Posts Tagged ‘AFrican American women’

SISTER IS TRIED OF amerikkka-FUK AMERIKKKA!!” ===BACK TO AFRICA OOOOO!—FROM FACEBOOK

February 2, 2017

CLICK ON HERE SINCE WE CANNOT GET THE VIDEO-
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Mrs.Yeye Akilimali Funua Olade shared We Only Want What Is True/Villain X’s video.
· January 31 at 5:11pm ·
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We Only Want What Is True/Villain X added a new video: I just don’t care anymore!!!
· December 31, 2015 ·

Ikiesha Al-Shabazz Whittaker
I just don’t care anymore!!! I’m planning to leave this country!!! This is ur notice!!!! Fuk America!!!! #imtired #imdone #retiringthecape #movingoutofthiSGodforsakencorporation!!!
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Mrs.Yeye Akilimali Funua Olade
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Mrs.Yeye Akilimali Funua Olade shared Hasani Carter-Nze’s post.
· January 31 at 4:56pm ·
Hasani Carter-Nze
· January 31 at 3:06pm · Columbus, OH, United States ·

I’m considering/planning to move out the country…I’m so tired of posting the stuff that’s going on…
Yet I fear that if I don’t, I’d just be guilty of preten…
See Mor

SHAHRAZAD ALI IS BACK WITH ANOTHER BOOK BOMB-CHECK IT OUT!

May 28, 2010

FROM muhammadspeaks.com

In view of the events that took place on 9-11-2001 it’s time to pull this book back out and follow the instructions in it!
Learn how to survive the Holy War as it progresses here in America
There are no special provisions for people of Color.
This book is our Plan B
We are most at risk in th inner-city and nearby suburbs.
Prepare to Do-For-Self
A Handy Reference of Suppliers- Emergency Tactics- Hidden Resources – Support Groups – Desperate Measures- Protection

The Bravest Black Woman in America
Sister Shahrazad Ali

By Sister Zakiyah Karim

Reprinted from Muhammad Speaks Vol.1, No.5 /Written in January, 1992

The proportion of Black women who will probably never (legally) marry has nearly tripled in the past 30 years.

According to a recent Census Bureau study, Black Women outnumber Black men significantly.

Homicide remains one of the leading causes of death among Black men ages 15-34.

With the majority of Black men between the ages of 17 and 40 either incarcerated, on drugs, homosexual, lovers of women who are other than their own kind, or HIV positive; the chances of a Black woman finding a husband are to say the least, bleak.

Another problem in the quest of the Black woman find a Black husband out of the remaining few Black men who have managed to avoid being killed and who have dodged the other genocidal weapons aimed at our Nation (The Black Nation), is the fact that over half of those left are either unemployed or receive such low wages that they are not financially able to support a family and women who receive government assistance frequently find their benefits cut if they get married.

Subsequently, we find Black women taking on the attitude that “You don’t have to have a man on your are to be successful.” or “You don’t have to have a man, period.”

We found out in 1990, when Sister Shahrazad Ali’s book, The Blackman’s Guide To Understanding the Black Woman, arrived in bookstores nation-wide, how ashamed Black women are for taking on such an attitude of not needing the Black man.

Black women all over the country became furious with Sister Sharazad Ali for statements made concerning Black women; such as the fact that the Black woman is “out of control” and that one of the options available to the Black man when the Black woman’s mouth becomes uncontrollably disrespectful was that he could “offer her an open-handed slap in the mouth.”

Black women and, in a few cases, Black men used this, “slap-in-the-mouth”, phrase, which appeared in the seventeenth chapter of The Blackman’s Guide…, to condemn the entire eighteen chapter book.

In 1989, according to the 1991 Almanac, 18,435 Black men were arrested for “offenses against family and children” as opposed to 37,671 white men who were arrested for the same charge.

It is obvious that Black men were not waiting for Shahrazad to tell them that hitting was an option, even though it is the worst of all choices, to deal with the Black woman and her, frequently out-of-control mouth.

Some people acted as though Sister Sharazad had invented “domestic violence”, that physical fighting between the Black man and the Black woman did not exist and that as a result of “The Blackman’s Guide…” pandamonium would break out among Black people, and Black women all over the country would be doomed to the “opened-hand” of our men.

On the contrary, Sister Sharazad pointed out, in her book, and even more clearly, on the On Tour Video Tape, that as both Black men and the Black women we find ourselves in these undesirable and savage-acting situations (the Black woman having such an out-of-control mouth and the Black man dealing with it by hitting her) because of our following the life-style of the Caucasian white man and woman, who is none other than the devil.

Although Sister Shahrazad Ali was well aware of the opposition she would face, and stated so in the Preface of The Blackman’s Guide…, she stood toe to toe with one of the greatest oppositions imaginable, her sister (The Blackwoman). For this reason she has earned the title of being “The Bravest Black Woman in America”.

Many of the women, whom I ,know personally, that initially, disliked the book, The Blackman’s Guide To Understanding The Black Woman, whether they had read the book or not, in 1990; now say, in 1992, that what Sister Sharazad said was right.

In 1991, Sister Shahrazad Ali was, al but, lynched by an angry mob, on national television, where she appeared on several different talk shows, to defend her book that was based on the fact that “The Blackwoman’s disrespect for the Blackman was a direct cause of the breakdown in the Black family”, Sister Shahrazad Ali went on Tour to speak to Black men and women face to face. She now has released THE BLACKMAN’S GUIDE ON TOUR VIDEO TAPE.

This “On Tour” Video Tape has caused Black women, who initially argued that Sister Shahrazad’s examples were inaccurate, to admit that “she is telling the Truth”.

The Blackman’s Guide ON TOUR video tape has caused the Black women, who in 1990, opposed and became angry with Sister Sharazad Ali, to look into the mirror of reality and say, “Thank you” to The Bravest Black woman in America.

As a Muslim Believer in the Teachings and Programs of Messenger Elijah Muhammad, the only negative reaction I had to Sister Sharazad Ali was that I did not like that she had used Messenger Elijah Muhammad’s Teaching without letting the public know that Messenger Elijah Muhammad was the source or foundation of her information.

I was happy to hear, in the On Tour Video tape, Sister Shahrazad Ali give praises to Allah and to see The Message To the Blackman in America, by Messenger Elijah Muhammad, which is the most powerful book ever written, on the table in front of her.

Sister Sharazad Ali explained to me that she did not reveal her source, in the beginning, because “The people have already been taught to reject Islam”. Messenger Elijah Muhammad, himself, said, “Find someway to ease a little Islam into them while you are talking, not in no way to make them angry with you but come in on them easy…” “I have slipped up on them many times in their own way and when I’d get through with them they were in my way. It was Islam I was easing in on them, but I come in under the cross, and they didn’t see the crescent, until I had broken the cross.”

Sister Shahrazad, by no means, came in on The Blackwoman easy, so as to make them not be angry with her, but nevertheless; she made more progress in the way of introducing the Black Women in America to Islam, as taught by Messenger Elijah Muhamamd than any sister that I know of.

All of our lives, we have learned how strong and good the Black woman is by nature. Although non of us are perfect, Sister Shahrazad Ali represents “some of that monumental strength (and goodness) we say we have.”

In the Name of Allah, Who came in the Person of Master Fard Muhammad and In the Name of His Last and Greatest Messenger, The Most Honorable Elijah Muhammad. I thank you for reading this article.

More From Sister Shahrazad Ali

Shahrazad Ali’s Latest Bomb!

As of August 2003
Call Civilized Publications To Order
215-339-0062

Click on picture to return to Table of Contents

Muhammad Speaks Newspaper
P.O Box 44261
Detroit, MI 48244
Phone: 313-371-7033
E-mail: MhmdSpeaks@netzero.net

GABOUREY SIDIBE’S MOTHER DEFENDS HER AGAINST WHITE HOWARD STERN’S SKINNY WHITE GIRL LOVING SELF!-IN AFRICA BLACK IS BIG AND BEAUTIFUL WOMEN-GABOUREY SIDIBE IS A BIG BLACK SKINNED BEAUTY!

May 22, 2010

from omg.yahoo.com

CLICK AND CHECK OUT PUBLICATIONS ON HER!

Sidibe’s Mom Slams Howard Stern for Fat Jab: “Get a Life!”

Us Magazine – March 16, 2010 4:30 PM PDT

Story photo: Gabourey Sidibe’s Mom Slams Howard Stern for Fat Jab: Dimitrios Kambouris/WireImage.comUs Magazine

Gabourey Sidibe’s mom is making a big deal about Howard Stern’s criticism of her daughter.

“Get a life!” Alice Tan Ridley fumed on Inside Edition Monday of the shock jock, who called the Oscar nominee, 26, the “most enormous fat black chick I’ve ever seen… She should have gotten the Best Actress award because she’s never going to have another shot. What movie is she gonna be in?”

See which stars love their curves

Added Ridley, “He can see, you can see, I can see Gabby is a big girl. She’s a big woman, so what’s wrong with that?

“She’s not like everyone else in the world. I don’t see him giving jobs out to anybody, so why should we care what he says?” Ridley — who performs in the New York City subway for a living — continued. “He might not hire her, but someone else will.”

Party! See photos of stars hitting up Oscar bashes earlier this month

The National Association to Advance Fat Acceptance (NAAFA) also defended the Precious actress Tuesday — one day after weight loss company AcaiSupply.com publicly offered her a one-year supply of their product to “reach your goal of someday winning an Oscar… by being active, fit, and most of all, healthy!”

Said NAAFA’s spokeswoman Peggy Howell, “You cannot tell by looking at a person if they are healthy. Fat does not equal disease and thin does not equal healthy… Achievements come in all sizes.”

Sidibe — who will star in the Showtime dark comedy series The Big C beginning this May — recently told Oprah Winfrey that she’d come to terms with her weight.

29 Pics! See what all the stars wore to the 2010 Oscars

It’s something I’ve had to work at. My first diet started when I was six years old,” she said. “I’ve never been a small girl. One day I had to sit down with myself and decide that I loved myself no matter what my body looked like and what other people thought about my body.”

Sidibe will also appear alongside Zoe Kravitz in “Yelling to the Sky,” which hits theaters later this year.

comments
comments 1-10 of 91

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eric
victoria mary strong is a fat nasty
report abuseposted March 31, 2010 7:34 PM PDT
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VICTORIA MARY STONG
DOWN WITH HOWARD STERN. BOYCOTT HOWARD STERNS SHOW! KEEP AWAY FROM HOWARD STERNS SHOWS IF YOU WANT OUR CHILDREN AND EVERYONE TO GET MORE MORALS,STANDARDS,VALUES&PRINCIPLES.
report abuseposted March 19, 2010 9:16 PM PDT
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VICTORIA MARY STONG
By the way,Stern never had any respect really for ANY woman.This disrespectful statement should NOT surprise anyone.If a person is allowed to disrespect anyone,they just keep going&graduate until they get enough ratings to have their own shows in many circumstances.THANK GOD we have”The Steve Wilkos Show”&”Oprah”etc. that make it through for bein
report abuseposted March 19, 2010 9:13 PM PDT
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VICTORIA MARY STONG
With the exception of idiot”0986″,THANKS TO EVERYONE’S SUPPORT SO FAR HERE!God bless you all for educating,enlightening&scolding the other idiots out there that discriminate&are mean-spirited to plus size women.The gorgeous Gabourey Sidibe’s beautiful Mother Alice Tan Ridley is a friend of mine.I thank God she’s my friend because shes(&
report abuseposted March 19, 2010 9:03 PM PDT
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paddicakes
Stern should shut up. His wife may be thin but she looks like a ferret.
report abuseposted March 18, 2010 2:02 AM PDT
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Michael
If Stern goes to Idol, it’s over, only in America can you be paid to be an Ass!!!
report abuseposted March 17, 2010 6:53 PM PDT
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Tee
She is beautiful and talented and secure in herself which is a lot more than the people talking about her can say. God bless her
report abuseposted March 17, 2010 5:22 PM PDT
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Liv
Hey ……DIVERSITY is the sweetness of life….
report abuseposted March 17, 2010 12:57 PM PDT
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rainbow
leave her alone i think she is beautiful with so much talent to offer to all of us. god didn’t make all of us to be the same and look the same . at least she is not jessica simpson who has nothing talent or singing voice. and she needs to look at the mirror when i see her i don’t see a beautiful person / i see a dumb young woman who bleach her hair.
report abuseposted March 17, 2010 4:42 AM PDT
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keep it real
leave the woman alone.

OBAMA!-HIS AFRICAN RELATIVES ARE BEING TAKEN CARE OF BY OLODUMARE(GOD!)!

May 19, 2010

FROM

US immigration court grants asylum to President Barack Obama’s African aunt
Monday, May 17, 2010 at 11:26 AM by GottaLaff View Comments

A news alert, via a Yahoo e-mail:

CLEVELAND (AP) US immigration court grants asylum to President Barack Obama’s African aunt.

She moved to the U.S. in 2000.

Here’s an update:

The decision was mailed Friday and comes three months after Kenya native Zeituni Onyango, the half-sister of Obama’s late father, testified at a closed hearing in Boston, where she arrived in a wheelchair and two doctors testified in support of her case.

The basis for her asylum request hadn’t been made public. People who seek asylum must show that they face persecution in their homeland on the basis of religion, race, nationality, political opinion or membership in a social group.

And before all the crazies get up in arms… which they will anyway:

Obama said he did not know his aunt was living here illegally and believes laws covering the situation should be followed.

A judge later agreed to suspend her deportation order and reopen her asylum case.

Wong has said that Obama wasn’t involved in the Boston hearing. The White House also said it was not helping Onyango with legal fees.

Does she look illegal?

She better stay out of Arizona.

EBONY MAGAZINE DOES NOT PUT BLACK SKINNED BEAUTIES ON ITS COVER-SAYS WHITE BRAINWASHED BLACKS SINCE SLAVERY ONLY GO FOR CREOLE-CRAZY-MULATTO-MENTALITY-IMITATION-WHITE-GIRL-BEAUTY BUT IN THE 60’S WE WOOLLY HAIR BEAUTIES FORCED EBONY TO PUT ITS FIRST BLACK SKINNED BEAUTY,WITH WOOLLY HAIR AND AFRICAN FEATURES ON IT’S COVER AND NOW GABOUREY SIDIBE HAS BROKEN AGAIN THE IMITATION WHITE GIRL CEILING OF EBONY-BLACK ON BLACK SKINNED BEAUTY!

March 29, 2010

OBAMA!-THIS BLACK BOY HAS STOOD UP FOR ALL OTHER BLACK BOYS WHO HAVE LOST THEIR BLACK MOTHERS DUE TO POOR HEALTH CARE SERVICES FOR THE MASSES!-MARCELAS OWENS WE SALUTE YOU IN YOUR PROUD BLACK MANHOOD FOR BEING A FIGHTER!-HE WAS PRESENT WITH OUR BLACK PRESIDENT OBAMA AT THE HEALTHCARE SIGNING!

March 24, 2010

from latimes.com

Boy witnesses healthcare bill’s signing on behalf of mom

By Kim Murphy

March 24, 2010

Reporting from Seattle – He has been dismissed by the right as a prostitute for healthcare reform whose mom “would still have died” even with the newly passed healthcare legislation. But 11-year-old Marcelas Owens, who stood quietly next to President Obama on Tuesday as he signed the long-debated legislation, has kept the jitters at bay, friends say, by pretending his mom was sitting in the front row.

She wasn’t. She died three years ago of pulmonary hypertension, largely untreated because she lost her health insurance when she lost her job as an assistant manager at a Jack in the Box restaurant in Seattle.

“It’s tough not having my mom around,” Marcelas, a fifth-grader at Seattle’s Orca elementary school, said at a news conference with Senate Democratic leaders this month. “But she’s been with me in spirit every time I talk.”

Plenty of American families have succumbed to a combination of illness, unemployment and debt. Marcelas’ mother, Tifanny, fell ill in 2006 at age 26 with the crippling condition that causes abnormally high blood pressure in the arteries of the lungs.

“If she still had her healthcare, she’d probably still be here,” Marcelas’ grandmother, Gina, told reporters.

The family’s troubles began when Tifanny Owens started missing work because of her illness, said Joshua Welter, who worked with the family at the Washington Community Action Network. Jack in the Box “let her go after she missed so much work,” Welter said.

Jack in the Box spokesman Brian Luscomb said the only Tifanny Owens in their records was a team leader, the equivalent of a shift supervisor, who resigned “for family obligations” in 2006. “She was not involuntarily terminated,” he said.

With no income, Owens couldn’t afford transitional health coverage. Owens would occasionally go to the emergency room, and in one visit, she was diagnosed with pulmonary hypertension, which cannot be cured but can often be treated.

She was admitted to the University of Washington Medical Center in June 2007, and died a week later.

Marcelas, a plump-cheeked, soft-spoken youngster, became a celebrity of sorts after Sen. Patty Murray (D-Wash.) began talking about his family on the Senate floor.

His prominence has attracted a backlash from conservative commentators, who accuse reform advocates of prostituting and exploiting him as he tells his mother’s story.

Marcelas isn’t paying much attention. He lives with his grandmother, along with his two younger sisters. The local PBS station, KCTS, filmed them one night gathered around the kitchen table in prayer.

“Mom, we miss you and we love you, and we hope you’re having a good time,” Marcelas said. “And I hope you’re getting a lot of rest.”

kim.murphy@latimes.com
Copyright © 2010, The Los Angeles Times

COME BACK TO AFRICA FOR THE BLACK HERITAGE FESTIVAL,APRIL 4-11,2010-LAGOS/BADAGARY,NIGERIA!

March 20, 2010

from

from ladybrillanigeria.com

thenationonlineng.net

Lagos prepares for ‘Black Heritage Festival’
By Emmanuel Oladesu Published 3/02/2010 Life Midweek Magazine Rat

For seven days, Lagos State will host the world in April for the historic ‘Black Heritage Festival. The hosts are the people of Badagry Division, the haven of tourism Fin the state. The communities are full of eagerness. The three councils in the area are cooperating with the state government to ensure a hitch-free festival.

Visitors from across the globe will comb the history of horror that made the town memorable. The lamentation of slaves, who passed the town on their way to plantations in distant Europe and America, would be recalled. The return of their descendants to their roots in April will rekindle their attachment to Africa, the most populous African country and largest supplier of the unwilling slaves, and the beauty of the titanic liberation war that shook the universe.

The visitors are expected to pick works of arts and artifacts that gave content to the culture of their forebears before they went into captivity. Many of them will locate the under-development of the Dark Continent in the centuries of disruptions, cultural dislocations, neo-colonialism and lack of reparations.

Governor Babatunde Fashola(SAN) has enumerated the conditions for the success of the third Lagos Black Heritage Festival, urging the royal fathers and people to tap its abundant tourism and economic opportunities.

His Deputy, Princess Sarah Sosan, who is from the division, asked the towns and villages in the three local government area to prepare for the inflow of tourists and visitors from across the federation and abroad into the area.

The commissioner for Local Government and Chieftaincy Affairs, Hon. Rotimi Agunsoye, who represented the number one and two citizens at a stakeholders meeting in the ancient town, said the visitors who will live, eat and interact with local folks expect a “To have a meaningful festival, our environment should be clean. Many people will come from far and near. Not long ago, we came here to clear the gutters. The governor and deputy governor who I am representing here asked me to tell our royal fathers, chiefs and community leaders to mobilise people and ensure a clean environment,” he told the people at Badagry Town Hall.

The Special Adviser to Governor Fashola on General Matters, Prince Sunny Ajose, who highlighted the elements of the festival, said the division would savour the economic boom and project the cultural heritage of the towns and villages.

He expressed concern for the disposition of the communities to the notion of hygiene.

“In the past, Badagry was neat, from Seme to Ajegunle. Population explosion has led to an unclean environment. Refuse dumping is a challenge. Instead of dumping refuse at Ilewo, we want LAWMA to create another dumping site near the Badagry area,” he said.

Ajose warned that, if the atmosphere is not conducive for the visitors, they would relocate to Ikoyi and Eko Hotel where they will buy souvenirs, thereby making the people to lose their patronage.

Programmes slated for the festival include symposium, painting competitions, cultural performance, traditional dances, and ‘fitila’ procession.

Ajose said no township festival would be allowed to coincide with the Black Heritage Festival. He enjoined townspeople to preoccupy themselves with the removal of shanties in the neighbourhood so that the towns could wear a new look.

“We want to showcase what we have, including our masquerades. We have tools for slave trade in the Heritage Festival Museum. Black writers have works on slave trade. They will also come to talk about the trade and its implications for us. They will like to visit Iyana Gberesu, the terminal exit route for the slave trade. We have Oduduwa shrine in Ilogbo. We should improve on what we have to be able to get what we want. We want to prepare for all these and record success so that there will be an improvement next year,” added Ajose.

The traditional ruler, Aholu Menu Toyi of Badagry, Oba Babatunde Akran, said the festival is the responsibility of all, urging his subjects to cooperate with the government to ensure its success.

He enjoined the authorities to conduct training sessions for the school pupils who may be useful as tour guides to the visitors during the programme.

‘The visitors will be in our markets. They want to see how we are living .They want to take photographs with us. We should be good hosts’, he added.

The Alabarin of Ikaare, Oba Kayode Akinyemi, said the onus is on the council chairmen in the division to rise to the occasion and embrace their roles towards making the festival a success.

Another royal father alerted the government to the danger of inadequate medical facilities in the local governments. He said the hospitals in the area lack ambulance facilities. He also said, since April falls within the raining season, flooding may mar the festival because the drainages are bad.

Agunsoye said the government has taken note of these challenges and all these facilities would be in place before the commencement of the festival.

The festival which brings to memory the historic pains of forceful separation of kindred holds in Lagos State at a time of intense campaign for greater exploration of tourism, one of the most neglected sectors of the economy. In the days of yore, the ancient town which served as a route for ferrying the black slaves to Europe and America was thrown into monumental panic .It took the earlier generations a long time to erase the terrible experience from their memory. However, the incident has also become a blessing to the town.

Nobel Laureate Prof Wole Soyinka visited Badagry early last month for a meeting with the community leaders and elders on the importance of the carnival and modalities for a successful outcome.

At the weekend meeting presided over by Agunsoye, prominent leaders of Badagry Division took their seats with eagerness. They include Oba Moshood Asafa, Onijanikin of Ijanikin; Oba Oyekan Adekanbi, Alapa of Apa; Oba Olanrewaju Aina, Oloto of Oto; Oba Abedeen Durosinmi, Prince Dele Kosoko, Moses Dosu, Amuda Abidu and Joseph Bamgbose.

Agunsoye congratulated the people for hosting the world for the important event, saying that the division is being immortalised by the focus on it.

“Many years ago, many people suffered for our freedom. Some black men died for us to have today. Badagry is one of the famous routes where our forefathers passed to Europe. It was sad. Now, we are happy. History cannot forget Badagry. That is why we want to discuss how to immortalise the ancient times,” the commissioner said.

He said the governor and deputy governor attach much value to the festival because of its implication for the black community in the world.

The commissioner said they acknowledged the fact that an unclean environment would breed disease, adding that sanitary inspectors would be in the towns to ensure compliance with sanitary rules.

“Our black brothers abroad want to come home to mix with us. But they need a clean environment,” he emphasized.

A LAWMA official told the meeting that: “All households must have dustbins. The PSP will do its work, LAWMA will evacuate the refuse. LAWMA sweepers recruited from Badagry will be on the roads. The ‘street captains’ will distribute refuse nylon to households.”

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2 Responses to “Lagos prepares for ‘Black Heritage Festival’”
kazeem balogun at 18 Feb 2010 2:41:58 PM WAT kazeem balogun Rating: Unrated ( Author/Admin)

said this on 18 Feb 2010 2:41:58 PM WAT
its a welcome development,we shall participate
(Reply to this comment)(Cancel this reply)(Comment Replies Disabled)

EKO1CITY at 19 Mar 2010 8:48:40 PM WAT EKO1CITY Rating: Unr

said this on 19 Mar 2010 8:48:40 PM WAT
Ola Jones Lagos Black Heritage…… nice 1,but, so far i cant connect the vision of the group their objectivity pursuit, pro grammes and strategy I a son of the soil by interest in badagry thus am in total cooperation with any social articulate school of mission that set to project badagry historical value.meanwhile here is an overwhelming challenge, so much is been orchestrated in the median while all the node featuresthat makes the history are not preserve,e.g slave route,harboure,artenuation well and the gbelefu point- of- no- return. etc

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from ladybrillenigeria.com

Home » Events
3rd Annual Lagos Black Heritage Festival 2010
by Ladybrille®Nigeria on March 1, 2010No Comment
3rd Annual Lagos Black Heritage Festival

Place: Badagry Township, Lagos, Badagry

Date: April 4th, 2010

“For over a millennium, African indigenes South of the Sahara have been hunted, bartered, and sold into slavery by European and Arab slavers, often, alas, with the active connivance and participation of Africans themselves. Millions perished even before destination along the Trans-Atlantic route, the Trans-Saharan route, and the Indian Ocean route to Iraq and Persia, now known as Iran.

For centuries, and even till today, many could neither recall nor manifest the slightest interest in their antecedents. By contrast, especially since the latter half of the twentieth century, hundreds of thousands of descendants of the victims of this execrable commerce have embarked on the return journey home – some in search of their true origins, others in the spirit of a symbolic pilgrimage, and yet others to re-claim and re-settle in their ancestral space. Whichever way, for many, this has proved an emotional but fulfilling experience.

It was in fulfillment of this yearning for the healing of dislocated sense of identity that the Lagos State government instituted, with the support of UNESCO, the Black Heritage Festival in the symbolic town of Badagry, one of the more infamous departure points, with surviving landmarks, a Festival that seeks to enshrine the place of Memory in the history of peoples, and to celebrate survival and the resilience of the human will.

The third, 2010 edition of this Festival, appropriately billed as MEMORY AND PERFORMANCE IN THE RETURN TO SOURCE, is planned to raise this awareness to new heights, broaden and deepen the linkage between the African continent and its Diaspora. . .”

Visit Lagos Black Heritage Festival.org for more info.

You might also like:

Abuja Food Festival 2009
Lagos Carnival 2010 – April 3rd-5th, 2010

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from ladybrillenigeria.com

CELEBRATING BLACK HISTORY WITH THE LAGOS BLACK HERITAGE FESTIVAL
Feb 22nd, 2010 | By Ayo Peters | Category: LOCAL GOVERNMENT NEWS, TOURISM DEVELOPMENT
The 17th century will forever remain in the hearts of Africans. This was when its history was taken backwards through a trade that was inimical to its growth – Slave Trade.

The Slave Trade (known as the trans-Atlantic slave trade) started with the exportation of blacks to Europe by Portugal in the 15th century. Other European countries like Spain, Netherlands, Britain, Denmark etc soon followed suit. It was not until the 17th century however that the trade got to North America. It was there that it gained real currency.

Thus, in 1619, a Dutch warship brought the first cargo of twenty blacks to Virginia in the then British colony called New World.
Consequent upon the traffic in blacks, scores of black men and women were separated from their African homes and carried into the New World before the Slave Trade was ended. Although a lot of black men like Olaudah Equiano, Candido da Rocha, Samuel Johnson, Mojola Agbebi and others regained their freedom and found their way back to Nigeria, millions were totally separated from their families.

These Africans were not slaves but were made to work in an environment where they were referred to as slaves. Back in Africa, these men were free and respected farmers and herdsmen, craftsmen skilled in pottery and weaving, wood-carving, and blacksmiths. Some of these Africans brought out of the continent against their will were traders and hunters, musicians and dancers, poets and sculptors. Many were princes and warriors, feudal chiefs, rulers of kingdoms and empires.

These important men of African descent were taken to Europe and the New World through ports marshaled by these European masters. A lot of these slave ports existed in West Africa but some stood out. These were: Goree Island (Senegal), Whydah (Benin Republic), Elmina (Ghana) and Badagry (Nigeria).

The slave port in Badagry was notorious because hordes of Africans were taken through it. Little wonder, this port was dubbed: “Point of no Return.”

One Nigerian who suffered greatly as a result of the slave trade was Gustavus Vassa (Olaudah Equiano). Gustavus Vassa was born in the ancient Benin Kingdom in 1745. He was kidnapped from his family and sold into slavery. He was later sold again to traders and chained on a slave ship bound for America. He passed on to a Virginia planter, and then, to a British naval officer, and finally to a Philadelphia merchant who gave him the chance to buy his freedom. In his autobiography, ‘The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa the African,’ he narrated some of the ordeals he and his fellow African brothers went through on shore to the New World. For instance, a black man was flogged while on deck so unmercifully with a large rope that he died in consequence of it. Olaudah wrote that some of his countrymen were chained together and when they were weary, preferred death to such a life of misery and somehow, “made through the nettings and jumped into sea.”

The narrative by Gustavus Vassa was a fraction of the hardships blacks were made to undergo in the New World and in Europe. Many blacks died as a result of this hardship. Slaves like Nat Turner and John Brown who revolted were murdered in cold blood while one of the most brilliant Americans of the nineteenth century who started his life as a slave on a Maryland plantation, Frederick Douglas, in his autobiography asked: “Why am I a slave? Why are some people slaves and others masters? How did the relation commence? He wrote that he didn’t know he was a slave until he found out he couldn’t do the things he wanted.

Indeed, not having anything to say about the use of your own time and labour is probably what makes you feel bad. This is the absence of freedom. As providence would have it, that is all gone; total history.

Slavery and slave trade have been abolished after series of protests here and there and the great grandsons of former slaves have now become free men in Europe, Caribbean, and North America. These men after careful study, based on the ‘reign of terror’ of the slave port in Badagry, have decided to remember their roots, history, culture, and land of their forebears by celebrating the Lagos Black Heritage Festival.

Logically, Badagry is the preferred host as it is poised to hoist the Third Lagos Black Heritage Festival starting from the 3rd of April, this year.

Badagry, it will be recalled, was the departure route of these ‘slaves’. Once they got to Badagry, they were certain they would not return to their homes.

Today, Badagry still retains a lot of slavery artifacts. This includes one of the largest slave markets – Vlekete slave market – in West Africa. Here, slaves were sold at competitive prices. Hence, most countries that traded in slaves had their forts in Badagry. This included Portugal, Britain, Spain, Brazil, France and the Netherlands.

The Mobee slave relic is another of the artifacts that survived the infamous trade. It is housed by the Mobee family. We also have the Seriki Abbas compound, the Egbado-born businessman, who settled in Badagry and partook greatly of the obnoxious business.

In truth, the Lagos Black Heritage Festival has come to stay. This feat was achieved by the Lagos state government and the United Nations Education Scientific and Cultural Organization (UNESCO). According to Emeritus Professor, Wole Soyinka, the third edition of the Black Heritage Festival “seeks to enshrine the place of memory in the history of peoples, and to celebrate survival and the resilience of the human will.”

The third edition, which starts on April 3rd, this year, is tagged: Memory and Performance in the Return to Source, has been planned to broaden and deepen the linkage between the African continent and its Diaspora. In the words of Soyinka, “this will be effected through a focus on the lives and works of three eminent representatives of, and close collaborators in this racial mission… pan-Africanist and cultural activist, Aime Cesaire; prime mover of the Journal Presence Africaine, and the publishing house of that name, Alioune Diop; and statesman, Leopold Sedar Senghor.”

Badagry local government is leaving no stone unturned towards ensuring that Badagry had a hitch-free festival. Accordingly, the local government has ensured its cleaning every day.

Most residents of Badagry are eager to see the D-day. Hon. Husitode Moses Dosu, the executive chairman of Badagry local government says the “Lagos Black Heritage Festival connotes a return to the source.”

Activities lined up for the festival includes a symposium, feature films, documentaries, a book exhibition, contemporary art, theatre, concerts, traditional and modern dances, a boat regatta, a Children’s Heritage Village and African tradition games.
We await this reconnection, revaluation, and revindication.

Other Related Stories
December 29, 2009 — Badagry Local Government Celebrates One Year in Office as Hon. Husitode Moses Dosu Renders Stewardship (0)
December 29, 2009 — CHAIRMAN DOLES OUT BURSARY AWARD TO BADAGRY STUDENTS (0)
November 19, 2009 — Group Gives Free Medical Services to Patients in Badagry (0)
September 18, 2009 — Woman Delivers Triplets at Badagry General Hospital (1)
September 16, 2009 — Unite in Badagry – Chairman Tells Badagry (0)
September 11, 2009 — PDP GROUP DEFECTS TO ACTION CONGRESS IN BADAGRY (1)
September 9, 2009 — Hon. Husitode Moses Dosu Reconstructs Badagry Roads (1)
September 3, 2009 — Chairman Donates Wheel Chair to Physically-Challenged (0)
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Tags: a boat regatta, a Children’s Heritage Village, African tradition games, Alioune Diop prime mover of the Journal Presence Africaine, Badagry Local Government, Badagry Nigeria, book exhibition, Brazil, Britain, Candido da Rocha, concerts, contemporary art, documentaries, Elmina Ghana, Emeritus Professor Wole Soyinka, feature films, France, Frederick Douglas autobiography, Goree Island Senegal, Hon. Husitode Moses Dosu, John Brown, Lagos Black Heritage Festival, Lagos state government, Leopold Sedar Senghor, Memory and Performance in the Return to Source, Mobee slave relic, Mojola Agbebi, Nat Turner, Netherlands, Olaudah Equiano Gustavus Vassa autobiography, pan-Africanist and cultural activist Aime Cesaire, Point of no Return, Portugal, Samuel Johnson, Seriki Abbas, Spain, symposium, theatre, traditional and modern dances, United Nations Education Scientific and Cultural Organization (UNESCO), Vlekete slave market, Whydah Benin Republic
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Leave a comment »
uzoh hilary March 5th, 2010 9:21 pm :

as a fashion designer and loving arts i like to participate in the black heritage festival. so please can you detail me on the event. thank you.

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from travelintelligence .com

The Badagry Route by Pelu Awofeso
Anyone can understand why callers to the slave ports at Elmina (Ghana), Goree (Senegal) and Ouidah (Benin) weep and wail after they have walked round the remains of the transatlantic slave trade in those regions. To even see images on the screen is enough to affect the senses sorely. The Black Heritage Museum—just opened to tourists in palm-and-coconut-rich Badagry, western Lagos—is another of the kind. Maybe the place won’t stir you to tears, but after going in and out, then up and down its nine galleries, it is certain to make any visitor sober.

The National Commission for Museums and Monuments (NCMM) in Nigeria, which helped with the research and installation, displays sketches, sculptures, photos, documents and dated shackles to tell the touching tale of over 300 years of ‘trading’ of which the African people were the ‘goods’.

We are now inside the building and this ad published in 1784 in the U.S. stares me in the face: “NEGROS FOR SALE: a cargo of very fine stout men and women, in good order and fit for immediate service, just imported from the windward coast of Africa…” Another in New Orleans, this time in 1835 described its ‘ware’ in detail: Chole…aged 36 years. She is without exception, one of the most competent servants in the country, a first-rate washer and ironer, does up lace, a good cook, and for a bachelor who wishes a housekeeper she would be invaluable. She is also a good ladies maid, having travelled to the north in that capacity.”

One learns a typical slave’s safari goes something like this: A freeborn is kidnapped, captured at war or despatched to a creditor to offset a debt. He is kept in custody and made to do simple menial duties at first. A time comes when a white businessman, sailing across from the west, seeks out the community’s head and demands for people to serve him and his wealthy colleagues back on their own soil. He proffers gins, guns and some other processed goods in exchange.

The deal sounds sensible enough and both parties come to an agreement. So starts the tortuous trip of an unfortunate African, the fall guy of unfeeling men (much later, markets were established to service the rising need for cheap human labour). He never travels alone; there are thousands of them at any occasion, group-chained, flogged to submission and silence, and ‘arranged’ in ships in patterns that guarantee little breathing space and more anguish. Not all of them survived. The dead were tossed overboard.

Sons and daughters, too, no matter how underaged, were hauled across the Atlantic from the African coast to the New World. The survivors were later put on kegs and boxes and auctioned like articles at Sotheby’s. Once sold, they toiled on the cotton, sugarcane or rice fields of their white masters—and it was almost round the clock—with the cruellest of punishments administered to those who attempted to bail (one exhibit shows a dog, purposely trained, biting at the throat of one). Others worked as domestic hands. There is more inside what used to be the District Officer’s administrative block in the colonial years and is a three-minute stroll from the white structure earmarked as the first storey building in Nigeria.

The opening of the museum in August 2002 put the inhabitants in the mood for the second Black Heritage Festival, said to be styled after Ghana’s decade-old Pan-African Historical Theatre Festival (PANAFEST) and organised to conform to UNESCO’s ‘Slave Routes Project’. Lagos State Waterfront and Tourism Development Corporation, the planners, intends for the festival with time to pep up the tourism receipts of Nigeria’s most commercialised city; for the time being, though, it is finding a sure footing and winning more participants from the Diaspora each year that are the goals.

Day four of the festival was all traditional stuff: The dozen delegates, all of them living in the U.S., had to go through a ceremony of ‘ethnic adoption and traditional robbing’ to choose the local names they wished to bear henceforth. Two home priests in the full glare of the town’s royal head, the Akran of Badagry, conducted that. The idea is not for the new names to replace the initial, but for the recipient to either add them on or to “keep it close to my heart”. The naming was performed with honey, sugarcane, salt, kola, and the other regulars in day-to-day Yoruba naming rites.

The Yoruba in Nigeria look to the Ifa for the same reasons Christians and Moslems search through the Holy Books. No move is made without consulting it. It gave its consent to the names the home comers preferred. At different times during the festival, the kola nut and bitter kola were tossed in another form of customary inquest. Each result turned out a pleasant omen: The land of Badagry agreed with the coming of Mayor Hawkins and co.

Badagry today is a smiling and struggling population of close to two hundred thousand. The Atlantic Ocean, its bane for centuries, flows subtly and quietly; the breeze still blows over it-and onto the mainland, and one can still sight natives paddling away in their canoes in the distance. The one thing it needs now is a rise in stature. The New Nigerians may well make that happen, because already, the group has promised to revisit its scholarship promise to the community’s bright minds; the other project will be to erect another impressive monument to the slave trade a la the ‘Point of no Return’.

The Akran, on behalf of the people, has promised pieces of land to the new natives, because they need, he says, to have their own homes—one they can come to whenever they please.
See all travel writing by Pelu Awofeso.

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from 234next.com
http://234next.com/csp/cms/sites/Next/Home/5527680-146/story.csp

Council mobilises for Lagos Black Heritage Festival

February 16, 2010 10:38PM
print email

The Oto/Awori Local Council Development Area says it will mobilise the people to showcase their rich culture at the forthcoming 3rd Lagos Black Heritage Cultural Festival scheduled for April 3- 9.

The festival themed, “Lagos/Badagry 2010”, is aimed at celebrating the creativity of Lagos State in dance, music and theatre regatta.

The Council Chairman, Bolaji Kayode, told News Agency of Nigeria in Badagry on Tuesday that the Council’s contingent had been fully prepared for the festival.

“Our participation in the festival is part of Oto/Awori LCDA’s commitment to promoting arts and culture. We will mobilise our people to feature in the festival particularly in Gelede and Ajegbo events,” he said.

Mr. Kayode expressed the hope that the council’s contingent would lift the laurels in the two events.

The organisers said the festival would be a forum for showcasing Africa’s diverse cultural heritage. The maiden edition of the festival was held in 2001 and was declared open by the former governor of the state, Bola Tinubu.

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from punchng.com

http://www.punchng.com/Articl.aspx?theartic=Art20100319035970

Lagos Black Heritage: A festival of reconnection, revaluation
By Mudiaga Affe, Published: Friday, 19 Mar 2010

Nobel Laureate, Prof. Wole Soyinka

Inspired by the spirit of convergence for which the most populous state in Nigeria remains pre-eminent, Nobel Laureate, Prof. Wole Soyinka, has said that the forthcoming Lagos Black Heritage Festival would be an event of reconnection, revaluation and re-vindication.

Speaking on the festival tagged, Memory and Performance in the return to Source, Soyinka said, in a statement obtained by our correspondent in Lagos, that the event would celebrate the creativity of Lagos within a ”Carnivalesque of tradition and contemporary dance.”

The LBHF, which holds between April 3 and 9, 2010, is an initiative of the Lagos State Government.

According to Soyinka, the LBHF is a seven-day cultural manifestation during which hundreds of performers will animate the ancient city of Badagry and cosmopolitan Lagos in a blend of the traditional and the modern.

On the theme of the festival, Soyinka, who is the Festival Coordinator, explained that for over a millennium, African indigenes South of the Sahara were hunted, bartered, and sold into slavery by European and Arab slavers often with the active connivance of Africans themselves.

”Millions perish even before their destination along the Trans-Atlantic route and the Indian Ocean route to Iraq and Persia, now known as Iran. For centuries, and even till date, many could neither recall nor manifest the slightest interest in their antecedents.

”By contrast, especially since the latter half of the twentieth century, hundreds of thousands of descendants of victims of this execrable commerce have embarked on the return journey home – some in search of their true origins, others in the spirit of symbolic pilgrimage, and yet others to reclaim and resettle in their ancestral space. Whichever way, for many, this has proved emotional, but with fulfilling experience,” he said.

He said that it was in fulfillment of this yearning for the healing of dislocated sense of identity that the Lagos State Government instituted, with the support of the United Nations‘ Education, Scientific and Cultural Organisation, the Black Heritage Festival in the symbolic town of Badagry.

The playwright said the Lagos State Government plans to serve the discerning palates from within the country, the continent and the Diaspora of the Caribbean and Americas.

One of the highlights of the Lagos-Badagry 2010 is a painting competition featuring artists drawn from Nigeria and the rest of the world.

An international jury will decide which of the 25 finalists will be rewarded in the Gold, Silver and Bronze categories which go with the award of $20,000, $15,000 and $10,000 respectively.

Comments :

Lagos Black Heritage…… nice 1, but, so far i cant connect the vision of the group their objectivity pursuit, pro grammes and strategy I a son of the soil by interest in badagry thus am in total cooperation with any social articulate school of mission that set to project badagry historical value. meanwhile here is overwhelming challenge, so much is been orchestrated in the median meanwhile all the node features that makes the history are not preserve,e.g slave route,harboure,artenuation

Posted by: eko1city , on Friday, March 19, 2010

Report this comment

The slogan makes no sense to me. What is Lagos black heritage? I’ll rather call it ’Lagos reborn of African Heritage’. It makes more sense and gives me something to look forward to. I do not want to use the slogan of racisim, because that is the way they will call it in a land where there are other colours.

Posted by: Enitan Onikoyi , on Friday, March 19, 2010

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from
http://lagosblackheritagefestival.org/

HISTORY
THE LOGO
THE TEAM

Welcome to the Official Website of the 3rd Lagos Black Heritage Festival!
For over a millennium, African indigenes South of the Sahara have been hunted, bartered, and sold into slavery by European and Arab slavers, often, alas, with the active connivance and participation of Africans themselves. Millions perished even before destination along the Trans-Atlantic route, the Trans-Saharan route, and the Indian Ocean route to Iraq and Persia, now known as Iran…
More >>

The First Edition of Caterina de’ Medici Painting Award took place in Florence in year 2002. Three Nigerian Artists participated. One of these artists, Olubunmi Ogundare emerged as one of the best ten of the world-wide competitors!
More >>

Présence Africaine

Présence africaine is a panafrican quarterly cultural, political, and literary revue, published in Paris and founded by Alioune Diop in 1947. In 1949, Présence africaine expanded to include a publishing house and a bookstore on the rue des Écoles in the Latin Quarter of Paris. As a journal, it was highly influential in the Panafricanist movement, the decolonisation struggle of former French colonies, and the birth of the Négritude movement.
More >>

**********************************************
The Black Orpheus

HISTORY
THE LOGO
THE TEAM

For over a millennium, African indigenes South of the Sahara have been hunted, bartered, and sold into slavery by European and Arab slavers, often, alas, with the active connivance and participation of Africans themselves. Millions perished even before destination along the Trans-Atlantic route, the Trans-Saharan route, and the Indian Ocean route to Iraq and Persia, now known as Iran.

For centuries, and even till today, many could neither recall nor manifest the slightest interest in their antecedents. By contrast, especially since the latter half of the twentieth century, hundreds of thousands of descendants of the victims of this execrable commerce have embarked on the return journey home – some in search of their true origins, others in the spirit of a symbolic pilgrimage, and yet others to re-claim and re-settle in their ancestral space. Whichever way, for many, this has proved an emotional but fulfilling experience.

It was in fulfillment of this yearning for the healing of dislocated sense of identity that the Lagos State government instituted, with the support of UNESCO, the Black Heritage Festival in the symbolic town of Badagry, one of the more infamous departure points, with surviving landmarks, a Festival that seeks to enshrine the place of Memory in the history of peoples, and to celebrate survival and the resilience of the human will.

The third, 2010 edition of this Festival, appropriately billed as MEMORY AND PERFORMANCE IN THE RETURN TO SOURCE, is planned to raise this awareness to new heights, broaden and deepen the linkage between the African continent and its Diaspora.

This will be effected through a focus on the lives and works of three eminent representatives of, and close collaborators in this racial mission, all three now ancestral figures: the Martiniquan poet, dramatist, pan-Africanist and cultural activist, Aime Cesaire; prime mover of the journal Presence Africaine, and the publishing house of that name, Alioune Diop (whose centennial anniversary comes up in the year 2010, and the poet, essayist, and statesman Leopold Sedar Senghor. With this emphasis, a further step is taken to diminish the fragmentations in a common race heritage that were created through colonization under competing European cultures on African soil.

The three ancestors led a closely intertwined career. Cesaire, it will be recalled, was a principal midwife, in company of Leopold Sedar Senghor and others, of the philosophy of Negritude, the Beingness of Black. In addition to the performance of Cesaire’s plays and readings from his poetry, rare archival material from Alioune Diop’s pioneering journal, Presence Africaine, of which Aime Cesaire was also past president, will be placed on exhibition for the first time in this country. At the same time, Lagos State pays tribute also to the late President Leopold Sedar Senghor who was the inspiration and spearhead of the first ever international Negro Arts Festival (1966), the second edition of which the late Alioune Diop, served as Secretary-General and principal organizer. That second edition was called the Black and African Arts Festival, 1977, better known as FESTAC.

Buffered by a symposium, films, documentaries, a book exhibition, a gallery of contemporary art, music, theatre, concerts, traditional and contemporary dances, a boat regatta, a Children’s Heritage Village and African traditional games, not omitting from the Nigerian Film industry, this promises to be THE cultural event to round off the first decade of the millennium. The City of a Thousand Masks – Lagos – will herself be a player in the events, since the Festival programme will feature a unique competition – in association with the Caterina de’ Medici Foundation – where artists of African descent will vie for the ultimate laurel with their painterly impression on the theme CITY OF A THOUSAND MASKS, a contest that will be held before a live audience.

To sum up, a Festival of RECONNECTION, REVALUATION, REVINDICATION – this is the feast that Lagos State plans to serve up to discerning palates from within the country, the continent, and the Diaspora of the Caribbean and the Americas.

HISTORY
THE LOGO
THE TEAM

The Activities for the 3rd Lagos Black Heritage Festival include:

PAINTING COMPETITION

(Collaboration with Catarina de Medici).

DRAMA / THEATRE

This segment will feature 3 plays:

– King Christophe
– A Season in the Congo
– Ireke Onibudo

Children’s play

DRAMA

CULTURAL PERFORMANCES

MUSIC

The Musical segment of the LBHF celebrates the indigenous Music and Culture of Lagos, Nigeria and the Black World. The segment encompasses every style associated with the city of Lagos. A wide scope indeed as Lagos State represents Nigeria and essentially the Black World.

From Traditional music to Contemporary – Juju to Afro Caribbean.
Ayo Bankole

Steve Rhodes Voices

Lagbaja

Seun Kuti

Fatai Rolling Dollar (Guest Appearance).

Tunji Oyelana – Guest Artist.

Fuji
(Kwam1 / Obesere/ Pasuma )
Apala
(Musiliu Isola / Apala-Porto-Novo)
Hip-Hop
(D Banj, 9ice)
Agidigbo (Eko)

Gbedu Oba (Eko)

CHILDRENS’ HERITAGE VILLAGE

(to be directed by Jimi Solanke).

DANCE & MASQUERADES

– Contemporary Dance

– ATUNDA Dance

Traditional

Ajogan (Badagry King’s Procession).

Vodun (Badagry)

Sato (Badagry)

Bolojo (Badagry/Ijio/Eko)

Obitun (Ile-Oluji/Ondo)

Bata (Lagos/Oyo)

Dundun (Lagos/Oyo)

Ijo Apeja (Epe)

Nyok (Calabar)

Ekombi (Calabar)

Sokorowo (Owo-all female troupe)

Fitila Procession
The sombre Remembrance procession.
Nasarawa Contingent

Masquerades
Zangbeto (Badagry)

Gelede (Badagry)

Eyo (Eko)

Ekpe (Akwa-Ibom)

Igunnuko (Eko)

GALA NIGHT

FILM SHOWS

-> Roots

-> Amazing Grace

CHILDREN’S THEATRE

FITILA PROCESSION

OLOKUN FESTIVAL

OPENING CEREMONY

CLOSING CEREMONY

CLOSING CONCERT

FOOD FAIR

AFRICAN TRADITIONAL GAMES

AFRICAN FASHION /LAGOS HAIR SHOW

ART & CRAFT ZONE

Crafts Artisans from the Lagos region of Nigeria and from around the world converge at Festival Crafts zone to demonstrate and sell their works. It is held at various locations around Badagry, Lagos and other selected locations around Lagos State.

Display Hours are 10am to 9pm.

SYMPOSIUM

The Lagos Black Heritage Festival Symposium creates a forum of Intellectual discourse of themes related to black history, heritage and the relevance of memory to contemporary concerns.

EXHIBITIONS

(a). Presence Africaine – Books Exhibition.

(b). Slavery Objects

HISTORY
THE LOGO
THE TEAM

Wole Soyinka

For over a millennium, African indigenes South of the Sahara have been hunted, bartered, and sold into slavery by European and Arab slavers, often, alas, with the active connivance and participation of Africans themselves. Millions perished even before destination along the Trans-Atlantic route, the Trans-Saharan route, and the Indian Ocean route to Iraq and Persia, now known as Iran. For centuries, and even till today, many could neither recall nor manifest the slightest interest in their antecedents. By contrast, especially since the latter half of the twentieth century, hundreds of thousands of descendants of the victims of this execrable commerce have embarked on the return journey home – some in search of their true origins, others in the spirit of a symbolic pilgrimage, and yet others to re-claim and re-settle in their ancestral space. Whichever way, for many, this has proved an emotional but fulfilling experience.

It was in fulfillment of this yearning for the healing of dislocated sense of identity that the Lagos State government instituted, with the support of UNESCO, the Black Heritage Festival in the symbolic town of Badagry, one of the more infamous departure points, with surviving landmarks, a Festival that seeks to enshrine the place of Memory in the history of peoples, and to celebrate survival and the resilience of the human will. The third, 2010 edition of this Festival, appropriately billed as MEMORY AND PERFORMANCE IN THE RETURN TO SOURCE, is planned to raise this awareness to new heights, broaden and deepen the linkage between the African continent and its Diaspora. This will be effected through a focus on the lives and works of three eminent representatives of, and close collaborators in this racial mission, all three now ancestral figures: the Martiniquan poet, dramatist, pan-Africanist and cultural activist, Aime Cesaire; prime mover of the journal Presence Africaine, and the publishing house of that name, Alioune Diop (whose centennial anniversary comes up in the year 2010, and the poet, essayist, and statesman Leopold Sedar Senghor. With this emphasis, a further step is taken to diminish the fragmentations in a common race heritage that were created through colonization under competing European cultures on African soil.

The three ancestors led a closely intertwined career. Cesaire, it will be recalled, was a principal midwife, in company of Leopold Sedar Senghor and others, of the philosophy of Negritude, the Beingness of Black. In addition to the performance of Cesaire’s plays and readings from his poetry, rare archival material from Alioune Diop’s pioneering journal, Presence Africaine, of which Aime Cesaire was also past president, will be placed on exhibition for the first time in this country. At the same time, Lagos State pays tribute also to the late President Leopold Sedar Senghor who was the inspiration and spearhead of the first ever internastional Negro Arts Festival (1966), the second edition of which the late Alioune Diop, served as Secretary-General and principal organizer. That second edition was called the Black and African Arts Festival, 1977, better known as FESTAC.

Buffered by a symposium, films, documentaries, a book exhibition, a gallery of contemporary art, music, theatre, concerts, traditional and contemporary dances, a boat regatta, a Children’s Heritage Village and African traditional games, not omitting from the Nigerian Film industry, this promises to be THE cultural event to round off the first decade of the millennium. The City of a Thousand Masks – Lagos – will herself be a player in the events, since the Festival programme will feature a unique competition – in association with the Caterina de Medici Foundation – where artists of African descent will vie for the ultimate laurel with their painterly impression on the theme CITY OF A THOUSAND MASKS, a contest that will be held before a live audience.

To sum up, a Festival of RECONNECTION, REVALUATION, REVINDICATION – this is the feast that Lagos State plans to serve up to discerning palates from within the country, the continent, and the Diaspora of the Caribbean and the Americas.

Wole Soyinka
Emeritus Professor in Literature
Obafemi Awolowo University
Nobel Laurette in Literature 1986

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BLACK/AFRICAN WOMEN USE THEIR POWER TO BRING MURDERERS TO JUSTICE!-FROM THE PUNCH NEWSPAPER,MARCH 2010

March 13, 2010

from punch newspaper,nigeria

BLACK/AFRICAN WOMEN’S POWER TO CORRECT!

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Friday, March 12, 2010
Jos killings: Plateau women protest in Abuja, GOC’s removal
John Ameh, Abuja

Plateau women protesting

A large crowd of women from Plateau State marched to the National Assembly on Thursday to protest last Sunday’s killing of about 500 persons in Jos South Local Government Area of the state.

advertisement
Dressed in black, the women, who bore placards said they came to the National Assembly under the aegis of Plateau Women Development Association. They told sorrowful stories of how they lost their family members, including husbands and children, to the attacks allegedly carried out by Fulani herdsmen last Sunday.
One of their demands was the removal of the General Officer Commanding, 3rd Amoured Division of the Nigerian Army, Jos, Maj-Gen. Saleh Maina, whom they accused of complicity in the killings. The women, who wailed uncontrollably, were received by the Speaker of the House of Representatives, Dimeji Bankole, at the National Assembly square.
They were later led to Hearing Room 1 within the National Assembly building where the Majority Leader of the House, Mr. Tunde Akogun, stood in for Bankole. The Speaker had to return to the chambers of the House to preside over its plenary.
Part of a statement jointly signed by the Vice-President of the association, Mrs. Margaret Bagas, and the Secretary-General, Dr. Zipporah Kpamor, which they presented to the House, read, “The Plateau State Women Association, Abuja Branch, has watched with keen interest the state of criminal activities being allowed in Plateau State which has led to the killing of hundreds of people in addition to the loss of confidence the people of Plateau have been made to suffer.
“We strongly reject the genocide, the carnage and terrorism that have swept the one-time peaceful and hospitable people of the Plateau. We are no longer comfortable with the situation in our land. Can we leave our God-given land for someone else? Visitors we have been very hospitable to and accommodated peacefully? No. Never.”
One of the women, Mrs. Priscilla Sunday, said that she lost seven children to the series of violence in the state. She said that the presence of security agencies in Plateau State no longer had any relevance since they could not protect the people.
She said, “We villagers want peace but if government can no longer guarantee peace, they should allow us to fight. The security agents should leave us alone for a fight to finish; whoever wins should take over Jos.”
Coming soon after a similar orgy of violence in January, the women expressed shock that security agencies failed in their responsibility to safeguard lives and property of the people.
Akogun said he was pleased with the orderly conduct of the women and assured them that the National Assembly would not allow the sponsors and perpetrators of the attacks to escape punishment.

BLACK PEOPLE/AFRICANS!-SPEAK ONLY AFRICAN LANGUAGES TO YOUR CHILDREN IN YOUR HOUSE IF YOU WANT AFRICAN CHILDREN WITH AFRICAN BEHAVIOUR AND VALUES!-FROM ALL ALLAFRICA.COM WITH AFRI

February 15, 2010

FROM allafrica.com

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Daily Independent (Lagos)

Nigeria: Enforcing Indigenous Languages in Homes
Yemi Adebisi
14 February 2010

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Lagos — The National Institute for Cultural Orientation (NICO), a parastatal of the Federal Ministry of Tourism, Culture and National Orientation appears to be set to encourage the use of indigenous languages in Nigerian homes.

The institute also frowns at the mode of dressing of most Nigerian children, which it described as ‘near nudity,’ blaming this on the nonchalant attitude of Nigerian parents and the lack of respect for Nigerian culture. It has therefore assured that it would use its medium to address the total emancipation of Nigerian cultural details and encourage its proliferation. This would, according to the institute, help to market the value of Nigerian culture, home and abroad, when the essence and awareness of the culture is encouraged.

Apparently, the recent visit of the executive secretary/chief executive officer of NICO, Dr. Barclays F. Ayakoroma to Lagos office was primarily designed by the institute to gear up arrangement to start off the new academic session of its cultural institute. It was during the visit that Ayakoroma, in his chat with the media, unveiled plans to take Nigeria culture to all the nooks and crannies of the country and to ensure that it yields positive results than ever. NICO was established by Decree 93 of 1993.

The Institute has the primary responsibility of harnessing Nigeria’s cultural resources to meet the challenges of social integration, peace, unity and national development. It also serves as vital force for promoting Nigeria’s programme of Cultural Diplomacy and energising the various cultural establishments in the new direction advocated by Nigeria’s Cultural Policy and the World Decade for Cultural Development (1988-1997) declared by the United Nations.

NICO has a vision to be the apex and leading Cultural Training Institute in Nigeria and Nigeria’s contribution to world progress and civilisation through research and documentation, cultural assets and services, both tangible and intangible.

NICO is also committed to train cultural development officers, motivators and communicators who would be grounded in Nigerian cultural realities, philosophy and practices that are essential for national integration, peace, unity and development in a multi-ethnic nation.

It would be recalled that the institute has presented for graduation, the first set of students in the Certificate, Graduate and Diploma in Cultural Studies. By November 2009, registration processes started for the second set. Ayakoroma visited Lagos to ensure the successful take off of the new academic session. According to him, he was satisfied with the current academic programme and expressed hope that sooner, the training school will be in its rightful place in the culture sector. The vision of NICO is to run a school that will produce graduands that will occupy strategic position in various cultural institutions.

“Just like the Federal Training School trains clerical officers all over the country, ASCON trains administrative officers, and NIPS trains top government officers in the civil service and the military, we are positioning ourselves to train cultural workers at the middle and top level of cultural administration,” he said.

The secretary observed that NICO would only gain its relevance in the scheme of things when it comes out with some programmes that will impact the lives of the generality of the people. At the national level, according to him, there are programmes lined up, but specifically, the indigenous language programme appears to be a strategic option. With the notion that many Nigerians are not intact, language wise and that most of Nigerian children find it difficult speaking indigenous language, because of inter-tribal marriages and so on, NICO has developed a programme that will encourage the speaking of the indigenous languages.

“If these children are given the opportunity to learn indigenous languages, they approach them with every sense of commitment. This programme has gained ground to some extent. In the last long vacation of Nigerian primary and secondary schools, the programme took place in the six zonal offices of NICO.”

The institute has set up an agenda to introduce a programme entitled ‘Language in the Barracks’ to support its vision to immortalize indigenous languages. This is with the intention of taking indigenous language training scheme to police and military barracks. It was discovered, however, that among some military or police families, the wives might be Yoruba while the husbands, Igbo. It boils down on the challenge of the particular language that the children will be disposed to speak. NICO therefore believes that with this programme, parents as well as children will have the opportunity to learn those languages. The institute has also concluded plans, according to the executive secretary, to start a television programme called ‘WAZOBIA Quiz’. They are looking at a scenario whereby the parents and their children come for a quiz programme based on culture such as ‘Nigerian People and Places’. Such segment will be in the three Nigeria major languages.

“If the father is speaking Yoruba and Hausa for example, and the wife is Igbo, we expect that one of the children that will appear with you for the programme will also speak one of the languages. We believe it will be an interesting programme and it will enhance or energise the study or interest of Nigerian languages,” he said. This, to an extent, might help improve the readiness of Nigerian families to cherish the more the indigenous languages. NICO declared its intention to encourage the speaking of indigenous languages at homes and offices in Nigeria and not having English as lingua franca in respected homes. Other roundtable programme of the institute include annual roundtable conference, workshop on ‘Repositioning Cultural Workers for Improved Productivity’, World Culture Day celebration in May among others. The secretary also intimidated the media about the plan of the institute to start cultural club in secondary schools. This will be taking to secondary schools to catch the young ones culturally, like the debating and literary societies. The intention of the institute is for the children to appreciate every area of Nigerian culture, be it music or dressing.

He expressed his disappointment on how Nigerian parents are showing lackadaisical attitude to the dressing mode of most Nigerian children. According to him, some of these children go on the street almost in nudity. “It is very worrisome. The jeans, T-shirts, and the type of short sketches that our children wear in the name of fashion are really worrisome. That is why we are also looking at organising a programme called ‘Nigeria’s Dress Culture’. We want to look at aspect of dress culture.”

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Some Nigerian universities have been observed to institutionalised dress codes. Ayakoroma therefore appealed that such institutions should be encouraged, because if the students are allowed to dress the way they want, “very soon we will begin to see nude boys and girls on our streets in the name of fashion.”

NICO has vowed to step up actions on the creation of awareness on the essence and importance of culture in Nigeria. Culture, according to him, is what makes a man. He therefore warned that with the level of richness of Nigerian culture, it would be very unfortunate if Nigerian parents failed to carry their children along and sell them to the western world in the name of civilisation.

He also significantly pointed out that for Nigeria to move forward, there is a need for Nigerians to cooperate with the institute to appraise the level of corruption in Nigeria from cultural point of view.


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