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ALI !–MUHAMMAD ALI!-BOXING!-THIS white boy GIVES US A HISTORY OF BOXING UP TO 1991-FROM AMERICAN HERITAGE MAGAZINE

November 14, 2015

ALIfrom americanheritage.com
BOXING!-HISTORY OF BOXING BY THIS white boy DATED 1991-FROM AMERICAN HERITAGE MAGAZINE

from
American Heritage.com
1991 » Volume 42, Issue 6
The Business Of Boxing
Joseph D’O’brian
October 1991 | Volume 42, Issue 6

Some people think that the history of boxing as a glamorous business, as promotion rather than as sport, begins with Muhammad Ali and Don King. Before Ali, they say, boxing was I just a bunch of palookas punching each other. Ali was boxing’s first showman, they say, the first glamour boy, the first bad guy whom the fans loved to hate; the first black athlete to be revered worldwide, the sport’s first true media creation. Don King, meanwhile, is sometimes thought of as the original larger-than-life promoter, the man who first showed us that a boxing match can be turned into one small part of a weeks-long media circus—one that can end by grossing, as did the Holyfield-Forman bout last spring, well over $70 million.

But the truth is that Ali and King were simply another case of history repeating itself. “The championship is like one of those frames you stick your head through to be photographed,” writes the novelist Wilfred Sheed. “The face is your own, but the clothes and posture belong to the management.” Unlike many other sports, such as football, basketball, and hockey, which have become businesses only within the past few decades, boxing has always been more of a business than a sport. The only real difference is that the business end of boxing gets more coverage now than it did a generation ago.
It has always been sport and business. Today it’s a multimillion-dollar industry. It got that way through a handful of dramatic—and dramatized—clashes between heavyweight titans. Here are the bouts that built the modern sport.
“The misty-eyed hero worship is gone from boxing now,” says Nigel Collins, the former editor of The Ring magazine. “All sports are treated as businesses today, and boxing in particular is less of a sport, more of a spectacle. I’m amused, when I go to a major fight, to see spectators lined up with their cameras, not to take pictures of the fighters but to shoot the celebrities coming into the arena.”
Sounds like what you’d see at a premiere instead of a fight? Well, if you’re a boxing fan, you’ve noticed that boxing people—the fighters, promoters, managers, and trainers—don’t remind you of sportsmen so much as they remind you of theater people. This may be partly because boxing is such a serious sport and such a personal sport. It’s impossible to treat it as a game; it has to be treated as drama. But boxing is most closely related to theater because it relies so heavily on promotion.
Baseball and football don’t need to be promoted heavily. The Super Bowl and the World Series happen every year, and they always attract plenty of fans. Major fights occur at irregular intervals, and, like plays, one never knows if they’re going to be hits or flops. It all depends on how they’re built up. With good business sense, a gambler’s instincts, and the right gimmick, a fight promoter can make a fortune. A miscalculation will ruin him.
Boxing wasn’t always a major sport in the United States. In Great Britain boxing has been popular since the early 1700s, but it took longer to catch on here because it has always been an urban sport, appealing almost entirely to city dwellers; and the United States simply didn’t have enough of them to support it until the late 1800s. Bareknuckle prizefighting began to catch on in California during the gold rush; it got a boost when an American, John C. Heenan, held the British heavyweight champ, Tom Sayers, to a draw near London in 1860. But the popularity of boxing was also hampered by the fact that it was illegal. This wasn’t because bareknuckle fights were so brutal (believe it or not, they almost never resulted in serious injury) but because the matches encouraged gambling and rowdy behavior on the part of the spectators. Prizefights had to be held in secret. Only a few hundred insiders and high rollers knew where and when a fight was going to take place. On the appointed day, the time and location would be revealed to them, and they would assemble there to watch the fight.
There was no admission fee. The business side of boxing depended entirely on betting. The fighters fought for a purse put up by their backers (hence the term prizefighting ); the backers, in turn, hoped to profit by betting on their man. The cops, ordinarily, would have been persuaded not to interfere until the bout was over, at which time the fighters and fans would rush out of the local jurisdiction before they could be nabbed.
When the Marquis of Queensberry rules (mandating gloves and forbidding wrestling) began to catch on in the last quarter of the nineteenth century, the law became more lenient in some states. Glove fights were sometimes permitted as long as the fans behaved themselves and as long as the bouts were officially billed as exhibitions. That is, the official story was that the fighters were not trying to hurt each other but merely trying to entertain.the crowd with a not-too-violent display of their boxing skills. This kind of setup sounds preposterous today, but it was common practice. Cops often entered the ring and stopped a fight if it looked as though things were getting too rough.
The legendary champion John L. Sullivan was a leading advocate of the Queensberry rules. He believed that the old-fashioned London Prize Ring (bareknuckle) rules allowed too many opportunities for running and stalling and thus helped an inferior fighter to win by wearing out his opponent. “I want fighting, not footracing,” Sullivan said. Also, it was good business to switch to gloves. Bareknuckle fighting was illegal everywhere, and Sullivan often ended up paying a hefty fine after a bareknuckle fight. Glove fighting, however, existed in a sort of legal limbo: the authorities might permit a bout to take place now and then, on an ad hoc basis.
Some people believe that the 1892 match between “Gentleman Jim” Corbett and John L. Sullivan was important because it was the first heavyweight championship bout in which the Queensberry rules were used. This is not true. Sullivan won the heavyweight title in 1882, fighting with bare knuckles, but he defended his title both with and without gloves over the course of the next decade.
What made the Corbett-Sullivan bout so important was its impact on the business side of the sport. The Louisiana authorities had decided to take a chance on legalized boxing, and the result was the first heavily promoted boxing show to take place in the United States. Corbett-Sullivan was the first heavyweight championship bout, promoted as such, to be held legally. It was the first heavyweight championship bout for which an admission fee was charged. And because of Corbett’s knack for self-promotion, this bout set boxing on its way to becoming a major sport in America.
Billed as the “Carnival of Champions,” the three-day event was held at the Olympic Club in New Orleans. On Monday, September 5, 1892, George Dixon defeated Jack Skelly for the featherweight championship of the world; on Tuesday Jack McAuliffe knocked out Billy Myer, successfully defending his lightweight title; on Wednesday night Sullivan and Corbett had their historic showdown.
Sullivan, thirty-four years old and nearly 20 pounds over his best fighting weight, was long past his prime and had not faced a serious challenger in three years. Corbett was only twenty-six and in perfect shape. But while Corbett was known to be a clever boxer, he was never a hard hitter, and he weighed only 178 pounds to Sullivan’s 212. The oddsmakers made Sullivan a 5-1 favorite.
Had Sullivan won, the unsurprising result would not have been extensively reported. As it was, Corbett fought the fight of his career, combining his blinding speed with brilliant tactics to frustrate, exhaust, and finally knock out Sullivan—and the upset victory was front-page news. The conqueror of the mighty Sullivan was the talk of the nation, and he made the most of it. He traveled all over the country, giving exhibitions and appearing in a play specially written for him, called Gentleman Jack . Sullivan had done the same thing, but his boisterous, macho persona had limited his appeal. Corbett, who could be suave and charming, was able to get the middle and upper classes—and a lot of women—interested in boxing for the first time.
But Corbett and his manager, Bill Brady, had to do it all themselves. They booked the personal appearances; when Corbett defended his title, he and Brady had to reach an agreement with the challenger, find a suitable venue, organize the publicity, do just about everything but take tickets. There was money to be made in boxing, but it went mainly to the gamblers. Fighters made relatively little, and promoters even less.
The guy who single-handedly changed boxing from a sport to a business was a cowboy and gambler named George Lewis (“Tex”) Rickard. Rickard had made a good living as a faro dealer in the Yukon during the gold rush of the 189Os; in 1904 he began plying his trade in the tiny mining town of Goldfield, Nevada. Like any good businessman, he had a talent for making money by persuading other people to invest in his enterprises. When the Goldfield town fathers decided it was time to attract more tourists and settlers, Rickard had an idea.
“Why not stage a prizefight?” he asked. “You fellows put up the money, and I’ll sign the fighters and put up an arena.”
Within an hour Rickard had raised fifty thousand dollars to cover the fighters’ purses and the construction of an arena. Next, he contacted several of the best fighters in the country, offering them a guaranteed purse. He finally lined up Joe Gans, the lightweight champion of the world, and Oscar (“Battling”) Nelson, the number-one challenger, for a guarantee of ten thousand dollars for Gans, twenty-three thousand dollars for Nelson. (Although he was the champ, Gans was obliged to take the short end of the purse because he was black. Nelson styled himself the “white lightweight champion.”)
Reno in 1910 was bedlam. Visitors slept in hammocks, on pool tables, and on park benches, ate in shifts, and kept brothels and casinos hopping.
Now that legalized glove fights allowed promoters to charge admission, fighters were promised a percentage of the gate money in addition to stakes and side bets. But an absolute guarantee of a certain sum? That was a shocker. It looked to most people as though Rickard was playing Russian roulette with five bullets in his gun.
Rickard had the money, though, and he wanted to let people know it. He took the entire purse, thirty-three thousand dollars, and stacked it, in the form of shiny new twenty-dollar gold pieces, in the window of the bank next door to his casino. Then he made sure that pictures of the money got to every major newspaper in the country.
The brainy Gans and the brawny Nelson were two of the best fighters of their day and certainly two of the most popular “little men” of all time, so the fight generated a lot of interest. For the few days prior to the bout, Goldfield wasn’t a town but a fair, with gamblers, hucksters, tourists, and businesspeople swarming into the hamlet from all over the West. On September 3, 1906, some eight thousand spectators packed the arena Rickard had built in ten days out of green lumber that could easily be dismantled and resold afterward.
It was a fight to the finish; Nelson had insisted on that condition since his main attribute was the ability to take unlimited punishment. But then Gans was known for his ability to dish it out, and as the bout wore on, it was clear that no amount of strength could make up for Gans’s superior ,talent. By the fortieth round Nelson looked like a sure loser.
They knew that this match, if promoted properly, would bring in an unimaginable sum—a gate of as much as a million dollars—and only Rickard could do it.
He began hitting Gans below the belt, butting him, and gouging him with thumbs and elbows. Referee George Siler overlooked these tactics for a while, but in the fortysecond round a terrific shot to the groin sent Gans to the canvas. This foul was so flagrant that Siler disqualified Nelson and declared Gans the winner.
The match did not turn Goldfield into a metropolis. Its population today is less than one-tenth the attendance at that fight. But the bottom line for Rickard was a profit of nearly fourteen thousand dollars—tax-free in those days.
“If you’re talking ‘pivotal,’ that fight was it,” says the boxing historian Bert Randolph Sugar. “That was the Rubicon between boxing as a sport and boxing as a business. Before that was B.C. ; after that was A.D. ”
The financial success of the Gans-Nelson bout made various state governments see the business sense of relaxing their antiboxing laws. Some states repealed them; others simply stopped enforcing them. By about 1920 questions about the legality of boxing had virtually disappeared.
It’s interesting to note also that there was relatively little racial tension surrounding the Gans-Nelson bout. White-versus-black boxing matches can indeed be charged with politics, racism, and hatred—but mainly if they are heavyweight fights. In the lighter weight classes, black boxers encountered some discrimination, but they were at least able to fight and beat white boxers, even a century ago. Black heavyweights were another matter. They were seldom able to get matches with white fighters and were never allowed to compete for the championship.
The reason is pretty simple. As Norman Mailer once wrote, “The heavyweight champion of the world is either the toughest man in the world or he is not, but there is a very real possibility that he is.” The possibility that the toughest man in the world could be black was not something many white people wanted to face in the early part of this century.
About the time Gans was beating Nelson, a black heavyweight named Jack Johnson was making too much noise to be ignored. He’d beaten all the best black heavyweights, plus whichever white ones would fight him, and now he was issuing public challenges to the heavyweight champion Tommy Burns. It took a while, but Burns finally agreed to meet him at Sydney, Australia, on December 26, 1908, after Johnson had followed the reluctant champion halfway around the world seeking a match. Johnson won easily, and the first black heavyweight champion of the world was crowned.
“Kid,” Rickard told a sportswriter, “I’ve got in them ten rows all the world’s wealth, all the world’s big men, all the world’s brains and production talent.”
This was an intolerable situation for many white Americans. The novelist Jack London spoke for millions when he appealed to the man who had retired undefeated as heavyweight champ in 1905. “But one thing remains: Jim Jeffries must emerge from his alfalfa farm and remove the golden smile from Johnson’s face. Jeff, it’s up to you!”
Enter Tex Rickard once again. This time his guarantee to the two fighters was a fantastic figure: $101,000, with 75 percent to the winner. In addition, both would get a $10,000 bonus for signing and a percentage of the film rights. Most experts, out of sentiment more than good sense, assumed that Jeffries would win, and if so, the distribution of the fight film to movie theaters nationwide could fetch more than a million dollars (in today’s dollars that might translate to roughly $35 million).
Clearly, though, Rickard wasn’t risking much by offering this guarantee. There was no way this fight could miss, as long as everybody knew when and where it would take place. After all, this was the fight that was supposed to prove—once and for all—that the best white fighter will always be stronger, smarter, and braver than the best black fighter. The hype began immediately. Jack London’s racist newspaper campaign got the ball rolling. A picture of Jeffries and a grinning Johnson sitting behind a row of champagne bottles as they signed the contract for the fight was circulated nationwide—and so were rumors of Johnson’s preference for white women. One white sportswriter wrote of Jeffries, “Let’s hope he kills the coon.”
The bout was scheduled to take place in San Francisco on July 4, 1910. But antiboxing sentiment was still strong there, and under threats of economic boycotts, California’s governor, James J. Gillett, suddenly decided that the state’s law permitted only exhibitions—not real fights. So with only a couple of weeks to go, Rickard had to uproot his entire operation.
The search for a new site didn’t last long. The mayor of Reno, Nevada, promised that a twenty-thousand-seat stadium could be built there immediately, that there would be no local protests, and that the town could handle any number of visitors. If Goldfield in 1906 had been a melee, Reno in 1910 was bedlam. For eight or nine days the town overflowed with visitors who slept in hammocks, on pool tables, and on park benches, ate in shifts at the local restaurants, and kept the brothels and casinos hopping twenty-four hours a day.
It’s anybody’s guess whether Jeffries in his prime could have beaten Johnson. But on the day of the fight, Jeff was thirty-five years old, had been out of the ring for six years, and had just shed more than a hundred pounds of flab. He was rusty, tense, out of shape. His timing was completely gone.
Johnson’s plan was not so much to hurt Jeffries physically as to destroy him psychologically, to humiliate him in front of white America. He made a fool of Jeffries, teasing him unmercifully as he beat the stuffing out of him. Jeffries lasted into the fifteenth round on pride alone; finally his corner threw in the towel. In the following few days dozens of blacks were killed in race riots in cities across the country.
In the short run the Johnson-Jeffries bout set boxing back. Distribution of the fight film was officially blocked; Johnson was chased out of the country on trumped-up charges of promoting prostitution; black fighters found it harder than ever to meet white opponents; attempts to repeal anti-boxing laws in several states were stalled.
But over the long haul this fight was a major step forward for boxing as a business. The hype had sparked new interest in the sport, especially among black Americans, who, as they moved in greater numbers from the rural South to the big cities, gradually became boxing’s dominant ethnic group. Rickard had shown that there was an awful lot of money to be made. And now that a black man was the undisputed champion of the world, the search for a white man who could whip him kept a lot of peripheral fans interested.
Still, it was a few years before the greatest promotional coup in the history of sport, the so-called Battle of the Century, took place. In 1915 Johnson lost his title to Jess Willard, the “Great White Hope,” who in 1919 was defeated by the great Jack Dempsey.
But Dempsey faced a problem. Talent in the heavyweight division has always been a cyclical thing. Every few years a whole crop of topnotch heavyweights comes along at the same time. In between it seems there’s nobody around who could lick his grandmother. The latter situation held in the early 1920s. Aside from Dempsey, there were no quality heavyweights. If he wanted to cash in on his championship, he’d need some kind of aimmick. Dempsey’s manager, Jack (“Doc”) Kearns, thought of one.
Georges Carpentier was a Frenchman, a hero of World War I, and probably the handsomest boxer of all time. He was thought to be the premier fighter on the Continent, and he had single-handedly made boxing fans out of a long list of Europe’s elite. He was an utter contrast to Dempsey, who was one of the meanest-looking men imaginable, with a killer’s eyes, a prison-style haircut and a perpetual snarl.
A good-guy-versus-bad-guy confrontation always sells tickets. Furthermore, Kearns believed that Carpentier was overrated. The Frenchman’s successes against third-rate European fighters had given the public an exaggerated impression of his abilities; besides, he was really only a middleweight. Kearns and Dempsey knew they’d have nothing to fear from him.
There were plenty of promoters itching for a chance to stage a Dempsey-Carpentier bout, but Kearns and Dempsey wanted Tex Rickard. They knew that this match, if promoted properly, would bring in an unimaginable sum—a gate of as much as one million dollars, Kearns thought—and they knew that only Rickard could do it.
But for once Rickard needed persuading. His first instinct was to promote the bout, but his business sense warned him it would be a flop. He would not commit himself. Kearns’s method of persuasion was something O. Henry couldn’t have made up.
One November day in 1920 Rickard was having lunch at his usual table in Manhattan’s Hotel Claridge when he noticed Kearns across the room, sitting with two wealthy-looking Cuban eentlemen. He walked over to greet Kearns, who introduced his companions as the financiers Marcos González and Rafael Passo. who were offering a combined purse of five hundred thousand dollars for a Dempsey-Carpentier bout to be held in Havana. Stunned, Rickard told Kearns, “Don’t sign anything until you hear from me.” A few days later Rickard, Kearns, Dempsey, Carpentier, and Carpentier’s manager, François Descamps, held a press conference in the ballroom of the Claridee to announce that Rickard would promote the fieht, guaranteeing three hundred thousand dollars to Dempsey, two hundred thousand dollars to Carpentier (“Draw, lose, or get killed,” as one sarcastic Dempsey fan put it), plus 25 percent of the film rights to each fighter.
And where were the two Cuban millionaires? After their free lunch at the Claridge, plus twenty-five dollars and a few cigars each, they’d had to eive back the fancv suits and return to their regular jobs, waiting tables at a restaurant across town.
The next step was to convince the public that the frail-looking Carpentier had a chance to beat the fearsome Dempsey. This was done by adding an air of mystery to an already exotic character. He trained in secret, in a farmhouse surrounded by barbed wire and patrolled by dogs. He claimed to be working on a “secret punch” that Dempsey would be unable to withstand. The hype worked. A surprising number of experts—including Jim Corbett—picked Carpentier to win.
Those closest to the action knew the real score. Even Carpentier must have known he had no chance. Rickard actually believed Dempsey might kill the Frenchman. He visited Dempsey in his dressing room before the fight and begged him to go easy. “I mean that, Jack,” he said. “If you kill him, all this will be ruined. Boxing will be dead!”
Dempsey, years later, recalled that he couldn’t believe his ears. “Imagine that,” he said, “the damn fool must have thought we were going to fight a duel with guns or something!”
The “Battle of the Century,” as the match was billed, took place at a temporary stadium near Jersey City, New Jersey, on July 2, 1921. Eighty thousand people paid a total of $1,789,238 to see it; hundreds of thousands more listened on the radio—the first time a heavyweight championship fight had been broadcast. (A preliminary bout between Gene Tunney and Soldier Jones had the distinction of being the first boxing match ever broadcast. Tunney would be heard from again.)
It was a tension-filled bout, but what made it so important was thatit was the first world heavyweight title bout to be telecast nationwide.
It was far from a great fight. From the opening bell it was clear that Dempsey was too strong for the Frenchman. In the second round Carpentier surprised Dempsey with a hard right cross, his “secret punch.” But Dempsey recovered quickly, beat Carpentier to a pulp in the third round, and knocked him out in the fourth.
The public wasn’t disappointed though. It continued to romanticize Carpentier, pointing out his courage in getting into the same ring with the “Manassa Mauler.” George Bernard Shaw wired him, “I admire you now more than ever.”
Dempsey’s popularity rose too. Previously he’d had relatively little exposure, and those who knew of him had thought him a surly bruiser, but during the buildup to the fight he showed himself to be well spoken, personable, somewhat shy, and surprisingly intelligent. He became the first of the five great athletes—along with Babe Ruth in baseball, Red Grange in football, Bill Tilden in tennis, and Bobby Jones in golf—who established themselves as celebrities in the 1920s and began the American tradition of regarding sports heroes as demigods.
This was the beginning of the star system in professional sports, especially in the nonteam sports of boxing, tennis, and golf. An overwhelming personality, like an Arnold Palmer, a John McEnroe, or a Muhammad Ali, will put money in everyone’s pocket. When there is no one dominating figure, as is the situation in all three of these sports today, the gate receipts shrink.
Coupled with Dempsey’s popularity was the removal of the last serious restrictions on legalized boxing in several states, most notably New York. So while boxing had been growing steadily in the United States since the 185Os, the real boom took place in the early 1920s. The sport came out of the back rooms for good. Fight clubs were established in every major city. In New York you could see live boxing every night of the week. For the next three decades fighters had to serve an apprenticeship of several years in these small clubs before they went on to the big time (hence the term club fighter , meaning a young boxer with more enthusiasm than skill).
Dempsey and Rickard became an unbeatable combination. Rickard nearly matched the success of the Carpentier fight two years later, with a bout between his man and Luis Firpo. (This was the fight in which Firpo knocked Dempsey clean out of the ring, but Dempsey climbed back in and won.) The night Dempsey lost his title to Gene Tunney in 1926, more than 120,000 people packed Sesquicentennial Stadium in Philadelphia—an attendance record that stands to this day. And when Tunney and Dempsey fought their return bout, at Chicago’s Soldier Field on September 22, 1927, the gate came to an incredible $2,658,660. Luminaries lined the ringside at that rematch. “Kid,” Rickard told a sportswriter, “if the earth came up and the sky came down and wiped out my first ten rows, it would be the end of everything. Because I’ve got in them ten rows all the world’s wealth, all the world’s big men, all the world’s brains and production talent. Just in them ten rows, kid. And you and me never seed anything like it.”
It was one of the most exciting heavyweight title bouts ever. Ten men died of heart failure while listening to the broadcast. Dempsey, who had been taking a beating, caught Tunney with a perfect punch in the seventh round and knocked him down, then stood over him, the better to nail him when he got up. Referee Dave Barry refused to begin counting over Tunney until Dempsey moved to a neutral corner, thus giving Tunney precious extra seconds to recover. Tunney got up—having spent about fourteen seconds on the canvas—and eventually won the match on points.
Was Barry wrong in forcing Dempsey to stand clear of his opponent? Could Tunney have gotten up in time if Barry had begun counting at once? And if he had gotten up, without those extra seconds would he have been capable of defending himself until the bell rang? Boxing fans are still talking that one over. At the time, the controversy was uproarious. Tunney asserted, “I’m quite sure I could have [gotten up in time],” and Dempsey agreed, but a lot of fans believed that Dempsey had been cheated out of the championship. The loud debate over the “Long Count” ensured that boxing would keep on getting bigger and bigger. Or so people thought.
Then Dempsey announced he wouldn’t fight again. Tunney fought once more; then he too retired. Rickard died suddenly in January 1929. Later that year the stock market went under. With no superstars, and with considerably fewer wealthy fans, boxing went into eclipse. By now promotion had been refined to a near-exact science, but there was no promoting to be done. The small clubs still flourished, and there was plenty of talent in the lighter weight classes to keep people interested, but there was no money.
And no great heavyweight, either, until Joe Louis came along. Joe Louis’s career is fascinating for several reasons. He was certainly one of the top five heavyweights of all time. He was the first black athlete to achieve true superstar status. And through his irreproachable public behavior and countless good works, he probably did more for black civil rights than anyone else at that time.
Early on, Ali observed the wrestler Gorgeous George, who played a loudmouthed villain whom the public loved to hate: “And I said, ‘Hey, that’s for me!’”
One of the most interesting things about Louis is how he was promoted. Memories of Jack Johnson’s in-your-face attitude, his carousing, and his liaisons with white women had not disappeared. Several deserving black challengers had been denied a chance to fight for the heavyweight title because the white powers that be didn’t want to risk having another arrogant black man sitting at the top of the sport. So Louis’s managers, two black businessmen named John Roxborough and Julian Black, set out to build a different image for their fighter. Louis never drank, never caroused, never set foot in a nightclub, and never allowed himself to be photographed alone with a white woman. In the ring he never gloated over a fallen opponent as Johnson had done; he never even smiled when the fisht was over.
Louis gained acceptance among white fans with surprising speed. He wasn’t loved at first, but because of his skill and his deportment, he was tolerated. He rose quickly through the ranks of contenders, turning pro in 1934 and defeating the former champs Primo Camera and Max Baer the following year. In 1936 he had a temporary setback. He was an 8-1 favorite to defeat the former champ Max Schmeling, but the German, who had discovered some weaknesses in Louis’s style, knocked out the overconfident “Brown Bomber.”
Louis got his career back on track immediately. The following year he showed how far black fighters had progressed when the reigning heavyweight champ, Jim Braddock, agreed to pass over Schmeling’s challenge and fight Louis instead because the black fighter was sure to draw a bigger gate.
Louis beat Braddock without much trouble, thus establishing black domination of boxing. Since 1937 only two white men have held the world heavyweight championship, for a combined total of five years out of the past fifty-four. This victory also set up the first real “Superbout” since the second Tunney-Dempsey fight: a rematch against Max Schmeling.
I it was a bout that didn’t need much promotion; everybody could see that this was high drama. There was the grudge aspect. Louis felt that Schmeling had humiliated him in the first bout. Schmeling, for his part, resented the fact that Louis had been given first crack at Jimmy Braddock the year before. Politics had a lot to do with it too: it was 1938, and Schmeling was vehemently pro-Hitler. It was clear that the majority of the fans in Yankee Stadium on the night of June 22, 1938, were in Louis’s corner.
Louis didn’t disappoint them. He’d spent two years planning his revenge. The fight lasted exactly 124 seconds. Schmeling was knocked down four times and was hospitalized afterward with internal injuries. For sheer devastation, there was never a fight like this one. And when it was over, Louis wasn’t just a champion; he was the allAmerican hero who’d whipped the Nazi.
This bout didn’t affect only boxing. Eventually it affected the entire American spectator-sports industry. This one fight finally established that black athletes could—and must be allowed to—compete with whites on equal terms. The National Football League was integrated soon thereafter, and major-league baseball admitted its first black players in 1947.
Louis held the title from 1937 to 1949, the longest uninterrupted reign in history. He kept building his image. Twice, during World War II, he fought for nothing, donating his entire purse to the Army and Navy relief funds. He was not so much admired as adored. He fought many more great fights, but the last of his bouts to have a major historical impact was one of his poorer efforts.
On December 5, 1947, Louis defended his title at Madison Square Garden in New York City against lightly regarded “Jersey Joe” Walcott. Walcott, a kind of black Rocky Balboa, shocked the world by knocking Louis down twice and losing the fight by the narrowest of decisions. It was a surprising, tension-filled bout with a controversial ending, but what made it so important was that it was the first world heavyweight title bout to be telecast nationwide. As such, it was the harbinger of a whole new era in boxing.
Boxing had been televised before, of course. But in the late 1940s the W set was just starting to come into its own as a basic household necessity. By the early 1950s most families had one. And every weekend the Gillette Friday-night fights were beamed into several million living rooms. This was good for boxing in a way. TV revenue brought more money to the sport, meaning bigger purses for fighters. Televised boxing turned fight night into a family ritual. Instead of Dad’s going down to the fight club for an evening with the boys, he stayed home and watched the fights with Mom and the kids—who also became fans.
But television hurt boxing severely by killing the small clubs. With the sport available free on TV at least once a week, only the very dedicated fans would pay to see it live. There were so few of these that by the end of the 1950s, neighborhood boxing clubs had largely disappeared. Today there are only a handful left. In New York City and Philadelphia, once America’s two main fight towns, there’s very little live boxing anymore. The big fight towns now are Las Vegas and Atlantic City, because to induce a large crowd to show up at a fight these days, you have to offer other recreational options.
Many experts believe that the death of the clubs led to a decline in the quality of boxing. There’s some truth to this. Fifty years ago a fighter had to work his way up through the ranks, slowly perfecting his craft. By the time he got a shot at a title, he’d be a seasoned veteran. Immortals like Sugar Ray Robinson, Willie Pep, Fritzie Zivic, and Archie Moore all were products of the club era, and all had more than two hundred fights and knew every trick of the trade.
Today, with the sport almost entirely dependent on television, there are fewer boxing venues, thus fewer fights. Where a boxer might have fought twelve times in 1941, he might fight twice in 1991. A fighter challenging for a world title in 1941 might have already had eighty fights. Today it’s routine for a fighter to land a title shot with fewer than twenty pro bouts under his belt. And less experience means proportionately less skill.
Television and its variations—closed circuit, cable, pay per view—have hurt boxing in another way. With the death of the small clubs, there are no more local heroes. There are few fighters who can attract constituencies in their hometowns and fill the arena whenever they fight. Today a fighter has to be nationally known or he’s nothing. The TV-viewing public has been spoiled; it just doesn’t appreciate a good club fight between two willing youngsters who may never be champs. It’s hard to hype a fight unless it’s billed as a world-championship contest. So, to inflate the significance of any given boxing show, promoters have created an incredible number of dubious “championships” for which fighters can contend. It’s almost reached the point where there are more championship belts than there are fighters to wear them.
New weight classifications like “cruiserweight” and “super middleweight” have brought the number of classifications to sixteen, as compared with eight a generation ago. A mere three pounds differentiates “flyweight” from the next classification, “junior bantamweight.” There are also, at last count, four separate organizations—all hostile to one another and denying the others’ authority, like competing sects of a religion—that claim to govern boxing worldwide. The World Boxing Association, World Boxing Council, International Boxing Federation, and the World Boxing Organization each recognize a different champion at each weight. That adds up to sixtyfour championships—which means that in the past thirty years there has been an eightfold increase in the number of people who can style themselves “Champion of the World.” Boxing has come full circle to where it was in the early years of the nineteenth century, when nobody in America knew who the champ was, and didn’t care. Today the sport runs almost entirely on individual personalities. There are a half-dozen or so fighters who are well known enough to attract a big closed-circuit or pay-per-view audience, and if they don’t actually hold a championship, one will be created for them.
“Those various governing bodies have changed the public perception of boxing,” Nigel Collins charges. “The multiple ‘champions’ have created a cynical attitude on the part of the public. There are fewer writers and broadcasters who are really dedicated to the sport, so people know less about boxing now. The talking heads on TV only get interested if it’s a megafight.”
This all didn’t happen overnight, of course; it was a gradual process. But there was one match that truly did begin the descent into the confusion of today. It took place on the night of November 30, 1956, when Floyd Patterson and Archie Moore fought for the heavyweight championship of the world, left vacant when Rocky Marciano retired undefeated.
This bout was no great promotional coup. Financially it was somewhat of a disappointment. But with the exception of Corbett-Sullivan, no other fight so clearly ushered in a new era. In just about every way imaginable, this was the definitive clash between the old order and the new. Moore was two weeks shy of his forty-third birthday; Patterson, three weeks shy of his twenty-second. Moore, who’d been fighting since the early 1930s, had worked his way slowly through countless small clubs all over the world, fighting anyone, anywhere, anytime, but had been studiously avoided by various world champions. (Ray Robinson, for instance, once remarked, “I’ll only get into the same ring with Archie if they let me bring a baseball bat.”) Patterson, a 1952 Olympic gold medalist, had been groomed for success right from the get-go, with a showy record established against carefully selected opponents. Moore had a scientific style of fighting that the true boxing fan loved but that the peripheral fan found too deep to be of interest. Patterson had been taught to box in a flashy, spectacular style specifically calculated to look good on television.
Moore was the Grunt, Patterson was the Glamour Boy. The only real similarity between the two men was that they both took a highly intellectual approach to the game. (Moore, trying to explain his complicated style to a mystified fan: “You’re thinking about boxing . What I do is philosophy .” Patterson, on what made him fight: “I am a coward. My fighting has little to do with that fact, though. You can be a winning fighter and still be a coward. … I liked beating people because it was the only thing I could do. And whether boxing was a sport or not, I wanted to make it a sport because it was a thing I could succeed at.”) So perhaps they both knew that this fight was a passing of the torch.
Maybe the knowledge had a psychological effect on “Ancient Archie.” Although Moore was favored to win, Patterson flattened him in the fifth round. Patterson was only one remove, in the succession of champions, from Muhammad Ali. He held the title until 1959, lost it to Ingemar Johansson of Sweden, won it back the next year, and lost it for good to Sonny Liston in 1962. He was the only two-time heavyweight champ. Ali, the only three-time champ, won the title from Liston on February 25,1964, and didn’t lose it for good until 1980.
Ali (who then, of course, was known as Cassius Clay) made a splash as soon as he arrived on the boxing scene. He recalled that at the beginning of his career, he observed the wrestler Gorgeous George in action and noticed that George performed to packed houses every night because he was a loudmouthed villain whom the public loved to hate. “And I said, ‘Hey, that’s for me!’”
Ali, as you see, was nothing new after all. In effect he was the reincarnation of many great names of the past, all blended into one man. His glamour-boy image wasn’t much different from that of the handsome, cocky Jim Corbett. His incredible instinct for showmanship? Tex Rickard. His bad-guy act? Jack Johnson sold tickets exactly the same way. And as a national icon—well, Joe Louis had been there before.
As for Don King, he’s certainly a remarkable man. A former racketeer who once did a stretch in prison for killing a man in a street fight, King in 1974 was an obscure fight promoter who became a major power in boxing when he convinced the president of Zaire, Mobutu Sese Seko, that Mobutu could generate great publicity for his country by bankrolling a fight between Ali and George Foreman to the tune of ten million dollars. The Ali-Foreman bout was certain to take place eventually, but King stole a march on all other possible promoters by approaching a Third World nation whose leader was significantly more prosperous than his country.
And as Goldfield, Nevada, was the making of Rickard, so Kinshasa, Zaire, was the making of King. The bout came off on October 30, 1974; Ali, in a stunning upset, regained the title by wearing Foreman down and knocking him out in eight rounds. King has been involved in promoting all but a handful of the dozens of heavyweight championship bouts since then. A good many King-promoted fighters have accused him of cheating them, but he continues to be the most powerful man in boxing.
With boxing dependent on W, there are fewer boxing venues, thus fewer fights. A boxer might have fought twelve times in 1941; he might fight twice in 1991.
Whether or not his fighters actually end up as wealthy as their contracts promise, it’s clear that somebody is making more money on a single evening at the fights today than past champions and promoters could hope to make in a career. Boxing didn’t become a fabulously lucrative business the day Muhammad Ali declared, “I am the greatest!” Ali, Don King, and their contemporaries have built on the fortune their forerunners had been accumulating for a century.

BLACK POWER!-BLACK MAN OVER ALL!-FROM AUTUM ASHANTE ON FACEBOOK!

February 10, 2015

BLACK DEFEATS

BROTHER J.R. Smith MUST PAY for his BLACK JESUS!

April 15, 2013



Knicks Star J.R. Smith — Ordered to Pay $48,000 … You Stole Black Jesus!

⁠⁠

4 days ago | TMZ

Don’t mess with Black Jesus … or You Will Pay … just ask Knicks stud J.R. Smith, whose ass just lost a $48,000 lawsuit involving a diamond necklace that features an Afro-American rendition of the Messiah.A jewelry company called Lemmerman’s sued Smith, claiming he ordered a bunch of bling back in 2010 — including a diamond chain, two Black Jesus pendants and some earrings — totaling $25,500 … but never paid.We’re told one Jesus pendant and chain cost roughly $15,000 alone.

BLACK PARALYMPIANS FROM NIGERIA SET TO WED!- O BLACK LOVE! -FROM SUN NEWSPAPER,NIGERIA

October 1, 2012

BLACK LOVE!

Paralympic couple: Folashade, Tolulope pick Nov 3 wedding date
Our Reporter October 1, 2012 1 Comment »
Paralympic couple: Folashade, Tolulope pick Nov 3 wedding date

…Sports Minister, others to attend

By GBOLAHAN DADA

It’s now official. Yes, the wedding bell is ringing loud for Paralympic Games stars, Folashade Oluwafemiayo and Tolulope Owolabi, as they have picked November 3 to tie their nuptial knot in Jos.

The much talked about wedding is expected to attract top officials in the sports circles, including the Sports Minister, Mallam Bolaji Abdullahi; the Director of Sports, Dr Patrick Ekeji; Nigeria’s Paralympic Games Chief-de-mission, Dr Simon Ebhojiaye; the National Paralympic Secretary in Nigeria, Dr Frank Thorpe and all the coaches and officials who were among the Team Nigeria to the London 2012 Games.

According to the bride, Folashade, all her team mates are also warming up to be part of the history-making wedding as they have already bought uniform popularly known as ‘Aso Ebi’ with head ties for women and caps for men. “Everybody is excited about the date.We have been trying our best to put things in proper perspective towards a succeessful ceremony. My husband is in Lagos to tie-up things concerning our wedding. We believe God to ensure a hitch-free ceremony on November 3.

We thank God for the interest and support already shown by people so far and we are grateful for everything,”she said. Folashade disclosed that she could no longer wait for that day to come to pass as friends and family members are daily thronging her home for an update on the wedding.

“It is a thing of joy as everybody wants to participate in one way or the other. We are all involved in the project. My friends, relatives, in-laws are deeply in it and God has been so faithful,”she told Daily Sunsports on phone from Jos. Folashade and Tolulope had their traditional engagement in April, a few months before the London 2012 Games.

Although, Tolulope didn’t win anything at the Games, Folashade won a silver medal and set a new world record and Paralympic mark.

BLACK SKINNED BEAUTIES-VENUS AND SERENA WILLIAMS-THE MOST FAMOUS BLACK SKINNED BEAUTIES IN THE WORLD BEFORE MICHELLE OBAMA(B.M.0.)-WIN AT WIMBLEDON,2012!ON

August 21, 2012

OUR BLACK SKINNED BEAUTY SERENA WILLIAMS BEAT THAT SORRY WHITE GIRL GOOD!- FROM THE GUARDIAN NEWSPAPER, NIGERIA

July 12, 2012

FROM GUARDIAN NEWSPAPER,NIGERIA
Serena…The Glorious Comeback
Sunday, 08 July 2012 00:00 By Ayo Ositelu Sport – Abroad
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AT 30, American Serena Williams became the oldest woman to win a Grand Slam Ladies Singles title since Czech-turned American Martina Navratilova some 22 years ago, when the sixth seeded but four times former champion defeated third seeded 22 year-old Agnieszka Radwanska of Poland in a truly thrilling Ladies Singles final yesterday on the fabled Centre Court of Wimbledon.

It was Serena’s fifth Singles title at the All-England Lawn Tennis and Croquet Club, SW19, London, which tied her older sister’s (Venus’s) feat of five Wimbledon Ladies Singles titles.

If the Ladies Doubles partnership of Serena and Venus is successful in its ninth Ladies Doubles final, which was scheduled to follow the Gentlemen’s Doubles yesterday, it would be the amazing African-American sisters’ sixth Ladies Doubles title.

With elder sister Venus, who has been struggling with the diagnosed auto-immune ailment, a disease which has prevented her from being at her best, having exited the tournament in the first round, but was the leading cheerleader in the Players’ Box rooting for their own, Serena, whose form had got better with each round’s match, won the opening set easily at 6-1 in just 36 minutes.

With the American having raced to a 5-0 lead in the first set after breaking the Pole’s serve in the second and fourth games, the sympathetic Centre Court crowd erupted with a thunderous ovation when the badly outplayed Radwanska managed to get into the scoreboard to trail 5-1.You would have thought the Pole had won the match after ending the game with an ace.

In the next game, as if to say to her support team in the stands “no shaking,” Serena clinched the set with a crushing service winner down the T, a weapon which had been a constant feature of her thrashing of one opponent after another en route to yesterday’s final.

When the American, who had thoroughly dominated her seemingly overawed opponent in every aspect of the first set, broke the Pole again in the third game to take a 2-1 lead, every indication pointed towards the match ending as one of the most embarrassingly one-sided finals in Wimbledon history.

The pole had a different idea, as she kept on fighting, until her efforts were rewarded in the eighth game, when she created her very first breakpoint of the biting and dreaded Serena serve after all of 59 minutes of play to level up 4-4. It was only the seventh time the American lost his serve throughout the fortnight.

You know what? Serena appeared to be rattled as a match which had been thoroughly under her control seemed to be slipping away.

And alas! It actually did slip away, when the reinvigorated Radwanska broke the American in the twelfth game to win the set 7-5. Lo and behold! The match had extended to an unlikely third and deciding.

The look on the faces of Team Serena, particularly her older sister Venus, in the stands, said it all. It was nail-biting time.

But then, as it appeared from the body language of Serena, it was just a temporary set back. After breaking the Pole for a 3-2 lead, there was no stopping the American from cruising to a well-deserved victory.

It was a complete turnaround for a player who went into last month’s French Open as a firm favourite to win the title, but who lost in the very first round to French woman Virginie Razzano.

A heart-warming turnaround for a woman, who only a year ago was fighting for her life when she had what doctors call pulmonary embolism, and a resulting surgery.

Serena, The ‘Queen’ Of Aces

Did You Know…

That the tennisworld may not have seen a better serve than that of American Serena Williams, whose serve today is still as intimidating as it was in 1999 when she won the first of her 14 Grand Slam Ladies Singles titles at the US Open in New York?

Thirteen years on, the American’s dreaded serve, like French wine, keeps getting better and better, and it is sometimes not just the number of aces (free points) she serves, but when she serves them.

Against the fourth seeded defending champion Petra Kvitova of the Czech Republic in the quarter-final, and world number two Victoria Azarenka of Belarus in the semi-final, Serena literally delivered a free ‘clinic’ on how to win matches with your serve.

She served 37 aces against those two heavy hitters of the ball and two of the best returners of opponents’ serves, 13 against the Czech and a new Wimbledon record 24 against Azarenka. But that is not the point.

Just as when she served the 23 aces (then a new record of aces in one match at Wimbledon) to fend off a stubborn Jie Zheng of China in three tough sets, Serena served a majority of her aces and outright service winners when she needed them the most. She used the aces to save at least 20 breakpoints in these matches, and even more aces which enabled her to come back from many 0-30 situations, not to talk about the numerous game points to finally win very tight service games.

Not satisfied serving a new Wimbledon record of 23 aces against Jie Zheng, she broke her own new record, to hit 24 to brush aside the determined Azarenka’s fierce second set fight back to win 6-3, 7-6 (8-6) to reach her seventh final at Wimbledon, having won four of her previous finals, the latest in 2010.

In six matches before yesterday’s final, Williams had recorded 86 aces and numerous service winners, which in itself is already another new Wimbledon record of aces in one Wimbledon tournament. But even that latest addition to her ever-bulging pedigree did not prevent her from putting up another stunning display of serving ‘bullets’ out there on the Centre Court, a cherished edifice she and her sister Venus have made their own all these years.

In yesterday’s thrilling final, Serena added 18 aces to her record toll, and how she needed all of those morale-shattering aces, especially against a fit-fighting 22 year-old Agnieszka Radwanska, the first Pole since 1939 to make a Grand Slam final, who showed admirable resolve by rallying back from losing the first set 6-1 and was a service break down in the second to extend the match to a deciding third set.

At a point in the third set, Serena served trailing 1-2 in the third set. How did she respond? She served four consecutive breathtaking aces to hold serve to love, which in tennis is called a “golden game,” a rarity at that level of competitive tennis.

Asked to comment on Serena’s serve, tennis legend American John McEnroe, a many times Grand Slam champion – turned influential Tennis TV commentator and analyst said: “I have never seen serving like that before… It was not just the quality and the power, with the fastest of those serves measured at 120 miles per hour, but also the uncanny timing… It is surely the greatest shot the Women’s game has ever seen.”

How would Serena herself describe it (her serve), as a weapon? “Mean,” responded Williams, with a wry smile. “The older I get, the better I feel I serve, and the more I like to hit aces,” she added.

ayo– ositelu@yahoo.com

Author of this article: By Ayo Ositelu

VENUS AND SERENA WILLIAMS- BLACK SKINNED BEAUTIES SUPREME -“TENNIS QUEEN’S STYLE” -FROM THE NATION NEWSPAPER,NIGERIA

May 20, 2011

FROM nationonlineng.com

BLACK SKINNED BEAUTIES SUPREME!


Tennis queens’ style: Centre court or nightclub wear?
By Patience Saduwa 15/05/2011 00:00:00
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Tennis queens’ style: Centre court or nightclub wear?

BACK in the day, sportswear particularly that of tennis was a simple affair-usually a pair of shorts and a T-shirt worn with sneakers. And the colour was mostly white. Now tennis wear has evolved to such a level that observers are wondering if a dress code for the game has become necessary. Their stance is understandable considering the type of ‘outfits’ worn by some of the major female players in recent times. Many of the top female players can often been seen on court in skimpy or revealing outfits, in a kaleidoscope of colours and garish designs that at times look more like nightclub than tennis gear.

A few top professional players are fuelling this trend in raunchy outfits on court. And top in the league of provocative court dressers are the dynamic duo-Serena and Venus Williams. In fact, since these hard-hitting sisters hit the courts and tennis circuits in the 90s, courtside fashion has been taken to a level never seen before in the over 100 year history of the game. It’s like just playing tennis is no longer enough. High fashion, entertainment and lots of drama have

been added to the game. Between them, they’ve turned centre court into a fashion runway, bringing some bling bling factor to it. While all these have helped to ‘spice up’ the somewhat sedate sport, the racy court style has raised a few questions as well as controversy. Many have wondered if the sisters have gone too far in their sexy ‘sports’ dressing and its time to tone down the outfits worn on court.

Courtside nightgown wearers

Indeed, some of the outfits look like anything but sportswear. They seem like a cross between evening wear (for a cocktail party for instance) and something that the average call girl in town will don in order to display all her ‘assets’ before hitting the streets for the day’s ‘business.’ An example is the black negligee-inspired dress (pictured) that Venus wore to the French Open last year. She looked underdressed, like a woman who, after wearing her undies forgot to put on her clothes before leaving home. More was to come. The spectators, already surprised at the player’s boldness for choosing such a bedroom look for the court, were simply ‘dazed’ by her weird underwear- a flesh-coloured design that gave her a nude look, prompting the question among onlookers: “Is she naked?”. Amid whistles, catcalls and waves of disapproval from spectators mostly used to more traditional tennis gear, an unfazed Venus defended the controversial outfit which she described as being all ‘about illusion.’

She remains unperturbed by cries that her outfits are becoming too sexy for the sport, continuing with her sister Serena to push the tennis fashion envelope to new style heights. For instance, last month, Serena made a comeback to the court after a series of injuries and ailments in an outfit that was sure to grab attention- a bright-pink body-hugging catsuit. In that outfit she looked more like catwoman Patience (a namesake please) in the movie Catwoman played by sultry Hollywood actress Halle Berry than a professional tennis player with many grand slams under her belt. But the Williams’ sisters aren’t the only ones who have set tongues wagging with their style. Another top player, Maria Sharapova looked ready for a night on the town in the blue dress worn under a see-through ‘nightie’ she wore at the Australian Open in January.

Many have considered the clothes at best distracting and at worse, tacky, tasteless and unbecoming of an elitist and serious sport like tennis. Then there’s the role model aspect, with many young girls looking up to them. As a spectator put it succinctly: “She (Venus) is an ambassador of black women to the world, whether she likes it or not. There’s a way to grab attention without letting your belly and booty hang out.” Indeed, many observers are of the view that these girls, being so talented don’t need to wear such outlandish outfits on court to attract attention. Other tennis lovers believe a return to the time when all-white outfits in classy designs was the norm among players, is long overdue.

A TRIBUTE TO A GREAT NIGERIAN/AFRICAN,CHIEF N.O. IDOWU-BY BAYO ADEBOWALE-FROM THE GUARDIAN NEWSPAPER,APRIL 28,2010

May 23, 2010

FROM

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The N.O. Idowu that I know

The beauty of Africa
Is slain upon the high places.
How are the mighty fallen!

SIR: The Erin-wo epitaph clearly sums up people’s general opinion of the eventful life and times of Chief (Dr) Nathaniel Olabiyi Idowu (OFR), the Mayeloye and the Okanlomo of Ibadan land. Chief Idowu led a crowded life of progress and specular achievements in virtually all fields of human endeavour Ð as a community leader, philanthropist, pillar of sports, business tycoon, devout Christian, committed family man and a complete Omoluwabi.

Steadfast, diligent, disciplined, intelligent, honest, firm and forthright, N.O. all though, kept his head while others were losing theirs, in the face of challenges and vicissitudes of life. He was adored by his admirers and venerated even by his detractors, over whom he perched mightily like an eagle bird on the giant Baobab tree. He was in perfect accord with friends and at peace and harmony with all who dug holes round him.

Chief Nathaniel Olabiyi Idowu had no space in his tender heart to harbour malice, rancour and recriminations. His heart was a level-ground for positive thinking and record-breaking tendencies. No nooks, no crannies. Several times he had summoned us in African Heritage Research Library and Cultural Centre (AHRLC) to Lagos, to discuss confidential matters which touched his heart intimately, and these were matters concerning the progress and development of Eniosa, Adeyipo, Ibadan, Oyo State, Nigeria and Africa. At such meetings, N. O. would bubble with hope, optimism and the commitment of a true messiah, on a rescue mission to improve the lot of his people. A great lover of the rural communityÉ When we took the news to him about Chief Afe Babalola’s unprecedented act of philantropism to AHRLC at Adeyipo village, he grabbed his phone and poured encomiums on the legal luminary telling him, “You have done what Napoleon would not do, Afe, turning back the Duke of Wellington. May Almighty God continue to enrich your purse and bless you abundantly as you put smiles on the faces of my people. Congratulations.”

On Saturday, September 24, 2005, during the official commissioning of AHRLC, Chief N. O. Idowu risked his health to grace the occasion. That day, he met with seven thousand jubilating community people of Olorunda Abaa, Igbo-Elerin and Igbo-Oloyin waiting impatiently to welcome their mentor and leader with traditional dundun and sekere music. Fortified by a sudden gift of good health and strength from above, N.O came that day to Adeyipo smiling, singing and dancing (in company of late Archdeacon Emmanuel Alayande and Chief Mrs. C.A. Idowu, his amiable wife, in front of a vociferous community audience who bestowed on him honour and recognition, never before witnessed in Lagelu Local Government Council of Ibadan, Oyo State. Together with Chief N. O. Idowu (our beloved Grand Patron) we formulated a universal caption for the task ahead of us in AHRLC, it is that: We have great works to do,

We have been called upon to build a new Africa

And a new Black World.

The N.O. Idowu that I know was a patriotic and worthy son of Africa. A man who stretched himself to ensure relief and comfort for the poor and the needy. A man who put others first and himself last; who kept sleepless nights to secure solutions to the problems of the society. A great man who left his footmarks boldly in the sands of time.

Chief (Dr.) Nathaniel Olabiyi Idowu (OFR) can never die, in the hearts of all of us who love him at home and abroad. He will forever be aliveÉ so, Death be not proud! Because those whom thou thinketh thou slayest, Dieth not, Poor Death!

Bayo Adebowale.
Adeyipo Village, Ibadan


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