another disaster on the shattered country.

The devastation in Haiti has led many in the traumatised population to seek solace in faith and mysticism and there has been a move by some to turn back towards the old religion, with a marked rise in the numbers taking part in voodoo ceremonies and rituals.
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The “day of calamity”, as Haitians call it, was greeted by some Christian fundamentalists in the US with sanctimonious Schadenfreude rather than compassion. Pat Robertson, the former presidential candidate and spiritual guide of the Republican right, declared that the thousands dead an injured got what they deserved because they had made a “pact with the devil”.

And in the quake’s aftermath, the island has seen a surge of religious organisations, Christian, Jewish, Muslim and even Sikh, mostly offering relief, but some also proselytising.

The Scientologists have the highest profile, with one of their most prominent members, Hollywood star John Travolta, flying in members of the church and supplies, on his private jet. An outfit called Faith Comes By Hearing have sent 600 solar powered Bibles. The Church of the True Path recommends that Haitians should cleanse themselves by fasting – something which many are already doing, albeit involuntarily.

But the foreigners have trouble competing with voodoo, the fusion of African religions and Christianity which found its first adherents among the original slave population, and which is now deeply ingrained in the culture of the country.

It’s a faith that leaps barriers: as the Haitian saying goes, people here are “60 per cent Catholic, 40 per cent Protestant and 100 per cent voodoo.”

“If everything is good, they go to church,” said Pierre Andre Laguerre, a parish priest at Sainte Bernadette Church in Port-au-Prince .””If something bad is happening to them, they go to the voodoo priest to get help.”

Video: US Haiti airlifts

Ms Henri, 36, who has three children, sees no contradiction between her voodoo and her Christian worship. Wearing a silver crucifix over her brown jumper, she said “We all believe in God. But I also feel voodoo is powerful. We feel the luas [deities] will protect us from further dangers. We are all seeking answers to what happened.”

Standing beside her, Clavius Philisquer, 72, was keen to point out “Voodoo is part of our history, our culture. It unified us when we fought in the war of independence against the French. Voodoo gave power to the black people, that is why some Western countries say bad things about the religion. I have seen how the luas can cure people who have become mentally ill because they were possessed. It is real.”

Max Beauvoir, the chief hungan, or priest of the voodoo hierarchy, was busy at his home in Mariani, near Port-au-Prince, distributing bags of rice to his followers. “This is the first relief that the voodoo people have received,” he said. “We are being discriminated against. The aid distribution is being done by American Protestants who seem to have taken over the airport. We know what Pat Robertson said, it was ignorant, but it is part of trying to denigrate voodoo and promote evangelism”.

Mr Beauvoir, 75, a biochemist trained at the Sorbonne and in New York, said “We have suffered from the Hollywood version of voodoo, with blood sacrifices and pins being stuck into dolls. They try to denigrate us, the man from Hollywood who became president talked about ‘voodoo economics’ and he left America with one of the worst budget deficits in its history.

“In reality, what has happened in the earthquake is the end of an era. It has turned many more people towards us. They realise that we cannot go on the way we were. There are changes taking place spiritually throughout the world. We have had white people joining us from the US, Britain and Germany. Many of them are successful people, but belief in voodoo has made them even more successful.

“But the way the Christian missionaries are doing their conversion is wrong. They are going after the most vulnerable people. They are going after children. Why do you think they want to take so many of our children away for adoption?”

The UN and relief agencies have warned of an increase in child smuggling. Nadine Perrault, Unicef’s child protection officer for the region, says “This is a huge, huge opportunity for the gangs. There’s lots of evidence of the traffickers moving fast, using all sorts of means.” A Canadian priest, Pastor Noel Asmonin, said he was offered a young boy for $50 at a refugee centre.

Growing Haitian anger at their children being taken across the border was fuelled by the arrest of 10 American Baptists at Port-au-Prince as they tried to take 33 young orphans, aged from two months to 12 years, into the Dominican Republic.

The Haitian authorities claim that the group, the Haitian Orphan Rescue Mission, from Idaho, lacked authorisation. The government now requires the personal authorisation of the Prime Minister, Jean-Max Bellerive, for the removal of any child.

Defending the group’s action, its leader, Laura Silsby, said: “In this chaos, we are just trying to do the right thing.” Sean Lankford of Meridian, Idaho, whose wife and 18-year-old daughter are due to appear at a court today charged with trafficking, protested. “Nothing can be further from the truth. The children were going to get the clothes, food and love they need.”

Haitians bitterly point out that while trying to take their young to America, the US authorities have imposed restrictions on earthquake victims being taken there for medical treatment. Medical air-lifts came to a halt after Charlie Crist, the Florida Governor, warned that hospitals in his state, which has been receiving most the of the patients, are “quickly reaching saturation”. However, there was a beacon of hope for many with the announcement last night that Medevac evacuation flights to the US would resume “within 12 hours”.

“Having received assurances that additional capacity exists both here and among our international partners, we determined that we can resume these critical flights,” White House spokesman Tommy Vietor said, adding that Florida was identifying hospitals to receive the patients.

American doctors working in Haiti have warned that the only hope of survival for many critically ill patients lies in removal to a US hospital. Dr Barth Green, who has come from Miami, said at a field hospital near the international airport: “We have a hundred patients who will die in the next day or two if we don’t Medevac them.” His colleague, Dr David Pitcher, pointed to five-year-old Betina Joseph suffering from tetanus lying on a cot with flies buzzing around her. “If we can’t save her by getting her out right away, we won’t save her”.

White House spokesman Tommy Vietor said: “There has been no policy decision to suspend evacuee flights. This situation arose because we started to run out of room.”

Some evangelical relief workers have seized on reports which appear to show that voodoo’s “real dark side” has begun to show itself. One prevalent belief, it is claimed, is that loup-garou have emerged from the torn earth to prey on humans. The word is French for werewolf, but it also applies to other animals which possess men and women and impel them to suck the blood of children.

According to the same reports night-time patrols have been organised in some neighbourhoods against the malignant spirits, and there have been reports of a lynching at a refugee camp, La Grotte. Michaelle Casseus, one of the camp residents, said ” After the earthquake, the loup-garou fled from prison. He was boasting that he was in jail because he was caught eating children. During the night, he went into the tents and tried to take someone’s child. He was killed.”

The Independent could not find any loup-garou patrols in Port-au-Prince, and Haitian officials say the death at the refugee camp was the result of an attempted child snatching for trafficking rather than vampirism.

Anthony Pascal, a senior hungan in the capital Port-au-Prince, stressed ” Voodoo is not about black magic. It is a combination of various religions including Christianity and it was started partly as a reaction to the brutality of slavery. It is not there to harm people, but to help and protect them.

“We have a lot of beliefs modern people should believe in. For example, we believe that trees have spirits which we should not harm otherwise we will all suffer. But then we had deforestation here and the ecology suffered.”

Mr Pascal is better known as Kompe Filo, the host of a popular television show. He and his fellow priests, he claims, foresaw the earthquake. “We knew something big was going to happen six months ago and it would involve an upheaval.”

God’s anger with man was the cause of this upheaval, Mr Pascal insisted, a view echoed by Protestant and Catholic priests on the island. “People have turned away from spiritual values. They have become too obsessed with money. They are losing their humanity. That is why this happened. People realise that and that is why they are joining us more and more.”

Exactly how many are joining, however, is open to conjecture. Among the hundreds gathered outside Mr Beauvoir’s house waiting for the food distribution was 76-year-old Andy Jameau. “All the people around here are supposed to be Voodoo believers,” he said. “But I would say around 40 per cent are not that and I am one of them. I would say I am Voodoo, Catholic or anything if it means I would get food for my family. I believe in any God who fills my stomach.”

BLACK PEOPLE/AFRICANS!-SPEAK ONLY AFRICAN LANGUAGES TO YOUR CHILDREN IN YOUR HOUSE IF YOU WANT AFRICAN CHILDREN WITH AFRICAN BEHAVIOUR AND VALUES!-FROM ALL ALLAFRICA.COM WITH AFRI

February 15, 2010

FROM allafrica.com

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Daily Independent (Lagos)

Nigeria: Enforcing Indigenous Languages in Homes
Yemi Adebisi
14 February 2010

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Lagos — The National Institute for Cultural Orientation (NICO), a parastatal of the Federal Ministry of Tourism, Culture and National Orientation appears to be set to encourage the use of indigenous languages in Nigerian homes.

The institute also frowns at the mode of dressing of most Nigerian children, which it described as ‘near nudity,’ blaming this on the nonchalant attitude of Nigerian parents and the lack of respect for Nigerian culture. It has therefore assured that it would use its medium to address the total emancipation of Nigerian cultural details and encourage its proliferation. This would, according to the institute, help to market the value of Nigerian culture, home and abroad, when the essence and awareness of the culture is encouraged.

Apparently, the recent visit of the executive secretary/chief executive officer of NICO, Dr. Barclays F. Ayakoroma to Lagos office was primarily designed by the institute to gear up arrangement to start off the new academic session of its cultural institute. It was during the visit that Ayakoroma, in his chat with the media, unveiled plans to take Nigeria culture to all the nooks and crannies of the country and to ensure that it yields positive results than ever. NICO was established by Decree 93 of 1993.

The Institute has the primary responsibility of harnessing Nigeria’s cultural resources to meet the challenges of social integration, peace, unity and national development. It also serves as vital force for promoting Nigeria’s programme of Cultural Diplomacy and energising the various cultural establishments in the new direction advocated by Nigeria’s Cultural Policy and the World Decade for Cultural Development (1988-1997) declared by the United Nations.

NICO has a vision to be the apex and leading Cultural Training Institute in Nigeria and Nigeria’s contribution to world progress and civilisation through research and documentation, cultural assets and services, both tangible and intangible.

NICO is also committed to train cultural development officers, motivators and communicators who would be grounded in Nigerian cultural realities, philosophy and practices that are essential for national integration, peace, unity and development in a multi-ethnic nation.

It would be recalled that the institute has presented for graduation, the first set of students in the Certificate, Graduate and Diploma in Cultural Studies. By November 2009, registration processes started for the second set. Ayakoroma visited Lagos to ensure the successful take off of the new academic session. According to him, he was satisfied with the current academic programme and expressed hope that sooner, the training school will be in its rightful place in the culture sector. The vision of NICO is to run a school that will produce graduands that will occupy strategic position in various cultural institutions.

“Just like the Federal Training School trains clerical officers all over the country, ASCON trains administrative officers, and NIPS trains top government officers in the civil service and the military, we are positioning ourselves to train cultural workers at the middle and top level of cultural administration,” he said.

The secretary observed that NICO would only gain its relevance in the scheme of things when it comes out with some programmes that will impact the lives of the generality of the people. At the national level, according to him, there are programmes lined up, but specifically, the indigenous language programme appears to be a strategic option. With the notion that many Nigerians are not intact, language wise and that most of Nigerian children find it difficult speaking indigenous language, because of inter-tribal marriages and so on, NICO has developed a programme that will encourage the speaking of the indigenous languages.

“If these children are given the opportunity to learn indigenous languages, they approach them with every sense of commitment. This programme has gained ground to some extent. In the last long vacation of Nigerian primary and secondary schools, the programme took place in the six zonal offices of NICO.”

The institute has set up an agenda to introduce a programme entitled ‘Language in the Barracks’ to support its vision to immortalize indigenous languages. This is with the intention of taking indigenous language training scheme to police and military barracks. It was discovered, however, that among some military or police families, the wives might be Yoruba while the husbands, Igbo. It boils down on the challenge of the particular language that the children will be disposed to speak. NICO therefore believes that with this programme, parents as well as children will have the opportunity to learn those languages. The institute has also concluded plans, according to the executive secretary, to start a television programme called ‘WAZOBIA Quiz’. They are looking at a scenario whereby the parents and their children come for a quiz programme based on culture such as ‘Nigerian People and Places’. Such segment will be in the three Nigeria major languages.

“If the father is speaking Yoruba and Hausa for example, and the wife is Igbo, we expect that one of the children that will appear with you for the programme will also speak one of the languages. We believe it will be an interesting programme and it will enhance or energise the study or interest of Nigerian languages,” he said. This, to an extent, might help improve the readiness of Nigerian families to cherish the more the indigenous languages. NICO declared its intention to encourage the speaking of indigenous languages at homes and offices in Nigeria and not having English as lingua franca in respected homes. Other roundtable programme of the institute include annual roundtable conference, workshop on ‘Repositioning Cultural Workers for Improved Productivity’, World Culture Day celebration in May among others. The secretary also intimidated the media about the plan of the institute to start cultural club in secondary schools. This will be taking to secondary schools to catch the young ones culturally, like the debating and literary societies. The intention of the institute is for the children to appreciate every area of Nigerian culture, be it music or dressing.

He expressed his disappointment on how Nigerian parents are showing lackadaisical attitude to the dressing mode of most Nigerian children. According to him, some of these children go on the street almost in nudity. “It is very worrisome. The jeans, T-shirts, and the type of short sketches that our children wear in the name of fashion are really worrisome. That is why we are also looking at organising a programme called ‘Nigeria’s Dress Culture’. We want to look at aspect of dress culture.”

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Some Nigerian universities have been observed to institutionalised dress codes. Ayakoroma therefore appealed that such institutions should be encouraged, because if the students are allowed to dress the way they want, “very soon we will begin to see nude boys and girls on our streets in the name of fashion.”

NICO has vowed to step up actions on the creation of awareness on the essence and importance of culture in Nigeria. Culture, according to him, is what makes a man. He therefore warned that with the level of richness of Nigerian culture, it would be very unfortunate if Nigerian parents failed to carry their children along and sell them to the western world in the name of civilisation.

He also significantly pointed out that for Nigeria to move forward, there is a need for Nigerians to cooperate with the institute to appraise the level of corruption in Nigeria from cultural point of view.

HAITI!-THIS BROTHER TELLS US HOW HAITI GOT IN THE HOLE DUG BY THE WHITES WITH VENGENCE!-“HAITI:THE HATE AND THE QUAKE!”

January 29, 2010

FROM nationnews.com (in Barbados)

The hate and the quake

Published on: 1/17/2010.

BY SIR HILARY BECKLES

THE UNIVERSITY OF THE WEST INDIES is in the process of conceiving how best to deliver a major conference on the theme Rethinking And Rebuilding Haiti.

I am very keen to provide an input into this exercise because for too long there has been a popular perception that somehow the Haitian nation-building project, launched on January 1, 1804, has failed on account of mismanagement, ineptitude, corruption.

Buried beneath the rubble of imperial propaganda, out of both Western Europe and the United States, is the evidence which shows that Haiti’s independence was defeated by an aggressive North-Atlantic alliance that could not imagine their world inhabited by a free regime of Africans as representatives of the newly emerging democracy.

The evidence is striking, especially in the context of France.

The Haitians fought for their freedom and won, as did the Americans fifty years earlier. The Americans declared their independence and crafted an extraordinary constitution that set out a clear message about the value of humanity and the right to freedom, justice, and liberty.

In the midst of this brilliant discourse, they chose to retain slavery as the basis of the new nation state. The founding fathers therefore could not see beyond race, as the free state was built on a slavery foundation.

The water was poisoned in the well; the Americans went back to the battlefield a century later to resolve the fact that slavery and freedom could not comfortably co-exist in the same place.

The French, also, declared freedom, fraternity and equality as the new philosophies of their national transformation and gave the modern world a tremendous progressive boost by so doing.

They abolished slavery, but Napoleon Bonaparte could not imagine the republic without slavery and targeted the Haitians for a new, more intense regime of slavery. The British agreed, as did the Dutch, Spanish and Portuguese.

All were linked in communion over the 500 000 Blacks in Haiti, the most populous and prosperous Caribbean colony.

As the jewel of the Caribbean, they all wanted to get their hands on it. With a massive slave base, the English, French and Dutch salivated over owning it – and the people.

The people won a ten-year war, the bloodiest in modern history, and declared their independence. Every other country in the Americas was based on slavery.

Haiti was freedom, and proceeded to place in its 1805 Independence Constitution that any person of African descent who arrived on its shores would be declared free, and a citizen of the republic.

For the first time since slavery had commenced, Blacks were the subjects of mass freedom and citizenship in a nation.

The French refused to recognise Haiti’s independence and declared it an illegal pariah state. The Americans, whom the Haitians looked to in solidarity as their mentor in independence, refused to recognise them, and offered solidarity instead to the French. The British, who were negotiating with the French to obtain the ownership title to Haiti, also moved in solidarity, as did every other nation-state the Western world.

Haiti was isolated at birth – ostracised and denied access to world trade, finance, and institutional development. It was the most vicious example of national strangulation recorded in modern history.

The Cubans, at least, have had Russia, China, and Vietnam. The Haitians were alone from inception. The crumbling began.

Then came 1825; the moment of full truth. The republic is celebrating its 21st anniversary. There is national euphoria in the streets of Port-au-Prince.

The economy is bankrupt; the political leadership isolated. The cabinet took the decision that the state of affairs could not continue.

The country had to find a way to be inserted back into the world economy. The French government was invited to a summit.

Officials arrived and told the Haitian government that they were willing to recognise the country as a sovereign nation but it would have to pay compensation and reparation in exchange. The Haitians, with backs to the wall, agreed to pay the French.

The French government sent a team of accountants and actuaries into Haiti in order to place a value on all lands, all physical assets, the 500 000 citizens were who formerly enslaved, animals, and all other commercial properties and services.

The sums amounted to 150 million gold francs. Haiti was told to pay this reparation to France in return for national recognition.

The Haitian government agreed; payments began immediately. Members of the Cabinet were also valued because they had been enslaved people before independence.

Thus began the systematic destruction of the Republic of Haiti. The French government bled the nation and rendered it a failed state. It was a merciless exploitation that was designed and guaranteed to collapse the Haitian economy and society.

Haiti was forced to pay this sum until 1922 when the last instalment was made. During the long 19th century, the payment to France amounted to up to 70 per cent of the country’s foreign exchange earnings.

Jamaica today pays up to 70 per cent in order to service its international and domestic debt. Haiti was crushed by this debt payment. It descended into financial and social chaos.

The republic did not stand a chance. France was enriched and it took pleasure from the fact that having been defeated by Haitians on the battlefield, it had won on the field of finance. In the years when the coffee crops failed, or the sugar yield was down, the Haitian government borrowed on the French money market at double the going interest rate in order to repay the French government.

When the Americans invaded the country in the early 20th century, one of the reasons offered was to assist the French in collecting its reparations.

The collapse of the Haitian nation resides at the feet of France and America, especially. These two nations betrayed, failed, and destroyed the dream that was Haiti; crushed to dust in an effort to destroy the flower of freedom and the seed of justice.

Haiti did not fail. It was destroyed by two of the most powerful nations on earth, both of which continue to have a primary interest in its current condition.

The sudden quake has come in the aftermath of summers of hate. In many ways the quake has been less destructive than the hate.

Human life was snuffed out by the quake, while the hate has been a long and inhumane suffocation – a crime against humanity.

During the 2001 UN Conference on Race in Durban, South Africa, strong representation was made to the French government to repay the 150 million francs.

The value of this amount was estimated by financial actuaries as US$21 billion. This sum of capital could rebuild Haiti and place it in a position to re-engage the modern world. It was illegally extracted from the Haitian people and should be repaid.

It is stolen wealth. In so doing, France could discharge its moral obligation to the Haitian people.

For a nation that prides itself in the celebration of modern diplomacy, France, in order to exist with the moral authority of this diplomacy in this post-modern world, should do the just and legal thing.

Such an act at the outset of this century would open the door for a sophisticated interface of past and present, and set the Haitian nation free at last.

l Sir Hilary Beckles is pro-vice-chancellor and Principal of the Cave Hill Campus, UWI.

HAITIANS GET BACK TO AFRICA!-FREE LAND TO RESETTLE IN THE MOTHERLAND OFFERED BY SENEGALESE PRESIDENT!-FROM CBS NEWS.com

January 27, 2010

FROM cbsnews.com

Jan. 16, 2010
Senegal Offers Land To Haitians That Want To Come
Senegal’s President Offers Voluntary Repatriation And Land To Any Haitians That Want To Come
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(AP) DAKAR, Senegal (AP) – Senegal is offering free land to Haitians wishing to ‘return to their origins’ following this week’s devastating earthquake, which has destroyed the capital and buried thousands of people beneath rubble.

Senegal’s octogenarian President Abdoulaye Wade told a meeting of his advisers that Haitians are the sons and daughters of Africa, because the country was founded by slaves, including some believed to have come from Senegal.

“The president is offering voluntary repatriation to any Haitian that wants to return to their origin,” said Wade’s spokesman Mamadou Bemba Ndiaye late Saturday following the president’s announcement.

“Senegal is ready to offer them parcels of land – even an entire region. It all depends on how many Haitians come. If it’s just a few individuals, then we will likely offer them housing or small pieces of land. If they come en masse we are ready to give them a region,” he said.

He stressed that Wade had insisted that if a region is handed over it should be in a fertile area – not in the country’s parched deserts.

Senegal, a nation of 14 million roughly the size of South Dakota, is considered one of the most stable and developed in the sub-region. Still nearly half of working-age adults are unemployed and the country has been burdened by high food prices, frequent blackouts and spiraling energy costs.

Many have criticized Wade for being a dreamer, proposing lofty projects that do little to alleviate poverty or address endemic corruption. Others see him as a statesman who dares to have a vision for Africa.

Copyright 2010 The Associated

HAITIANS!-OLODUMARE OTI SE!(GOD HAS DONE IT!-THIS IS YOUR CHANCE TO GET “BACK TO AFRICA” NOW SO DON’T MISS IT!

January 19, 2010

FROM WIKI.COM

Senegal president offers free land to “repatriate” Haitians

From Wikinews, the free news source

Monday, January 18, 2010

Senegal
Other stories from Senegal
18 January 2010: Senegal president offers free land to “repratriate” Haitians
3 October 2009: Six soldiers killed in Senegal after ambush
2 June 2009: Search in Atlantic underway for missing Air France passenger jet
25 January 2009: Former Prime Minister of Senegal Mamadou Dia dies
15 August 2008: Former Chadian leader receives death sentence
…More articles here
Location of Senegal

To write, edit, start or view other articles on Senegal, see the Senegal Portal

File photo of Aboulaye Wade
Image: World Economic Forum.Abdoulaye Wade, the president of Senegal, has offered free land in his country to Haitians who were affected by the recent 7.0 magnitude earthquake.

Wade described his offer as “repatriation”, as he said Haitians were descendents from Africa since Haiti was founded by slaves, some of which were thought to be from Senegal.

“The president is offering voluntary repatriation to any Haitian that wants to return to their origin,” said Mamadou Bemba Ndiaye, the president’s spokesman. “If it is just a few people, we will offer them a roof and a patch of land,” he added, speaking to the France Info radio station. “If they come in large numbers, we will give them a whole region.”

The president, meanwhile, commented: “The repeated calamities that befall Haiti prompt me to propose a radical solution — to take measures to create somewhere in Africa […] the conditions for Haitians to return. “They did not choose to go to that island. It is our duty to recognise their right to come back to the land of their ancestors.”

“It wouldn’t be the first time that former slaves or their descendants were brought back to Africa. Now the problem is to know how, and who will bear the cost,” Wade concluded.

MARIE CLAUDINETTE JEAN IS A BLACK SKINNED BEAUTY-A FASHION DESIGNER, MODEL AND WIFE TO BEAUTIFUL BLACK SKINNED WYCLEF JEAN-SHE GOT HER BLACK MAN AND YOU CAN TOO!

August 22, 2009

MARIE CLAUDINETTE JEAN IS A BLACK SKINNED BEAUTY FROM HAITI. MARIE IS A POPULAR FASHION DESIGNER,MODEL AND WIFE TO BEAUTIFUL BLACK SKINNED WYCLEF JEAN!

MARIE CLAUDINETTE JEAN IS A BLACK SKINNED BEAUTY FROM HAITI. MARIE IS A POPULAR FASHION DESIGNER,MODEL AND WIFE TO BEAUTIFUL BLACK SKINNED WYCLEF JEAN!

MARIE CLAUDINETTE,A BLACK SKINNED BEAUTY GETS HER MAN A BLACK BEAUTY HIMSELF WYCLEF JEAN ! YOU TOO WILL GET A WONDERFUL BLACK MAN TO MARRIED WHO WILL LOVE YOUR BEAUTIFUL BLACK SKIN!

MARIE CLAUDINETTE,A BLACK SKINNED BEAUTY GETS HER MAN A BLACK BEAUTY HIMSELF WYCLEF JEAN ! YOU TOO WILL GET A WONDERFUL BLACK MAN TO MARRIED WHO WILL LOVE YOUR BEAUTIFUL BLACK SKIN!

AT BET AWARDS

AT BET AWARDS

MARIE CALUDINETTE AND WYCLEF JEAN GET MARRIED!

MARIE CALUDINETTE AND WYCLEF JEAN GET MARRIED!

wyclef_claudinette_largerfusha83fusha1
BLACK BEAUTY MEETS BLACK BEAUTY!

BLACK BEAUTY MEETS BLACK BEAUTY!


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