Posts Tagged ‘BLACK PEOPLE’

KI LO DE OMO YORUBA O!-LOSE GRACEFULLY AND MOVE UP TO HIGHER MORAL GROUND!

May 9, 2013

“KAKA K EKU MA JE SESE S AWADANU!
(THE RAT SCATTEERS SESE(A BEAN SEED) if IT IS PREVENTED FROM EATING IT!)
YORUBA PROVERB!

FROM PUNCHONLINE.COM
Aketi and Oke incur additional deficits
May 7, 2013 by Niyi Akinnaso (niyi@comcast.net) 16 Comments

Anyone who has been following Ondo politics would have observed that the Action Congress of Nigeria and the Peoples Democratic Party entered last year’s governorship race with different motives. The ACN wanted to “capture” Ondo State by all means, while the PDP was anxious to regain power, which it lost to the Labour Party in 2007. In the course of the campaign, however, the media focus was on the ACN, partly because of the large number of aspirants; partly because of the externalisation of the process beyond Ondo State; partly because of the visible role of the National Leader of the ACN, Bola Tinubu; and partly because of the various tactics employed during the campaign, including negative propaganda.

However, after investing substantial human, financial, material, and political capital in the October 20, 2012, governorship election, Jagaban returned to Lagos empty-handed (The PUNCH, October 22, 2012). I did not write that piece to deride my friend, Tinubu. As the ACN’s National Leader, he should encourage his political party to participate in elections throughout the country. My grouse was with the tactics used by the ACN, particularly the location of the planning and logistics of the Ondo election in Lagos and Osogbo and the massive negative propaganda which defied decorum and truth.

You would have thought that, having lost the election, Tinubu would have advised his political party to desist from making additional investments in a lost battle. Why, you would ask, would the ACN candidate, Rotimi Akeredolu, a Senior Advocate of Nigeria, go to court to challenge an election that was universally adjudged to be free, fair, and peaceful? Why challenge the victory of the Labour Party candidate, Dr. Olusegun Mimiko, given the overwhelming evidence in his favour?

Unfortunately, however, Jagaban, Aketi, and the ACN decided to behave like Kurunmi in Ola Rotimi’s play of that title, in which Brother Tortoise’s futile adventure was used to illustrate the tragic irony of Kurunmi’s engagement in a war he should not have fought. In his blind anxiety to disgrace the Alaafin and the Ibadan Lords, Kurunmi likened his enemies to Brother Tortoise as he derided them: “When Tortoise is heading for a senseless journey, and you say to him, Brother Tortoise, when will you be wise and come back? Tortoise will say… Not until I have been disgraced”. As it turned out, however, it was Kurunmi himself who was disgraced as his army was soundly defeated.

In further pursuit of their attempt to “capture” Ondo at all cost and perhaps “teach Mimiko a lesson”, Jagaban, Aketi, and the ACN headed for The Election Petitions Tribunal after Mimiko was officially declared as the winner of the October 20, 2012, governorship election. It is quite understandable why the electoral defeat was painful for them. On the one hand, Akeredolu would have loved to become the Governor of Ondo possibly in order to atone for his controversial services as the state’s Attorney General during the ignoble Abacha regime, when Akeredolu participated in the universally condemned arrest of Pa Adekunle Ajasin, his townsman and the first civilian Governor of Ondo State, for his leadership role in NADECO.

On the other hand, Jagaban, would have loved to add Ondo to his ACN empire in the South-West, perhaps in order to use the entire region as a bargaining chip in the 2015 presidential election. There are even speculations that he also wanted Ondo for its mineral and agricultural resources. His election campaign speeches, especially during the so-called Redemption Rally held at the Akure Democracy Park a few days before the election, also indicated that he wanted to settle scores with the governor for not crossing over to the ACN, despite his (Tinubu’s) “assistance” during the mandate fight in 2007.

However, as in Kurunmi’s case, disgrace came again when the three-member Tribunal, led by Justice Andovar Kaaka’an, dismissed the petitions of the ACN and the Peoples Democratic Party in succession on Friday, May 3, 2013. The senselessness of the petitions is evident in the grounds for their dismissal. For example, many of the petitioners’ witnesses, who testified before the Tribunal, did not actually witness the alleged acts but relied on what the judge described as “bundles of primary and secondary hearsay”, which is not admissible in law. Moreover, the testimonies of the petitioners’ witnesses were said to be full of contradictions and at variance with the pleadings in the petitions, which made the testimonies unreliable. The judge added,“No single witness testified that he or she did not vote or that the votes were taken away to unauthorised places after the election while no police report, which indicated violence during the election, was tendered by any of the parties”.

In a unanimous ruling, the Tribunal concluded that the petitioners failed to prove that their complaints substantially affected the outcome of the election. It added that the petitioners also failed to show that they would have won the election or that Mimiko would not have won it. A careful reading of the judgment shows that the Kaak’an-led Tribunal further enhances the credibility of the court as a desirable arbiter of electoral disputes.

The petitions and the Tribunal’s judgment raise important questions. First, why would electoral losers file petitions, when it was clear that they had no evidence to prove “beyond reasonable doubt” that they would have won the election or their opponent should have lost it? This question is the more important when it is recalled that the candidates for both the ACN and PDP in the Ondo case are lawyers. There are two possible answers: Either they are still desperate to win or they want to prevent the governor from concentrating on the business of governance. The latter point reminds one of a Yoruba saying, Kaka k’eku ma je sese, a fi s’awadanu (The rat scatters sese (a bean variety), if it is prevented from eating it).

This leads to an even more fundamental problem, namely, the abuse of the judicial process. True, it is the legitimate right of the ACN and PDP candidates to go to court to seek redress, if they were truly aggrieved. However, it is a waste of time, money, and other resources to file petitions against an election that was well acknowledged by local and foreign observers as free, fair, and peaceful. Why conjure violence in a petition, when there were neither police reports nor eyewitness accounts of violence anywhere during the election? Where do we draw the line between a peaceful and a violent election or between a good and a bad election?

I raise these questions because the time has come when candidates should begin to accept electoral defeat with equanimity, as in Ghana and South Africa. Otherwise, we would normalise the practice of petitioning every election, no matter the quality of the electoral process and the sanctity of the outcome. Besides, if Aketi and Oke keep pursuing an election they lost badly at the polls and in court, what would they have done if they lost as incumbents? The state probably would have been confronted with a Laurent Gbagbo situation. On the basis of the present evidence and the Tribunal’s careful ruling, this matter should be regarded as closed,

GABOUREY SIDIBE-OUR BLACK SKINNED BEAUTY-IS BREAKING the/skinny/white/girl/standard/of/beauty/glass/ceiling INTO PIECES!

May 3, 2013

Gabourey Sidibe on ‘American Horror Story’ role: “I hope I don’t die”

Published Thursday, May 2 2013, 4:18pm EDT  |  By Justin Harp  | 

Gabourey Sidibe has expressed excitement about joining the cast of American Horror Story.

Creator Ryan Murphy’s third American Horror Story season will be subtitled Coven and is to explore supernatural forces and witchcraft.

Sidibe reacted to her casting on the FX series while speaking to E! News, revealing that she has loved the show’s previous seasons.

“I’m so excited and I could not wait to tell the world because it’s one of my favorite shows,” she beamed.

The Academy Award nominee was also quizzed on details about the upcoming season.

“I know nothing,” she insisted. “The news just sort of came in two weeks ago… I have not seen a script at all. I know it shoots in New Orleans.”

Sidibe then joked: “I hope I don’t die!”

The third season of American Horror Story will also feature Jessica Lange, Lily Rabe, Sarah Paulson, Evan Peters, Frances Conroy, Taissa Farmiga and Kathy Bates in the cast.

American Horror Story: Coven premieres in October 2013.

MARTIN LUTHER KING JR.’S ARREST IN Mongomery Alabama BUS Boycott-LEST WE FORGET!

May 2, 2013

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ASO OKE! -YORUBA TRADITIONAL WEDDING CLOTH!

May 2, 2013

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Gabourey Sidibe-OUR BLACK SKINNED BEAUTY- Joins ‘American Horror Story: Coven’ Cast! justjared.com

April 30, 2013

THE REAL MICHAEL JACKSON and MUHAMMED ALI and ONE OF HIS 4 WIVES! -BLEACH LIKE MICHAEL JACKSON AND BECOME A MONSTER! -BLEACH AND DIE!

April 30, 2013
BLEACH AND DIE!

BLEACH AND DIE!

BLEACH AND DIE!

GABOUREY SIDIBE AND A BROTHER AT Good Shephard Spring Party-OUR BLACK SKINNED BEAUTY IS DOIN’ IT!

April 30, 2013

IGBEYAWO! -ASOKE !-THE MOST BEAUTIFUL CLOTH IN THE WORLD !

April 25, 2013

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BLACK MEN UNITE and PROTECT THE BLACK NATION!

April 25, 2013

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YORUBA O! -O’DUA MUSEUM ATI HALL of FAME OPENS AT COCOA HOUSE,IBADAN!

April 21, 2013

O’dua Museum, Hall of Fame: Preserving a people’s legacy

Posted by: Our Reporter

on April 13, 2013

in Travels on Saturday

Leave a comment

The transformation was rapid and dramatic. Suddenly one was transported from the sophistication of a cosmopolitan high-rise building in the centre of a city to a rural setting more than 40 years ago.

Such is the transformation that one experiences on visiting the recently commissioned O’odua Museum and Hall of Fame in Ibadan, the Oyo State capital.

As the guard opened the wooden door with intricate designs to usher one in, the voice of the late Hubert Ogunde could be heard singing in Yoruba. It was as if he was just around the corner. As one climbed the staircase to the museum floor, one was no longer on the 20th floor of the Cocoa House.

One was transported back in time to the years gone by. What one felt all around was the African essence.

Both sides of the wall are decorated with batiks. A traditional African mat is rolled out on the floor.

The next point is the corridor with a signpost signalling that the museum is on the right, while the Hall of Fame is on the left. Museums, all over the world, always have special appeal. So, the first place to visit was the museum. Even before seeing some of the artifacts, the ambience created was purely rural: local mats used on the floor, red earthen walls, bamboo sticks used as part of the declaration.

The museum captures the totally of Yoruba way of life in the old days. Pots and bronze carvings of different sizes are displayed. The different kinds of Yoruba drums are also arranged neatly.

Appurtenances of royalty such as beads, horse-tail, crowns and walking sticks are displayed at the royalty section.

One of the most interesting section of the museum is the war section where old war weapons such as guns are on display. The treaty that brought an end to the Yoruba war of the 19th century titled Proclamation of Peace at Kiriji-Mesin Battlefield was boldly displayed.

Professor Wole Soyinka, who declared the place open early this month, commended the management of O’dua Investment Limited and had this to say: “The museum showcases the beginning of Yoruba technology and the ingenuity of our forbearers, but I want to say there is still more to do now that an appeal has been made to people to donate materials to enrich the arts, crafts and antiquities contents of the museum.

“Let me say that it is with a thought of nostalgia that I return to the Cocoa House and I must say I am very happy with what I have seen here.

”Cocoa House is one of those firsts Yoruba recorded in Nigeria. This area specifically used to be the centre of arts and Yoruba culture. But the negative side of it is that Nigeria once went into a downward spin, including Cocoa House and the University of Ibadan. The deterioration was much. Everything decayed and the famous Cocoa House could not save itself. But what we have seen so far impressed me, from the Ground Floor to the Top Floor of this building. This Cocoa House is the contemporary Oranmiyan staff for Yoruba.”

The curator of the museum, Mr. Babajide Famuyiwa, explained the reason behind the establishment of the museum: “ It is created to showcase the essence of the Yoruba people. What the Yoruba call Omoluabi. The Yoruba people have played a major part in the economic development of the country. They have helped in the development of every sphere of endeavour in the country. So in that wise, it was decided that we should look at these and bring them in focus. That informed the creation of the O’odua Museum and Hall of Fame.

“It is not only about the pre-colonial artifacts that are on display. Colonial era items that had influenced life in the past are also there. For those who may not have heard of gramophone, polaroid camera, type-writer and so on, they will find the museum useful. The museum would be a treasure trove for many young persons wishing to know more about the past.

“The Hall of Fame section is a kind of pantheon for Yoruba personalities from all walks of life. They include the late Professor Awojobi, Hubert Ogunde, Mrs. Funmilayo Ransome Kuti , Rashidi Yekini and many others.

“A tour of the hall of fame and museum has an icing. One has an opportunity for a wonderful bird-eye view of the Ibadan city. There are also strong binoculars that one could use to view any part of Ibadan.

“There are two sections to it, the museum and the hall of fame. Let us start with the museum.

In the museum, we try to showcase some Yoruba artifacts. There are certain peculiarities with the ancient civilization in the ancient time. This is reflected in the collections we have in the museum. We have musical instruments, pottery, craft in terms of traditional weaving. What we try to do is to exhibit and display some of the things that the Yoruba used in those days.

“We tried to look at the concept of Omoluabi, that is, those who have lived according to certain Yoruba societal moral values and made remarkable success in life through these. We like achievements of Yoruba sons and daughters in the area technology, politics, sports, arts and many other endeavours. This is what have done.

“At the Hall of Fame, we have people like Professor Soyinka, the late Hubert Ogunde, ex-president Olusegun Obasanjo , M.K.O. Abiola, Rashidi Yekini, the late Chief Obafemi Awolowo, the late Chief S.L. Akintola, the late Mrs. Funmilayo Ransome-Kuti and many others.”

He talked also about the media viewing centre: “The media viewing centre can take about 20 persons. The idea is that when people go round, they could come to see the video clips of some of these personalities on display in the hall of fame. They would hear there voice, see them in action through these video clips.

“The place is opened to everybody coming to the city of Ibadan. We encourage school children, university students, researchers and so on. It is open for now from Monday to Friday from 10am to 4pm. We believe as time goes on, the management would consider adding weekends to the opening days. For now, the fee has not been officially sanctioned. It is not likely to be more than 200 naira per person. “

The O’dua Museum and Hall of Fame has succeeded in adding to the richness of the essence of the ancient city of Ibadan. Before it used to be the University of Ibadan and few other places.


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