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COME BACK TO AFRICA FOR THE BLACK HERITAGE FESTIVAL,APRIL 4-11,2010-LAGOS/BADAGARY,NIGERIA!
March 20, 2010from ladybrillanigeria.com
thenationonlineng.net
Lagos prepares for ‘Black Heritage Festival’
By Emmanuel Oladesu Published 3/02/2010 Life Midweek Magazine Rat
For seven days, Lagos State will host the world in April for the historic ‘Black Heritage Festival. The hosts are the people of Badagry Division, the haven of tourism Fin the state. The communities are full of eagerness. The three councils in the area are cooperating with the state government to ensure a hitch-free festival.
Visitors from across the globe will comb the history of horror that made the town memorable. The lamentation of slaves, who passed the town on their way to plantations in distant Europe and America, would be recalled. The return of their descendants to their roots in April will rekindle their attachment to Africa, the most populous African country and largest supplier of the unwilling slaves, and the beauty of the titanic liberation war that shook the universe.
The visitors are expected to pick works of arts and artifacts that gave content to the culture of their forebears before they went into captivity. Many of them will locate the under-development of the Dark Continent in the centuries of disruptions, cultural dislocations, neo-colonialism and lack of reparations.
Governor Babatunde Fashola(SAN) has enumerated the conditions for the success of the third Lagos Black Heritage Festival, urging the royal fathers and people to tap its abundant tourism and economic opportunities.
His Deputy, Princess Sarah Sosan, who is from the division, asked the towns and villages in the three local government area to prepare for the inflow of tourists and visitors from across the federation and abroad into the area.
The commissioner for Local Government and Chieftaincy Affairs, Hon. Rotimi Agunsoye, who represented the number one and two citizens at a stakeholders meeting in the ancient town, said the visitors who will live, eat and interact with local folks expect a “To have a meaningful festival, our environment should be clean. Many people will come from far and near. Not long ago, we came here to clear the gutters. The governor and deputy governor who I am representing here asked me to tell our royal fathers, chiefs and community leaders to mobilise people and ensure a clean environment,” he told the people at Badagry Town Hall.
The Special Adviser to Governor Fashola on General Matters, Prince Sunny Ajose, who highlighted the elements of the festival, said the division would savour the economic boom and project the cultural heritage of the towns and villages.
He expressed concern for the disposition of the communities to the notion of hygiene.
“In the past, Badagry was neat, from Seme to Ajegunle. Population explosion has led to an unclean environment. Refuse dumping is a challenge. Instead of dumping refuse at Ilewo, we want LAWMA to create another dumping site near the Badagry area,” he said.
Ajose warned that, if the atmosphere is not conducive for the visitors, they would relocate to Ikoyi and Eko Hotel where they will buy souvenirs, thereby making the people to lose their patronage.
Programmes slated for the festival include symposium, painting competitions, cultural performance, traditional dances, and ‘fitila’ procession.
Ajose said no township festival would be allowed to coincide with the Black Heritage Festival. He enjoined townspeople to preoccupy themselves with the removal of shanties in the neighbourhood so that the towns could wear a new look.
“We want to showcase what we have, including our masquerades. We have tools for slave trade in the Heritage Festival Museum. Black writers have works on slave trade. They will also come to talk about the trade and its implications for us. They will like to visit Iyana Gberesu, the terminal exit route for the slave trade. We have Oduduwa shrine in Ilogbo. We should improve on what we have to be able to get what we want. We want to prepare for all these and record success so that there will be an improvement next year,” added Ajose.
The traditional ruler, Aholu Menu Toyi of Badagry, Oba Babatunde Akran, said the festival is the responsibility of all, urging his subjects to cooperate with the government to ensure its success.
He enjoined the authorities to conduct training sessions for the school pupils who may be useful as tour guides to the visitors during the programme.
‘The visitors will be in our markets. They want to see how we are living .They want to take photographs with us. We should be good hosts’, he added.
The Alabarin of Ikaare, Oba Kayode Akinyemi, said the onus is on the council chairmen in the division to rise to the occasion and embrace their roles towards making the festival a success.
Another royal father alerted the government to the danger of inadequate medical facilities in the local governments. He said the hospitals in the area lack ambulance facilities. He also said, since April falls within the raining season, flooding may mar the festival because the drainages are bad.
Agunsoye said the government has taken note of these challenges and all these facilities would be in place before the commencement of the festival.
The festival which brings to memory the historic pains of forceful separation of kindred holds in Lagos State at a time of intense campaign for greater exploration of tourism, one of the most neglected sectors of the economy. In the days of yore, the ancient town which served as a route for ferrying the black slaves to Europe and America was thrown into monumental panic .It took the earlier generations a long time to erase the terrible experience from their memory. However, the incident has also become a blessing to the town.
Nobel Laureate Prof Wole Soyinka visited Badagry early last month for a meeting with the community leaders and elders on the importance of the carnival and modalities for a successful outcome.
At the weekend meeting presided over by Agunsoye, prominent leaders of Badagry Division took their seats with eagerness. They include Oba Moshood Asafa, Onijanikin of Ijanikin; Oba Oyekan Adekanbi, Alapa of Apa; Oba Olanrewaju Aina, Oloto of Oto; Oba Abedeen Durosinmi, Prince Dele Kosoko, Moses Dosu, Amuda Abidu and Joseph Bamgbose.
Agunsoye congratulated the people for hosting the world for the important event, saying that the division is being immortalised by the focus on it.
“Many years ago, many people suffered for our freedom. Some black men died for us to have today. Badagry is one of the famous routes where our forefathers passed to Europe. It was sad. Now, we are happy. History cannot forget Badagry. That is why we want to discuss how to immortalise the ancient times,” the commissioner said.
He said the governor and deputy governor attach much value to the festival because of its implication for the black community in the world.
The commissioner said they acknowledged the fact that an unclean environment would breed disease, adding that sanitary inspectors would be in the towns to ensure compliance with sanitary rules.
“Our black brothers abroad want to come home to mix with us. But they need a clean environment,” he emphasized.
A LAWMA official told the meeting that: “All households must have dustbins. The PSP will do its work, LAWMA will evacuate the refuse. LAWMA sweepers recruited from Badagry will be on the roads. The ‘street captains’ will distribute refuse nylon to households.”
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2 Responses to “Lagos prepares for ‘Black Heritage Festival’”
kazeem balogun at 18 Feb 2010 2:41:58 PM WAT kazeem balogun Rating: Unrated ( Author/Admin)
said this on 18 Feb 2010 2:41:58 PM WAT
its a welcome development,we shall participate
(Reply to this comment)(Cancel this reply)(Comment Replies Disabled)
EKO1CITY at 19 Mar 2010 8:48:40 PM WAT EKO1CITY Rating: Unr
said this on 19 Mar 2010 8:48:40 PM WAT
Ola Jones Lagos Black Heritage…… nice 1,but, so far i cant connect the vision of the group their objectivity pursuit, pro grammes and strategy I a son of the soil by interest in badagry thus am in total cooperation with any social articulate school of mission that set to project badagry historical value.meanwhile here is an overwhelming challenge, so much is been orchestrated in the median while all the node featuresthat makes the history are not preserve,e.g slave route,harboure,artenuation well and the gbelefu point- of- no- return. etc
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from ladybrillenigeria.com
Home » Events
3rd Annual Lagos Black Heritage Festival 2010
by Ladybrille®Nigeria on March 1, 2010No Comment
3rd Annual Lagos Black Heritage Festival
Place: Badagry Township, Lagos, Badagry
Date: April 4th, 2010
“For over a millennium, African indigenes South of the Sahara have been hunted, bartered, and sold into slavery by European and Arab slavers, often, alas, with the active connivance and participation of Africans themselves. Millions perished even before destination along the Trans-Atlantic route, the Trans-Saharan route, and the Indian Ocean route to Iraq and Persia, now known as Iran.
For centuries, and even till today, many could neither recall nor manifest the slightest interest in their antecedents. By contrast, especially since the latter half of the twentieth century, hundreds of thousands of descendants of the victims of this execrable commerce have embarked on the return journey home – some in search of their true origins, others in the spirit of a symbolic pilgrimage, and yet others to re-claim and re-settle in their ancestral space. Whichever way, for many, this has proved an emotional but fulfilling experience.
It was in fulfillment of this yearning for the healing of dislocated sense of identity that the Lagos State government instituted, with the support of UNESCO, the Black Heritage Festival in the symbolic town of Badagry, one of the more infamous departure points, with surviving landmarks, a Festival that seeks to enshrine the place of Memory in the history of peoples, and to celebrate survival and the resilience of the human will.
The third, 2010 edition of this Festival, appropriately billed as MEMORY AND PERFORMANCE IN THE RETURN TO SOURCE, is planned to raise this awareness to new heights, broaden and deepen the linkage between the African continent and its Diaspora. . .”
Visit Lagos Black Heritage Festival.org for more info.
You might also like:
Abuja Food Festival 2009
Lagos Carnival 2010 – April 3rd-5th, 2010
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from ladybrillenigeria.com
CELEBRATING BLACK HISTORY WITH THE LAGOS BLACK HERITAGE FESTIVAL
Feb 22nd, 2010 | By Ayo Peters | Category: LOCAL GOVERNMENT NEWS, TOURISM DEVELOPMENT
The 17th century will forever remain in the hearts of Africans. This was when its history was taken backwards through a trade that was inimical to its growth – Slave Trade.
The Slave Trade (known as the trans-Atlantic slave trade) started with the exportation of blacks to Europe by Portugal in the 15th century. Other European countries like Spain, Netherlands, Britain, Denmark etc soon followed suit. It was not until the 17th century however that the trade got to North America. It was there that it gained real currency.
Thus, in 1619, a Dutch warship brought the first cargo of twenty blacks to Virginia in the then British colony called New World.
Consequent upon the traffic in blacks, scores of black men and women were separated from their African homes and carried into the New World before the Slave Trade was ended. Although a lot of black men like Olaudah Equiano, Candido da Rocha, Samuel Johnson, Mojola Agbebi and others regained their freedom and found their way back to Nigeria, millions were totally separated from their families.
These Africans were not slaves but were made to work in an environment where they were referred to as slaves. Back in Africa, these men were free and respected farmers and herdsmen, craftsmen skilled in pottery and weaving, wood-carving, and blacksmiths. Some of these Africans brought out of the continent against their will were traders and hunters, musicians and dancers, poets and sculptors. Many were princes and warriors, feudal chiefs, rulers of kingdoms and empires.
These important men of African descent were taken to Europe and the New World through ports marshaled by these European masters. A lot of these slave ports existed in West Africa but some stood out. These were: Goree Island (Senegal), Whydah (Benin Republic), Elmina (Ghana) and Badagry (Nigeria).
The slave port in Badagry was notorious because hordes of Africans were taken through it. Little wonder, this port was dubbed: “Point of no Return.”
One Nigerian who suffered greatly as a result of the slave trade was Gustavus Vassa (Olaudah Equiano). Gustavus Vassa was born in the ancient Benin Kingdom in 1745. He was kidnapped from his family and sold into slavery. He was later sold again to traders and chained on a slave ship bound for America. He passed on to a Virginia planter, and then, to a British naval officer, and finally to a Philadelphia merchant who gave him the chance to buy his freedom. In his autobiography, ‘The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa the African,’ he narrated some of the ordeals he and his fellow African brothers went through on shore to the New World. For instance, a black man was flogged while on deck so unmercifully with a large rope that he died in consequence of it. Olaudah wrote that some of his countrymen were chained together and when they were weary, preferred death to such a life of misery and somehow, “made through the nettings and jumped into sea.”
The narrative by Gustavus Vassa was a fraction of the hardships blacks were made to undergo in the New World and in Europe. Many blacks died as a result of this hardship. Slaves like Nat Turner and John Brown who revolted were murdered in cold blood while one of the most brilliant Americans of the nineteenth century who started his life as a slave on a Maryland plantation, Frederick Douglas, in his autobiography asked: “Why am I a slave? Why are some people slaves and others masters? How did the relation commence? He wrote that he didn’t know he was a slave until he found out he couldn’t do the things he wanted.
Indeed, not having anything to say about the use of your own time and labour is probably what makes you feel bad. This is the absence of freedom. As providence would have it, that is all gone; total history.
Slavery and slave trade have been abolished after series of protests here and there and the great grandsons of former slaves have now become free men in Europe, Caribbean, and North America. These men after careful study, based on the ‘reign of terror’ of the slave port in Badagry, have decided to remember their roots, history, culture, and land of their forebears by celebrating the Lagos Black Heritage Festival.
Logically, Badagry is the preferred host as it is poised to hoist the Third Lagos Black Heritage Festival starting from the 3rd of April, this year.
Badagry, it will be recalled, was the departure route of these ‘slaves’. Once they got to Badagry, they were certain they would not return to their homes.
Today, Badagry still retains a lot of slavery artifacts. This includes one of the largest slave markets – Vlekete slave market – in West Africa. Here, slaves were sold at competitive prices. Hence, most countries that traded in slaves had their forts in Badagry. This included Portugal, Britain, Spain, Brazil, France and the Netherlands.
The Mobee slave relic is another of the artifacts that survived the infamous trade. It is housed by the Mobee family. We also have the Seriki Abbas compound, the Egbado-born businessman, who settled in Badagry and partook greatly of the obnoxious business.
In truth, the Lagos Black Heritage Festival has come to stay. This feat was achieved by the Lagos state government and the United Nations Education Scientific and Cultural Organization (UNESCO). According to Emeritus Professor, Wole Soyinka, the third edition of the Black Heritage Festival “seeks to enshrine the place of memory in the history of peoples, and to celebrate survival and the resilience of the human will.”
The third edition, which starts on April 3rd, this year, is tagged: Memory and Performance in the Return to Source, has been planned to broaden and deepen the linkage between the African continent and its Diaspora. In the words of Soyinka, “this will be effected through a focus on the lives and works of three eminent representatives of, and close collaborators in this racial mission… pan-Africanist and cultural activist, Aime Cesaire; prime mover of the Journal Presence Africaine, and the publishing house of that name, Alioune Diop; and statesman, Leopold Sedar Senghor.”
Badagry local government is leaving no stone unturned towards ensuring that Badagry had a hitch-free festival. Accordingly, the local government has ensured its cleaning every day.
Most residents of Badagry are eager to see the D-day. Hon. Husitode Moses Dosu, the executive chairman of Badagry local government says the “Lagos Black Heritage Festival connotes a return to the source.”
Activities lined up for the festival includes a symposium, feature films, documentaries, a book exhibition, contemporary art, theatre, concerts, traditional and modern dances, a boat regatta, a Children’s Heritage Village and African tradition games.
We await this reconnection, revaluation, and revindication.
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Tags: a boat regatta, a Children’s Heritage Village, African tradition games, Alioune Diop prime mover of the Journal Presence Africaine, Badagry Local Government, Badagry Nigeria, book exhibition, Brazil, Britain, Candido da Rocha, concerts, contemporary art, documentaries, Elmina Ghana, Emeritus Professor Wole Soyinka, feature films, France, Frederick Douglas autobiography, Goree Island Senegal, Hon. Husitode Moses Dosu, John Brown, Lagos Black Heritage Festival, Lagos state government, Leopold Sedar Senghor, Memory and Performance in the Return to Source, Mobee slave relic, Mojola Agbebi, Nat Turner, Netherlands, Olaudah Equiano Gustavus Vassa autobiography, pan-Africanist and cultural activist Aime Cesaire, Point of no Return, Portugal, Samuel Johnson, Seriki Abbas, Spain, symposium, theatre, traditional and modern dances, United Nations Education Scientific and Cultural Organization (UNESCO), Vlekete slave market, Whydah Benin Republic
One comment
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uzoh hilary March 5th, 2010 9:21 pm :
as a fashion designer and loving arts i like to participate in the black heritage festival. so please can you detail me on the event. thank you.
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from travelintelligence .com
The Badagry Route by Pelu Awofeso
Anyone can understand why callers to the slave ports at Elmina (Ghana), Goree (Senegal) and Ouidah (Benin) weep and wail after they have walked round the remains of the transatlantic slave trade in those regions. To even see images on the screen is enough to affect the senses sorely. The Black Heritage Museum—just opened to tourists in palm-and-coconut-rich Badagry, western Lagos—is another of the kind. Maybe the place won’t stir you to tears, but after going in and out, then up and down its nine galleries, it is certain to make any visitor sober.
The National Commission for Museums and Monuments (NCMM) in Nigeria, which helped with the research and installation, displays sketches, sculptures, photos, documents and dated shackles to tell the touching tale of over 300 years of ‘trading’ of which the African people were the ‘goods’.
We are now inside the building and this ad published in 1784 in the U.S. stares me in the face: “NEGROS FOR SALE: a cargo of very fine stout men and women, in good order and fit for immediate service, just imported from the windward coast of Africa…” Another in New Orleans, this time in 1835 described its ‘ware’ in detail: Chole…aged 36 years. She is without exception, one of the most competent servants in the country, a first-rate washer and ironer, does up lace, a good cook, and for a bachelor who wishes a housekeeper she would be invaluable. She is also a good ladies maid, having travelled to the north in that capacity.”
One learns a typical slave’s safari goes something like this: A freeborn is kidnapped, captured at war or despatched to a creditor to offset a debt. He is kept in custody and made to do simple menial duties at first. A time comes when a white businessman, sailing across from the west, seeks out the community’s head and demands for people to serve him and his wealthy colleagues back on their own soil. He proffers gins, guns and some other processed goods in exchange.
The deal sounds sensible enough and both parties come to an agreement. So starts the tortuous trip of an unfortunate African, the fall guy of unfeeling men (much later, markets were established to service the rising need for cheap human labour). He never travels alone; there are thousands of them at any occasion, group-chained, flogged to submission and silence, and ‘arranged’ in ships in patterns that guarantee little breathing space and more anguish. Not all of them survived. The dead were tossed overboard.
Sons and daughters, too, no matter how underaged, were hauled across the Atlantic from the African coast to the New World. The survivors were later put on kegs and boxes and auctioned like articles at Sotheby’s. Once sold, they toiled on the cotton, sugarcane or rice fields of their white masters—and it was almost round the clock—with the cruellest of punishments administered to those who attempted to bail (one exhibit shows a dog, purposely trained, biting at the throat of one). Others worked as domestic hands. There is more inside what used to be the District Officer’s administrative block in the colonial years and is a three-minute stroll from the white structure earmarked as the first storey building in Nigeria.
The opening of the museum in August 2002 put the inhabitants in the mood for the second Black Heritage Festival, said to be styled after Ghana’s decade-old Pan-African Historical Theatre Festival (PANAFEST) and organised to conform to UNESCO’s ‘Slave Routes Project’. Lagos State Waterfront and Tourism Development Corporation, the planners, intends for the festival with time to pep up the tourism receipts of Nigeria’s most commercialised city; for the time being, though, it is finding a sure footing and winning more participants from the Diaspora each year that are the goals.
Day four of the festival was all traditional stuff: The dozen delegates, all of them living in the U.S., had to go through a ceremony of ‘ethnic adoption and traditional robbing’ to choose the local names they wished to bear henceforth. Two home priests in the full glare of the town’s royal head, the Akran of Badagry, conducted that. The idea is not for the new names to replace the initial, but for the recipient to either add them on or to “keep it close to my heart”. The naming was performed with honey, sugarcane, salt, kola, and the other regulars in day-to-day Yoruba naming rites.
The Yoruba in Nigeria look to the Ifa for the same reasons Christians and Moslems search through the Holy Books. No move is made without consulting it. It gave its consent to the names the home comers preferred. At different times during the festival, the kola nut and bitter kola were tossed in another form of customary inquest. Each result turned out a pleasant omen: The land of Badagry agreed with the coming of Mayor Hawkins and co.
Badagry today is a smiling and struggling population of close to two hundred thousand. The Atlantic Ocean, its bane for centuries, flows subtly and quietly; the breeze still blows over it-and onto the mainland, and one can still sight natives paddling away in their canoes in the distance. The one thing it needs now is a rise in stature. The New Nigerians may well make that happen, because already, the group has promised to revisit its scholarship promise to the community’s bright minds; the other project will be to erect another impressive monument to the slave trade a la the ‘Point of no Return’.
The Akran, on behalf of the people, has promised pieces of land to the new natives, because they need, he says, to have their own homes—one they can come to whenever they please.
See all travel writing by Pelu Awofeso.
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from 234next.com
http://234next.com/csp/cms/sites/Next/Home/5527680-146/story.csp
Council mobilises for Lagos Black Heritage Festival
February 16, 2010 10:38PM
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The Oto/Awori Local Council Development Area says it will mobilise the people to showcase their rich culture at the forthcoming 3rd Lagos Black Heritage Cultural Festival scheduled for April 3- 9.
The festival themed, “Lagos/Badagry 2010”, is aimed at celebrating the creativity of Lagos State in dance, music and theatre regatta.
The Council Chairman, Bolaji Kayode, told News Agency of Nigeria in Badagry on Tuesday that the Council’s contingent had been fully prepared for the festival.
“Our participation in the festival is part of Oto/Awori LCDA’s commitment to promoting arts and culture. We will mobilise our people to feature in the festival particularly in Gelede and Ajegbo events,” he said.
Mr. Kayode expressed the hope that the council’s contingent would lift the laurels in the two events.
The organisers said the festival would be a forum for showcasing Africa’s diverse cultural heritage. The maiden edition of the festival was held in 2001 and was declared open by the former governor of the state, Bola Tinubu.
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from punchng.com
http://www.punchng.com/Articl.aspx?theartic=Art20100319035970
Lagos Black Heritage: A festival of reconnection, revaluation
By Mudiaga Affe, Published: Friday, 19 Mar 2010
Nobel Laureate, Prof. Wole Soyinka
Inspired by the spirit of convergence for which the most populous state in Nigeria remains pre-eminent, Nobel Laureate, Prof. Wole Soyinka, has said that the forthcoming Lagos Black Heritage Festival would be an event of reconnection, revaluation and re-vindication.
Speaking on the festival tagged, Memory and Performance in the return to Source, Soyinka said, in a statement obtained by our correspondent in Lagos, that the event would celebrate the creativity of Lagos within a ”Carnivalesque of tradition and contemporary dance.”
The LBHF, which holds between April 3 and 9, 2010, is an initiative of the Lagos State Government.
According to Soyinka, the LBHF is a seven-day cultural manifestation during which hundreds of performers will animate the ancient city of Badagry and cosmopolitan Lagos in a blend of the traditional and the modern.
On the theme of the festival, Soyinka, who is the Festival Coordinator, explained that for over a millennium, African indigenes South of the Sahara were hunted, bartered, and sold into slavery by European and Arab slavers often with the active connivance of Africans themselves.
”Millions perish even before their destination along the Trans-Atlantic route and the Indian Ocean route to Iraq and Persia, now known as Iran. For centuries, and even till date, many could neither recall nor manifest the slightest interest in their antecedents.
”By contrast, especially since the latter half of the twentieth century, hundreds of thousands of descendants of victims of this execrable commerce have embarked on the return journey home – some in search of their true origins, others in the spirit of symbolic pilgrimage, and yet others to reclaim and resettle in their ancestral space. Whichever way, for many, this has proved emotional, but with fulfilling experience,” he said.
He said that it was in fulfillment of this yearning for the healing of dislocated sense of identity that the Lagos State Government instituted, with the support of the United Nations‘ Education, Scientific and Cultural Organisation, the Black Heritage Festival in the symbolic town of Badagry.
The playwright said the Lagos State Government plans to serve the discerning palates from within the country, the continent and the Diaspora of the Caribbean and Americas.
One of the highlights of the Lagos-Badagry 2010 is a painting competition featuring artists drawn from Nigeria and the rest of the world.
An international jury will decide which of the 25 finalists will be rewarded in the Gold, Silver and Bronze categories which go with the award of $20,000, $15,000 and $10,000 respectively.
Comments :
Lagos Black Heritage…… nice 1, but, so far i cant connect the vision of the group their objectivity pursuit, pro grammes and strategy I a son of the soil by interest in badagry thus am in total cooperation with any social articulate school of mission that set to project badagry historical value. meanwhile here is overwhelming challenge, so much is been orchestrated in the median meanwhile all the node features that makes the history are not preserve,e.g slave route,harboure,artenuation
Posted by: eko1city , on Friday, March 19, 2010
Report this comment
The slogan makes no sense to me. What is Lagos black heritage? I’ll rather call it ’Lagos reborn of African Heritage’. It makes more sense and gives me something to look forward to. I do not want to use the slogan of racisim, because that is the way they will call it in a land where there are other colours.
Posted by: Enitan Onikoyi , on Friday, March 19, 2010
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from
http://lagosblackheritagefestival.org/
HISTORY
THE LOGO
THE TEAM
Welcome to the Official Website of the 3rd Lagos Black Heritage Festival!
For over a millennium, African indigenes South of the Sahara have been hunted, bartered, and sold into slavery by European and Arab slavers, often, alas, with the active connivance and participation of Africans themselves. Millions perished even before destination along the Trans-Atlantic route, the Trans-Saharan route, and the Indian Ocean route to Iraq and Persia, now known as Iran…
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The First Edition of Caterina de’ Medici Painting Award took place in Florence in year 2002. Three Nigerian Artists participated. One of these artists, Olubunmi Ogundare emerged as one of the best ten of the world-wide competitors!
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Présence Africaine
Présence africaine is a panafrican quarterly cultural, political, and literary revue, published in Paris and founded by Alioune Diop in 1947. In 1949, Présence africaine expanded to include a publishing house and a bookstore on the rue des Écoles in the Latin Quarter of Paris. As a journal, it was highly influential in the Panafricanist movement, the decolonisation struggle of former French colonies, and the birth of the Négritude movement.
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The Black Orpheus
HISTORY
THE LOGO
THE TEAM
For over a millennium, African indigenes South of the Sahara have been hunted, bartered, and sold into slavery by European and Arab slavers, often, alas, with the active connivance and participation of Africans themselves. Millions perished even before destination along the Trans-Atlantic route, the Trans-Saharan route, and the Indian Ocean route to Iraq and Persia, now known as Iran.
For centuries, and even till today, many could neither recall nor manifest the slightest interest in their antecedents. By contrast, especially since the latter half of the twentieth century, hundreds of thousands of descendants of the victims of this execrable commerce have embarked on the return journey home – some in search of their true origins, others in the spirit of a symbolic pilgrimage, and yet others to re-claim and re-settle in their ancestral space. Whichever way, for many, this has proved an emotional but fulfilling experience.
It was in fulfillment of this yearning for the healing of dislocated sense of identity that the Lagos State government instituted, with the support of UNESCO, the Black Heritage Festival in the symbolic town of Badagry, one of the more infamous departure points, with surviving landmarks, a Festival that seeks to enshrine the place of Memory in the history of peoples, and to celebrate survival and the resilience of the human will.
The third, 2010 edition of this Festival, appropriately billed as MEMORY AND PERFORMANCE IN THE RETURN TO SOURCE, is planned to raise this awareness to new heights, broaden and deepen the linkage between the African continent and its Diaspora.
This will be effected through a focus on the lives and works of three eminent representatives of, and close collaborators in this racial mission, all three now ancestral figures: the Martiniquan poet, dramatist, pan-Africanist and cultural activist, Aime Cesaire; prime mover of the journal Presence Africaine, and the publishing house of that name, Alioune Diop (whose centennial anniversary comes up in the year 2010, and the poet, essayist, and statesman Leopold Sedar Senghor. With this emphasis, a further step is taken to diminish the fragmentations in a common race heritage that were created through colonization under competing European cultures on African soil.
The three ancestors led a closely intertwined career. Cesaire, it will be recalled, was a principal midwife, in company of Leopold Sedar Senghor and others, of the philosophy of Negritude, the Beingness of Black. In addition to the performance of Cesaire’s plays and readings from his poetry, rare archival material from Alioune Diop’s pioneering journal, Presence Africaine, of which Aime Cesaire was also past president, will be placed on exhibition for the first time in this country. At the same time, Lagos State pays tribute also to the late President Leopold Sedar Senghor who was the inspiration and spearhead of the first ever international Negro Arts Festival (1966), the second edition of which the late Alioune Diop, served as Secretary-General and principal organizer. That second edition was called the Black and African Arts Festival, 1977, better known as FESTAC.
Buffered by a symposium, films, documentaries, a book exhibition, a gallery of contemporary art, music, theatre, concerts, traditional and contemporary dances, a boat regatta, a Children’s Heritage Village and African traditional games, not omitting from the Nigerian Film industry, this promises to be THE cultural event to round off the first decade of the millennium. The City of a Thousand Masks – Lagos – will herself be a player in the events, since the Festival programme will feature a unique competition – in association with the Caterina de’ Medici Foundation – where artists of African descent will vie for the ultimate laurel with their painterly impression on the theme CITY OF A THOUSAND MASKS, a contest that will be held before a live audience.
To sum up, a Festival of RECONNECTION, REVALUATION, REVINDICATION – this is the feast that Lagos State plans to serve up to discerning palates from within the country, the continent, and the Diaspora of the Caribbean and the Americas.
HISTORY
THE LOGO
THE TEAM
The Activities for the 3rd Lagos Black Heritage Festival include:
PAINTING COMPETITION
(Collaboration with Catarina de Medici).
DRAMA / THEATRE
This segment will feature 3 plays:
– King Christophe
– A Season in the Congo
– Ireke Onibudo
Children’s play
DRAMA
CULTURAL PERFORMANCES
MUSIC
The Musical segment of the LBHF celebrates the indigenous Music and Culture of Lagos, Nigeria and the Black World. The segment encompasses every style associated with the city of Lagos. A wide scope indeed as Lagos State represents Nigeria and essentially the Black World.
From Traditional music to Contemporary – Juju to Afro Caribbean.
Ayo Bankole
Steve Rhodes Voices
Lagbaja
Seun Kuti
Fatai Rolling Dollar (Guest Appearance).
Tunji Oyelana – Guest Artist.
Fuji
(Kwam1 / Obesere/ Pasuma )
Apala
(Musiliu Isola / Apala-Porto-Novo)
Hip-Hop
(D Banj, 9ice)
Agidigbo (Eko)
Gbedu Oba (Eko)
CHILDRENS’ HERITAGE VILLAGE
(to be directed by Jimi Solanke).
DANCE & MASQUERADES
– Contemporary Dance
– ATUNDA Dance
Traditional
Ajogan (Badagry King’s Procession).
Vodun (Badagry)
Sato (Badagry)
Bolojo (Badagry/Ijio/Eko)
Obitun (Ile-Oluji/Ondo)
Bata (Lagos/Oyo)
Dundun (Lagos/Oyo)
Ijo Apeja (Epe)
Nyok (Calabar)
Ekombi (Calabar)
Sokorowo (Owo-all female troupe)
Fitila Procession
The sombre Remembrance procession.
Nasarawa Contingent
Masquerades
Zangbeto (Badagry)
Gelede (Badagry)
Eyo (Eko)
Ekpe (Akwa-Ibom)
Igunnuko (Eko)
GALA NIGHT
FILM SHOWS
-> Roots
-> Amazing Grace
CHILDREN’S THEATRE
FITILA PROCESSION
OLOKUN FESTIVAL
OPENING CEREMONY
CLOSING CEREMONY
CLOSING CONCERT
FOOD FAIR
AFRICAN TRADITIONAL GAMES
AFRICAN FASHION /LAGOS HAIR SHOW
ART & CRAFT ZONE
Crafts Artisans from the Lagos region of Nigeria and from around the world converge at Festival Crafts zone to demonstrate and sell their works. It is held at various locations around Badagry, Lagos and other selected locations around Lagos State.
Display Hours are 10am to 9pm.
SYMPOSIUM
The Lagos Black Heritage Festival Symposium creates a forum of Intellectual discourse of themes related to black history, heritage and the relevance of memory to contemporary concerns.
EXHIBITIONS
(a). Presence Africaine – Books Exhibition.
(b). Slavery Objects
HISTORY
THE LOGO
THE TEAM
Wole Soyinka
For over a millennium, African indigenes South of the Sahara have been hunted, bartered, and sold into slavery by European and Arab slavers, often, alas, with the active connivance and participation of Africans themselves. Millions perished even before destination along the Trans-Atlantic route, the Trans-Saharan route, and the Indian Ocean route to Iraq and Persia, now known as Iran. For centuries, and even till today, many could neither recall nor manifest the slightest interest in their antecedents. By contrast, especially since the latter half of the twentieth century, hundreds of thousands of descendants of the victims of this execrable commerce have embarked on the return journey home – some in search of their true origins, others in the spirit of a symbolic pilgrimage, and yet others to re-claim and re-settle in their ancestral space. Whichever way, for many, this has proved an emotional but fulfilling experience.
It was in fulfillment of this yearning for the healing of dislocated sense of identity that the Lagos State government instituted, with the support of UNESCO, the Black Heritage Festival in the symbolic town of Badagry, one of the more infamous departure points, with surviving landmarks, a Festival that seeks to enshrine the place of Memory in the history of peoples, and to celebrate survival and the resilience of the human will. The third, 2010 edition of this Festival, appropriately billed as MEMORY AND PERFORMANCE IN THE RETURN TO SOURCE, is planned to raise this awareness to new heights, broaden and deepen the linkage between the African continent and its Diaspora. This will be effected through a focus on the lives and works of three eminent representatives of, and close collaborators in this racial mission, all three now ancestral figures: the Martiniquan poet, dramatist, pan-Africanist and cultural activist, Aime Cesaire; prime mover of the journal Presence Africaine, and the publishing house of that name, Alioune Diop (whose centennial anniversary comes up in the year 2010, and the poet, essayist, and statesman Leopold Sedar Senghor. With this emphasis, a further step is taken to diminish the fragmentations in a common race heritage that were created through colonization under competing European cultures on African soil.
The three ancestors led a closely intertwined career. Cesaire, it will be recalled, was a principal midwife, in company of Leopold Sedar Senghor and others, of the philosophy of Negritude, the Beingness of Black. In addition to the performance of Cesaire’s plays and readings from his poetry, rare archival material from Alioune Diop’s pioneering journal, Presence Africaine, of which Aime Cesaire was also past president, will be placed on exhibition for the first time in this country. At the same time, Lagos State pays tribute also to the late President Leopold Sedar Senghor who was the inspiration and spearhead of the first ever internastional Negro Arts Festival (1966), the second edition of which the late Alioune Diop, served as Secretary-General and principal organizer. That second edition was called the Black and African Arts Festival, 1977, better known as FESTAC.
Buffered by a symposium, films, documentaries, a book exhibition, a gallery of contemporary art, music, theatre, concerts, traditional and contemporary dances, a boat regatta, a Children’s Heritage Village and African traditional games, not omitting from the Nigerian Film industry, this promises to be THE cultural event to round off the first decade of the millennium. The City of a Thousand Masks – Lagos – will herself be a player in the events, since the Festival programme will feature a unique competition – in association with the Caterina de Medici Foundation – where artists of African descent will vie for the ultimate laurel with their painterly impression on the theme CITY OF A THOUSAND MASKS, a contest that will be held before a live audience.
To sum up, a Festival of RECONNECTION, REVALUATION, REVINDICATION – this is the feast that Lagos State plans to serve up to discerning palates from within the country, the continent, and the Diaspora of the Caribbean and the Americas.
Wole Soyinka
Emeritus Professor in Literature
Obafemi Awolowo University
Nobel Laurette in Literature 1986
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BLACK PEOPLE/AFRICANS!-SPEAK ONLY AFRICAN LANGUAGES TO YOUR CHILDREN IN YOUR HOUSE IF YOU WANT AFRICAN CHILDREN WITH AFRICAN BEHAVIOUR AND VALUES!-FROM ALL ALLAFRICA.COM WITH AFRI
February 15, 2010FROM allafrica.com
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Daily Independent (Lagos)
Nigeria: Enforcing Indigenous Languages in Homes
Yemi Adebisi
14 February 2010
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Lagos — The National Institute for Cultural Orientation (NICO), a parastatal of the Federal Ministry of Tourism, Culture and National Orientation appears to be set to encourage the use of indigenous languages in Nigerian homes.
The institute also frowns at the mode of dressing of most Nigerian children, which it described as ‘near nudity,’ blaming this on the nonchalant attitude of Nigerian parents and the lack of respect for Nigerian culture. It has therefore assured that it would use its medium to address the total emancipation of Nigerian cultural details and encourage its proliferation. This would, according to the institute, help to market the value of Nigerian culture, home and abroad, when the essence and awareness of the culture is encouraged.
Apparently, the recent visit of the executive secretary/chief executive officer of NICO, Dr. Barclays F. Ayakoroma to Lagos office was primarily designed by the institute to gear up arrangement to start off the new academic session of its cultural institute. It was during the visit that Ayakoroma, in his chat with the media, unveiled plans to take Nigeria culture to all the nooks and crannies of the country and to ensure that it yields positive results than ever. NICO was established by Decree 93 of 1993.
The Institute has the primary responsibility of harnessing Nigeria’s cultural resources to meet the challenges of social integration, peace, unity and national development. It also serves as vital force for promoting Nigeria’s programme of Cultural Diplomacy and energising the various cultural establishments in the new direction advocated by Nigeria’s Cultural Policy and the World Decade for Cultural Development (1988-1997) declared by the United Nations.
NICO has a vision to be the apex and leading Cultural Training Institute in Nigeria and Nigeria’s contribution to world progress and civilisation through research and documentation, cultural assets and services, both tangible and intangible.
NICO is also committed to train cultural development officers, motivators and communicators who would be grounded in Nigerian cultural realities, philosophy and practices that are essential for national integration, peace, unity and development in a multi-ethnic nation.
It would be recalled that the institute has presented for graduation, the first set of students in the Certificate, Graduate and Diploma in Cultural Studies. By November 2009, registration processes started for the second set. Ayakoroma visited Lagos to ensure the successful take off of the new academic session. According to him, he was satisfied with the current academic programme and expressed hope that sooner, the training school will be in its rightful place in the culture sector. The vision of NICO is to run a school that will produce graduands that will occupy strategic position in various cultural institutions.
“Just like the Federal Training School trains clerical officers all over the country, ASCON trains administrative officers, and NIPS trains top government officers in the civil service and the military, we are positioning ourselves to train cultural workers at the middle and top level of cultural administration,” he said.
The secretary observed that NICO would only gain its relevance in the scheme of things when it comes out with some programmes that will impact the lives of the generality of the people. At the national level, according to him, there are programmes lined up, but specifically, the indigenous language programme appears to be a strategic option. With the notion that many Nigerians are not intact, language wise and that most of Nigerian children find it difficult speaking indigenous language, because of inter-tribal marriages and so on, NICO has developed a programme that will encourage the speaking of the indigenous languages.
“If these children are given the opportunity to learn indigenous languages, they approach them with every sense of commitment. This programme has gained ground to some extent. In the last long vacation of Nigerian primary and secondary schools, the programme took place in the six zonal offices of NICO.”
The institute has set up an agenda to introduce a programme entitled ‘Language in the Barracks’ to support its vision to immortalize indigenous languages. This is with the intention of taking indigenous language training scheme to police and military barracks. It was discovered, however, that among some military or police families, the wives might be Yoruba while the husbands, Igbo. It boils down on the challenge of the particular language that the children will be disposed to speak. NICO therefore believes that with this programme, parents as well as children will have the opportunity to learn those languages. The institute has also concluded plans, according to the executive secretary, to start a television programme called ‘WAZOBIA Quiz’. They are looking at a scenario whereby the parents and their children come for a quiz programme based on culture such as ‘Nigerian People and Places’. Such segment will be in the three Nigeria major languages.
“If the father is speaking Yoruba and Hausa for example, and the wife is Igbo, we expect that one of the children that will appear with you for the programme will also speak one of the languages. We believe it will be an interesting programme and it will enhance or energise the study or interest of Nigerian languages,” he said. This, to an extent, might help improve the readiness of Nigerian families to cherish the more the indigenous languages. NICO declared its intention to encourage the speaking of indigenous languages at homes and offices in Nigeria and not having English as lingua franca in respected homes. Other roundtable programme of the institute include annual roundtable conference, workshop on ‘Repositioning Cultural Workers for Improved Productivity’, World Culture Day celebration in May among others. The secretary also intimidated the media about the plan of the institute to start cultural club in secondary schools. This will be taking to secondary schools to catch the young ones culturally, like the debating and literary societies. The intention of the institute is for the children to appreciate every area of Nigerian culture, be it music or dressing.
He expressed his disappointment on how Nigerian parents are showing lackadaisical attitude to the dressing mode of most Nigerian children. According to him, some of these children go on the street almost in nudity. “It is very worrisome. The jeans, T-shirts, and the type of short sketches that our children wear in the name of fashion are really worrisome. That is why we are also looking at organising a programme called ‘Nigeria’s Dress Culture’. We want to look at aspect of dress culture.”
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Nigeria
Arts
Some Nigerian universities have been observed to institutionalised dress codes. Ayakoroma therefore appealed that such institutions should be encouraged, because if the students are allowed to dress the way they want, “very soon we will begin to see nude boys and girls on our streets in the name of fashion.”
NICO has vowed to step up actions on the creation of awareness on the essence and importance of culture in Nigeria. Culture, according to him, is what makes a man. He therefore warned that with the level of richness of Nigerian culture, it would be very unfortunate if Nigerian parents failed to carry their children along and sell them to the western world in the name of civilisation.
He also significantly pointed out that for Nigeria to move forward, there is a need for Nigerians to cooperate with the institute to appraise the level of corruption in Nigeria from cultural point of view.
4 BLACK LESSONS TO LEARN FROM MICHAEL JACKSON’S DEATH FOR BLACK PEOPLE EVERYWHERE!
July 1, 20091. RAISE YOUR BLACK CHILD WITH PLENTY OF BLACK LOVE,TEACH THEM TO LOVE THEIR BLACK SKIN,FEATURES,SELF AND THEIR UNIQUE BLACK BEAUTY!
2.DON'T BLEACH! BLEACHING LEADS TO OTHER SKIN DISEASES AND EVENTUALLY SKIN CANCER AND DEATH,ALONG WITH SKIN SCARRING IN THE PROCESS!
3.DON'T TAKE EXCESSIVE DRUGS,PRESCRIPTION OR OTHER WISE! ANY DAILY DRUG TAKING LEDS TO ADDICTION AND ALL THESE ARE UN-NATURAL CHEMICALS ENTERING YOUR BODY AND THERE WILL BE HORRIBLE SIDE EFFECTS,ALONG WITH ADDICTION! DRUG ADDICTION KILLED MICHAEL JACKSON BEFORE SKIN CANCER DID(WHICH HE GOT BY BLEACHING!)
4.FACE GOD LIKE AFRICAN CULTURE TEACHES US TO DO HISTORICALLY! IF MICHAEL JACKSON HAD TAKEN ALL HIS PROBLEMS OF BAD FAMILY UPBRINGING AND FEELINGS OF INFERIORITY TAUGHT FIRST TO HIM BY HIS FATHER,AND LACK OF PARENTAL LOVE TO GOD THEN HE WOULD HAVE OVERCAME THEM! AS IT WAS THESE FEELINGS THAT WERE THE BASIS OF HIS SELF-DESTRUCTION!
WELL IT HAS HAPPENED!-MICHAEL JACKSON HAS DIED!-WHETHER IT WAS OVERDOSE FROM HIS DRUG ADDICTION OR HIS BLEACHING THAT WOULD HAVE KILLED HIM EVENTUALLY WITH SKIN CANCER THE LESSON IS,BLACK PEOPLE DON’T BLEACH! BLEACH AND DIE!
June 29, 2009Potential Dangers Of Using Skin-Lightening Creams
By Dr. Ben Kim on August 31, 2006 Health Warnings
Michael Jackson and I both have a skin condition called vitiligo, a condition that results in loss of skin color in patches throughout one’s face and body.
For years, I have heard people snicker about Michael Jackson’s feeble attempts to “be more white.” The truth is, Michael Jackson’s skin is white because more than a decade ago, he used powerful skin-lightening medication to blend his naturally brown skin color with his white, depigmented patches.
Skin-lightening creams are heavily promoted by many dermatologists and skin care experts to even out cosmetic conditions like vitiligo, liver spots, and other superficial blemishes.
The problem with these creams is that many of them contain a substance called hydroquinone, which a variety of studies have linked to:
Increased risk of cancer
Increased risk of adrenal gland problems
Increased risk of all health conditions associated with mercury poisoning
Increased risk of developing a rare metabolic disorder called ochronosis, which can cause physical changes to the skin and tissues surrounding the eyes, ears, and joints
Citing these and other potential dangers of using creams that contain hydroquinone, this past Tuesday, the Food and Drug Administration in the U.S. put forth a proposal to ban over-the-counter sales of skin-lightening products.
Don’t expect dermatologists and the many companies who sell hundreds of different skin-lightening products that contain hydroquinone to remain silent about the FDA’s proposal.
According to the L.A. Times, in the United States, approximately two-thirds of all skin-lightening products are available over-the-counter without a prescription. Who knows how many millions of dollars this translates to each month for companies that produce these products?
If you’re not convinced that skin-lightening products that contain hydroquinone are best avoided, consider that hydroquinone has already been banned for sale in the European Union, Australia, and Japan.
Perhaps the real issue here is the lack of encouragement that our society offers to people who feel badly about their physical appearances. There never seems to be a shortage of plastic surgeons, dermatologists, and other sales people who encourage people to change or hide what they don’t like about their looks.
BLEACHING!-TYRA BANKS DID A WHOLE SHOW ON BLACKamerikkkans BLEACHING FROM CHILDHOOD AND THEIR HEALTH PROBLEMS NOW!-FROM TYRASHOW.WARNERBROS.COM
June 13, 2009From tyrashow.warnerbros.com
Dangers of Skin Bleaching
Shocking info on how bleaching can endanger your health.
Tyra has met women willing to do almost anything to lighten the color of their skin … including the use of bleach, despite the negative or harmful side effects. What’s really scary is that you can buy bleaching creams in stores across the country. While these creams are intended to be used on small spots to reduce scarring, as we saw on the show, some women slather creams over their entire bodies. But is the result worth the risk — even if the risk is cancer? Read on for the scary side effects of these controversial creams.
Mercury
Even small doses of Mercury can cause neurological damage. This concern is so great, Minnesota has outlawed cosmetics like skin lighteners that intentionally feature it. But some “mom and pop” shops carry creams with that contain extreme levels of such ingredients.
Hydroquinone
This component of many skin-bleaching techniques is also found in film developing products. (Note: Your body is a work of art, but should you treat it like a chemically processed photo in a darkroom? We think not!) The idea of using this ingredient didn’t sound good to the French, who banned it for fear of cancer risks.
Alpha Hydroxy Acids
These are most commonly found in facial chemical peels, which are better known as procedures reserved for serious and infrequent skin overhauls administered by professionals. These should not be in anything you use at home regularly.
Arsenic
Most people hear this word and immediately think “poison,” which is exactly what arsenic is. Not something you want to find on the list of ingredients in your face cream, but that might be the case with some skin lighteners.
Bleaching seems like a crazy idea, and I think it is, but before we look at the mothers and judge we should look at ourselves. white wemon get fake tans, that can cause cancer, they bleach their teeth, that kills the enammal. these bleaching girls are a reflection of our own society. bleaching is wrong, but so can the other beauty routiens. these mothers are emotinaly and physacally damaging their dark skined chindren, butthe bigger problom is why they are doing it. it is the parents job to teach their kids that they are beautiful, and that what makes a beautiful person is their heart and their head. we should take that episode as a sign that our society doesnt understand true beauty, and evey girl on this planet should see that and change. Posted by kiwu 01/19/09 11:22 AM
ok i understand why somebody would want to bleach, they don’t think they are pretty enough or beautiful. im a white teenage girl and i HATE the way i look!!! i will do anyting just to lose a little weight. and if i don’t lose any weight i feel like i’ve faild so i end up cutting my arms. but there is one thing that has helped me is know that everybody is beautiful in their own way!!!! Posted by Ashlee 01/19/09 10:59 AM
Oh my God…i am black from africa. i have light brown shade. my favourate colour is the dark black that shines …like the colour of the lady that was complaining. also some white people want to look darker by tanning. what is wrong with people…i do not think it is about colour it is about self esteem issue. and abhoring once’s colour is a symptom of it. god has given you health and beauty and we complain about the blessings of God… Posted by kifaah 01/19/09 10:01 AM
HEy. Does Bleaching the skin even work ???????? Like I think thats crazy…. If i get any bleach on my fingers it stings.. let alone on a childs whole body, thats outragous. awful. I thought black people stuck up for there race and really belived in it. This is crazy crazy crazy. Posted by Dont Understand 01/19/09 7:35 AM
I would have to agree with Stephanie about showing both sides of the spectrum as it is all harmful whether it be UV lights or chemicals from bleaching chemicals. You have people like me that think black is beauty from one shade to the next. Posted by Kara 01/19/09 7:15 AM
Hi Tyra! I saw the show on black women who bleach their skin. I have to tell you that I was shocked! I am a dark skin puertorican woman and I am overweight. I will tell you that when I look in the mirror I see the most beautiful woman I have ever seen. I’m proud of everything about me, including my skin color. These women are telling the world ‘I’m black, I’m minority, and I’m not worth much. What they dont understand is that we have to be proud of who we are no matter what size, color, shape and weight. If you dont deem yourself beautiful, nobody else will. One thing that i dont understand is the following’ black women are trying to be white (getting together with white men, straightening their hair, light colored contacts, and white women are trying to be black (curling the hair with perms, darkening the skin in tanning salons under the sun in the summertime and at tanning salons in the winter. Why cant we just love who we are and be the best we can be? I’m so sick of people not being happy with how god made them! Ramona Posted by Ramona 01/19/09 12:33 AM
I knew of skin bleaching before watching the show from having lived in the Arab world. I would like you all to visit AVRF.org to see the faces of children who have **involuntarily** gone from black to white. This skin disease is called Vitiligo, and it needs to be recognized. I think the women on the show should be happy that they are one color. God makes us the way we are for a reason. Please visit AVRF.org and educate yourselves!! 🙂 Posted by Jessica 01/18/09 8:37 PM
Well, I am a brown skin young lady and proud of it. I wouldn’t change my skin color for the world and this is the attitude the women who are trying to bleach their skin should have because they are all beautiful. Dark skinned women are beautiful african americans as well. I do agree that they should be represented more in the media and videos. Posted by Quinita 01/18/09 8:02 PM
Hi’ Tyra I watch your show every day and i saw the show about the black girl that was bleaching they body but they shouldn’t do it ,because black is beautiful and what count is the beauty of they heart so tell them that we love them very much the color don’t have anything to do with they color ok. and that does people out their they don’t have heart or feel to hurt black humam ok Thank you Diana Alicea Posted by Diana Alicea 01/18/09 5:50 PM
Tyra, I DVR’d your show on skin bleaching and as a white woman I was a little offended when your undercover reporter was shocked to find out the creams were only marketed in “black” areas. As a white woman I wanted to let you know that tanning booths, which have harmful UV rays, are only marketed in “white” areas and that the tanning creams that they promote are named things such as “caramel delight” and “sensual chocolate”. It would have made more sense to me if you had shown both spectrums of caucasions tanning and african americans bleaching. It’s all the same, we just want to be something we’re not, sad as that is. Posted by Stephanie 01/18/09 5:24 PM
TYRA I WATCHED THE SHOW AND WAS A LITTLE OFFENDED BECAUSE I AM A BEAUTIFUL DARK SKINNED WOMAN WITH SELF ESTEEM. ITS TRULY UNFORTUNATE THESE YOUNG LADIES TRULY LACK IN THIS AREA AND THAT’S TRULY WHAT THE BOTTOM LINE IS. ALSO I BELIEVE IF THESE YOUNG WOMEN RECEIVED POSITIVE AFFIRMATIONS AT HOME OF HOW BEAUTIFUL THEY ARE AND THAT TRUE BEAUTY IS FROM THE INSIDE OUT THIS WOULD NOT BE AN ISSUE FOR THEM. MY PRAYER FOR THEM IS THAT THEY GROW IN ENOUGH SELF LOVE AND ACCEPT THEMSELVES FOR WHO THEY ARE AND HOW GOD MADE THEM. Posted by WANDA 01/18/09 4:09 PM
PS- I think my saving grace is my personality . If i were’nt the way I am, Lord knows what I would’ve done to myself by now. Posted by MusiqJunkie16 01/18/09 4:05 PM
I understand where the women on the show were coming from . I am a 16 year old dark-skinned female, insecure about my looks . I have had numerous thoughts about wanting to bleach my skin, etc. in order to make my complexion lighter. I have had guys that look right past me and on to my light-skin, modelesque friends ; “Friends” that have secluded me because I didn’t look like the rest of the light-skin girls. Not to add to the fact that they are all tall, beautiful, and built to perfection. I on the other hand am about 5’3, dark, and over-developed. [ I hate the stares from older gentlemen. ] You can see the difference in treatment between us all and it a serious problem that must be handled . I have no one to talk to because I highly doubt anyone would know how to react or help me. The only reason why i have not went through with these things to lighten my complexion is health reasons. Of course I have my days where I am the Fiercest Feline in the Jungle, but most of the time I’d rather live my life dark-skinned and average rather than light-skin and on an early ride to death. Just thought I’d share my experiences =], ~MusiqJunkie Posted by MusiqJunkie16 01/18/09 4:03 PM
tyra your right this article just described my mom. she is willing to do anything to make her skin lighter. i have tried to convince her that its bad for her skin. i also tried telling her that she should be happy with the shade she is. i think its beautiful. but my mom doesnt seem to believe me and what i have to say what wouold you tell her? Posted by nisha patel 01/18/09 2:25 PM
I agree with Tyra when she said on the show that the darker skin women who want to bleach are the victims of our color struck racist society that never celebrates dark skin especially in the media. I notice that black sitcoms and movies from years ago used dark skin women as love interest paired with the black man – you rarely see that today. Its almost like a dark skin black man cannot be in love with a dark skin woman in the media, he is always paired with a light skin or white woman. This sends a clear message to our african american men and women that having a light or white skin is more pretigious. If we dark skin women speak out – then you’re labeled jealous or player hating. It really hurts when your own brothers reject you and that’s when the bleaching extreme happens. Personally, I am brown skin and love my complexion, but I find dark skin stunning. They are show stoppers on the runway etc. Hurray for Barrack & Michelle Obama who is dark skin. I don’t know but somehow black women as a whole must find a way to protest this injustice in movies, and in hip hop without us being labeled as jealous. Posted by Jeannestar101 01/18/09 1:03 PM